Smooth Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1It Never Entered My Mind
producer:
Alfred Lion
double bass:
Percy Heath (on 1954-03-06)
drums (drum set):
Art Blakey (on 1954-03-06)
piano:
Horace Silver (on 1954-03-06)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1954-03-06)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1954-03-06)
instrumental recording of:
It Never Entered My Mind (on 1954-03-06)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Miles Davis4:04
2Darn That Dream
producer:
Francis Wolff (photographer and record producer)
double bass:
Niels-Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1964-06-02)
drums (drum set):
Art Taylor (on 1964-06-02)
piano:
Kenny Drew (on 1964-06-02)
tenor saxophone:
Dexter Gordon (on 1964-06-02)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1964-06-02)
instrumental recording of:
Darn That Dream (on 1964-06-02)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
Dexter Gordon7:32
3I Got It Bad and That Ain't Good
Donald Byrd5:54
4Fly Me to the Moon
cover recording of:
Fly Me to the Moon (on 1961-12-21)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Nat King Cole & George Shearing3:31
5Along Came Betty
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Jymie Merritt (on 1958-10-30)
drums (drum set):
Art Blakey (on 1958-10-30)
piano:
Bobby Timmons (on 1958-10-30)
tenor saxophone:
Benny Golson (on 1958-10-30)
trumpet:
Lee Morgan (on 1958-10-30)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-10-30)
recording of:
Along Came Betty (on 1958-10-30)
composer:
Benny Golson
Art Blakey & The Jazz Messengers6:12
6Dancing in the Dark
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental recording of:
Dancing in the Dark (on 1958-03-09)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Band Wagon (1953 film)
The Cannonball Adderley Quintet4:07
7In a Sentimental Mood
The Duke Ellington Trio2:31
8After Supper
recording of:
After Supper
composer and arranger:
Neal Hefti
publisher:
International Korwin Corp.
The Count Basie Orchestra3:25
9(I Loves You) Porgy
bass:
Chris White (jazz bassist) (on 1960-06-30)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1960-06-30)
recorded at:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
recorded at:
Freebody Park in Newport, Rhode Island, United States (on 1960-06-30)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1960-06-30)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone4:05
10Reflections
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-04-14)
drums (drum set):
Art Blakey (on 1957-04-14)
piano:
Thelonious Monk (on 1957-04-14)
tenor saxophone:
Sonny Rollins (on 1957-04-14)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-04-14)
recording of:
Reflections (on 1957-04-14)
composer:
Thelonious Monk
Sonny Rollins7:02
11Willow Weep for Me
recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
Stanley Turrentine with The Three Sounds8:39
12Lover Man (Oh Where Can You Be)
cover recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Dinah Washington3:02
13Lazy Afternoon
recording of:
Lazy Afternoon (The Golden Apple, 1954)
lyricist:
John Latouche
composer:
Jerome Moross (composer and conductor)
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
Pete La Roca5:33
14'Round Midnight
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
alto saxophone:
Edmond Gregory (American jazz musician) (on 1947-11-21)
double bass:
Robert Paige (jazz bassist) (on 1947-11-21)
drums (drum set):
Art Blakey (on 1947-11-21)
piano:
Thelonious Monk (on 1947-11-21)
trumpet:
George Taitt (on 1947-11-21)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-21)
recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
instrumental recording of:
’Round Midnight (on 1947-11-21)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:11
15Blue and Sentimental
producer:
Alfred Lion
bass:
Paul Chambers (US jazz bassist) (on 1961-12-16)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1961-12-16)
guitar:
Grant Green (jazz guitarist) (on 1961-12-16)
tenor saxophone:
Ike Quebec (on 1961-12-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-12-16)
recording of:
Blue and Sentimental (on 1961-12-16)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
Ike Quebec7:27
16You'd Be So Nice to Come Home To
Bud Powell Trio2:37
▼ CD 2
#TitleArtistRatingLength
1I'm Old Fashioned
recording engineer:
Rudy van Gelder (on 1957-09-15)
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-09-15)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-09-15)
piano:
Kenny Drew (on 1957-09-15)
tenor saxophone:
John Coltrane (on 1957-09-15)
trombone:
Curtis Fuller (on 1957-09-15)
trumpet:
Lee Morgan (on 1957-09-15)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1957-09-15)
instrumental cover recording of:
I’m Old Fashioned (from “You Were Never Lovelier”) (on 1957-09-15)
lyricist:
Johnny Mercer (in 1942)
composer:
Jerome Kern (in 1942)
publisher:
T.B. Harms Co., The Johnny Mercer Foundation and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
John Coltrane7:59
2Driftin'
recording engineer:
Rudy van Gelder (on 1962-05-28)
producer:
Alfred Lion
bass:
Butch Warren (on 1962-05-28)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-05-28)
flugelhorn:
Freddie Hubbard
