Classical Heartbreakers

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Piano Concerto no. 1 in B-flat minor, op. 23
piano:
Horacio Gutiérrez (pianist)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Пётр Ильич Чайковский3:25
2Intermezzo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (german lyrics)
Pietro Mascagni3:44
3Rhapsody on a Theme of Paganini
producer:
John Fraser (UK producer) (from 1984-05-03 until 1984-05-04)
piano:
Cécile Ousset (French pianist) (from 1984-05-03 until 1984-05-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-03 until 1984-05-04)
conductor:
Simon Rattle (conductor) (from 1984-05-03 until 1984-05-04)
balance engineer:
Michael Sheady (engineer) (from 1984-05-03 until 1984-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1984-05-03 until 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (from 1984-05-03 until 1984-05-04)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов3:02
4O mio babbino caro
soprano vocals and soprano vocals [Lauretta]:
Montserrat Caballé (soprano)
vocals:
Montserrat Caballé (soprano)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1970)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:48
5Viola da Gamba Sonata in G minor
harpsichord:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
partial recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach2:34
6Beim schlafengehen
engineer and balance engineer:
Neville Boyling (engineer)
producer:
John Willan (producer)
soprano vocals:
Lucia Popp (soprano) (on 1982-02-28)
orchestra:
London Philharmonic Orchestra (LPO) (on 1982-02-28)
conductor:
Klaus Tennstedt (conductor) (on 1982-02-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1982-02-28)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (on 1982-02-28)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss6:26
7Schindler’s List Theme
violin:
Tasmin Little (violinist) (in 1994)
orchestra:
New World Symphony and New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
John Williams5:06
8Claire de lune
piano:
Dame Moura Lympany (British pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy4:59
9Symphony no. 5 in C-sharp minor: IV. Adagietto
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Sir John Barbirolli (conductor and cellist)
partial recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler3:10
10Ebben? Ne andro lontana
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Tullio Serafin (conductor)
Alfredo Catalani4:55
11Moonlight Sonata
piano:
Dame Moura Lympany (British pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1991)
partial recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven3:59
12Violin Concerto no. 1 in G minor, op. 26: II. Adagio
violin:
Yehudi Menuhin (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Walter Süsskind (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1959)
partial recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:26
13E lucevan le stelle
tenor vocals [Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
vocals:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini3:06
14Nocturne in C-sharp minor
piano:
Maria Tipo (pianist)
recording of:
Nocturne no. 20 in C-sharp minor "Reminiscence", op. posth. 1 no. 16, B. 49, KKIVa/16
composer:
Fryderyk Chopin (composer) (in 1830)
Frédéric Chopin4:25
15Adagio for Strings
orchestra:
The Philadelphia Orchestra (in 1957)
conductor:
Eugene Ormandy (conductor) (in 1957)
recording of:
Adagio for Strings (in 1957)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:25
16Cello Concerto in E minor, op. 85
cello:
Robert Cohen (cellist)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Norman Del Mar (conductor)
partial recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar3:49
17Piano concerto no. 2 in F
piano:
Dmitri Alexeev (pianist) (in 1983-05)
orchestra:
English Chamber Orchestra (in 1983-05)
conductor:
Jerzy Maksymiuk (conductor) (in 1983-05)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1983-05)
recording of:
Piano Concerto no. 2 in F major, op. 102: II. Andante (in 1983-05)
composer:
Дмитрий Дмитриевич Шостакович (composer) (in 1957)
part of:
Piano Concerto no. 2 in F major, op. 102
Дмитрий Дмитриевич Шостакович6:10
18Va pensiero
producer:
John Fraser (UK producer)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
chorus master:
Robin Stapleton (conductor)
balance engineer:
Michael Sheady (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:25
▼ CD 2
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1Adagio in G minor
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Giovanni Albinoni5:54
2The Heart Asks Pleasure First / The Promise
additional engineer:
Jamie Luker
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer and creative direction:
Michael Nyman (composer)
piano:
Michael Nyman (composer)
conductor:
Michael Nyman (composer)
arranger:
Michael Nyman (composer)
phonographic copyright (℗) by:
Michael Nyman Ltd. (independent UK record, publishing and holding company) (in 1993)
recorded at:
Arco Studios in München, Bayern, Germany and Kitsch Recording Studio in Ixelles / Elsene, Brussels, Belgium
medley including a recording of:
The Heart Asks Pleasure First (The Piano)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
The Piano (1993 film score)
medley including a recording of:
The Promise (The Piano)
composer:
Michael Nyman (composer)
publisher:
J&W Chester/Ed Wilhelm
part of:
The Piano (1993 film score)
Michael Nyman3:15
3Time to Say Goodbye
violin:
David Abel (violinist/violist)
orchestra:
orchestra (Special Purpose Artist – Do not add releases here, if possible.)
instrumental recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l. (company credits only; do NOT use as release label)
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Francesco Sartori4:01
4Goldberg Variations
recording engineer:
Daniel Michel (recording engineer)
producer:
Alain Lanceron
piano:
Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (from 1986-06-26 until 1986-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988
Johann Sebastian Bach3:06
5Barcarolle
choir vocals:
René Duclos Chorus (from 1964-09-01 until 1965-05-27)
contralto vocals [une voix] and mezzo-soprano vocals [Nicklausse]:
Jeannine Collard (mezzo-soprano / contralto) (from 1964-09-01 until 1965-05-27)
soprano vocals [Giulietta]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1964-09-01 until 1965-05-27)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-09-01 until 1965-05-27)
conductor:
André Cluytens (conductor) (from 1964-09-01 until 1965-05-27)
chorus master:
Jean Laforge (choral conductor) (from 1964-09-01 until 1965-05-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1965)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-26 until 1965-05-27)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur) (from 1964-09-01 until 1965-05-27)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (from 1964-09-01 until 1965-05-27)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:53
6Piano Concerto no. 2 in C minor
piano:
Cécile Ousset (French pianist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов4:33
7Nimrod
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06, in 1971)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06, in 1971)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1970-08-04 until 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1971)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:58
8Vissi d’arte
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19)
conductor:
Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1965)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-03 until 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:05
9Cavatina
guitar:
Manuel Barrueco (guitarist) and Steve Morse (American guitarist)
recording of:
Cavatina (theme from The Deer Hunter, for guitar)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:18
10String Quintet in C
cello:
Laszlo Varga (cellist)
performer:
Hungarian Quartet (1935-1972)
partial recording of:
String Quintet in C major, D. 956: II. Adagio
composer:
Franz Schubert (composer) (in 1828)
part of:
String Quintet in C major, D. 956
Franz Schubert4:40
11J’ai perdu mon Eurydice
producer:
Alain Duchemin
mezzo-soprano vocals [Orphée]:
Anne Sofie von Otter (mezzo-soprano) (from 1989-01-29 until 1989-02-02)
orchestra:
Orchestre de l’Opéra de Lyon (from 1989-01-29 until 1989-02-02)
conductor:
John Eliot Gardiner (from 1989-01-29 until 1989-02-02)
balance engineer:
Michel Lepage (engineer)
recorded at:
Auditorium Maurice Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1989-01-29 until 1989-02-02)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, Scène 1, N° 43. Air “J’ai perdu mon Eurydice” (Orphée)
composer:
Christoph Willibald Gluck (composer)
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck3:32
12Etude in E “Tristesse”
piano:
John Ogdon (pianist and composer)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
composer:
Fryderyk Chopin (composer) (in 1832)
part of:
Études, op. 10
Frédéric Chopin4:15
13Addio del passato
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Symphony Orchestra
conductor:
정명훈 (pianist and conductor)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III
Giuseppe Verdi3:51
14Double Violin Concerto in D minor, BWV 1043
violin:
Christian Ferras (violinist) and Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
partial recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach2:37
15Queen Symphony
orchestra:
Royal Philharmonic Orchestra
conductor:
Tolga Kaşif (composer and conductor)
Tolga Kashif5:59
16Piano Concerto no. 1 in E minor: II. Romance
piano:
Garrick Ohlsson (pianist)
orchestra:
Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach (revived in 1945 in Katowice)
conductor:
Jerzy Maksymiuk (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
composer:
Fryderyk Chopin (composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin4:09
17In paradisum
producer:
David Groves (classical music producer at EMI)
organ:
Peter Barley (from 1988-12-16 until 1988-12-19)
violin:
José‐Luis García (violinist & conductor) (from 1988-12-16 until 1988-12-19)
choir vocals:
Choir of King’s College, Cambridge (from 1988-12-16 until 1988-12-19)
orchestra:
English Chamber Orchestra (from 1988-12-16 until 1988-12-19)
conductor:
Stephen Cleobury (organist, conductor) (from 1988-12-16 until 1988-12-19)
balance engineer:
Neville Boyling (engineer) (from 1988-12-16 until 1988-12-19) and David Flower (engineer) (from 1988-12-16 until 1988-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1989)
recorded at:
Chapel of King’s College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-12-16 until 1988-12-19)
recording of:
Requiem, op. 48: VII. In Paradisum (from 1988-12-16 until 1988-12-19)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48
Gabriel Fauré3:28
18My Heart Will Go On
orchestra:
Orchestra (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 70)
part of:
Titanic
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 70)
part of:
Titanic
James Horner4:22
19Rhapsody in Blue
piano:
André Previn (pianist, conductor, composer, arranger)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin5:35

Credits

Release

ASIN:US: B0000B09Z9 [info]