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-05-28)
tenor saxophone:
Dexter Gordon (on 1962-05-28)
trumpet:
Freddie Hubbard (on 1962-05-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (from 1962-05-28 to present, on 1962-05-28)
recording of:
Driftin’ (on 1962-05-28)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Herbie Hancock6:56
3Basin St. Blues
alto saxophone:
Bill Green (woodwind) (on 1961-04-15) and Benny Carter (on 1961-04-15)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1961-04-15)
bass:
Max Bennett (US jazz bassist and session musician) (on 1961-04-15)
congas and percussion:
Chano Pozo (on 1961-04-15)
drums (drum set):
Stan Lewey (on 1961-04-15)
guitar:
Dennis Budimir (on 1961-04-15) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1961-04-15)
piano:
Jimmy Rowles (on 1961-04-15)
tenor saxophone:
Plas Johnson (on 1961-04-15) and Bill Perkins (jazz saxophonist) (on 1961-04-15)
trombone:
Vern Friley (“Derf”) (on 1961-04-15), Lew McCreary (on 1961-04-15), George Roberts (american bass trombone) (on 1961-04-15) and Frank Rosolino (on 1961-04-15)
trumpet:
Bob Fowler (trumpeter, producer, engineer) (on 1961-04-15), Conrad Gozzo (on 1961-04-15), Al Porcino (on 1961-04-15) and Jack Sheldon (on 1961-04-15)
vocals:
Peggy Lee (jazz vocalist) (on 1961-04-15)
arranger:
Quincy Jones (on 1961-04-15)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-04-15)
cover recording of:
Basin Street Blues (on 1961-04-15)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Peggy Lee43:05
4Footprints
recording engineer:
Rudy van Gelder (on 1966-02-24)
producer:
Alfred Lion
double bass [bass]:
Reggie Workman (on 1966-02-24)
drums (drum set):
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1966-02-24)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1966-02-24)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1966-02-24)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1966-02-24)
recording of:
Footprints (on 1966-02-24)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter7:32
5God Bless the Child
recording engineer:
Rudy van Gelder (on 1961-06-04)
producer:
Alfred Lion
bass:
Ben Tucker (on 1961-06-04)
guitar:
Grant Green (jazz guitarist) (on 1961-06-04)
membranophone:
Ben Dixon (Jazz drummer) (on 1961-06-04)
piano:
Kenny Drew (on 1961-06-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1961-06-04)
instrumental recording of:
God Bless the Child (on 1961-06-04)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Grant Green7:24
6Lady Sings the Blues
producer:
Alfred Lion
double bass:
Al McKibbon (on 1955-08-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-08-01)
piano:
Herbie Nichols (jazz pianist and composer) (on 1955-08-01)
recording of:
Lady Sings the Blues
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
Herbie Nichols4:24
7I Can't Get Started
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
live recording of:
I Can’t Get Started (in 1956-07)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Chet Baker3:10
8All I Do Is Dream of You
producer:
Teddy Reig
bass:
Joe Comfort
double bass:
Joe Comfort (from 1962-08-07 until 1962-08-08)
guitar:
Barney Kessel (from 1962-08-07 until 1962-08-08)
vocals:
Sarah Vaughan (from 1962-08-07 until 1962-08-08)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1962-08-07 until 1962-08-08) and United Western Recorders in Hollywood, Los Angeles, California, United States (from 1962-08-07 until 1962-08-08)
cover recording of:
All I Do Is Dream of You (Singin’ in the Rain) (in 1962-08)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Sarah Vaughan2:58
9Midnight in the Air
double bass [b]:
Al McKibbon (on 1955-04-15)
drums (drum set) [drums]:
Bill Clark (Drummer) (on 1955-04-15)
guitar [g]:
Toots Thielemans (on 1955-04-15)
piano:
Shearing (British jazz pianist) (on 1955-04-15)
vibraphone [vibes]:
Johnny Rae (US jazz drummer/vibraphonist) (on 1955-04-15)
recording of:
Midnight in the Air
composer:
Leonard Feather and George Shearing (British jazz pianist)
instrumental recording of:
Midnight in the Air
composer:
Leonard Feather and George Shearing (British jazz pianist)
George Shearing42:29
10In a Mellotone
recorded in:
Los Angeles, California, United States (on 1958-08-22)
producer:
Richard Bock (record producer)
bass:
Hal Gaylor (Canadian bassist) (on 1958-08-22)
cello:
Nate Gershman (on 1958-08-22)
drums (drum set):
Chico Hamilton (on 1958-08-22)
flute:
Eric Dolphy (on 1958-08-22)
guitar:
John Pisano (on 1958-08-22)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
instrumental recording of:
In a Mellow Tone (on 1958-08-22)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Chico Hamilton4:21
11Rainy Night
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1966-09-29)
bass:
Paul Chambers (US jazz bassist) (on 1966-09-29)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1966-09-29)
piano:
Cedar Walton (on 1966-09-29)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1966-09-29)
trumpet:
Lee Morgan (on 1966-09-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1966-09-29)
Lee Morgan5:39
12You Go to My Head
recording engineer:
John Kraus (1950s US engineer) (in 1956-08)
alto saxophone:
Art Pepper (in 1956-08)
double bass [bass]:
Leroy Vinnegar (in 1956-08)
drums (drum set):
Shelly Manne (US jazz drummer) (in 1956-08)
piano:
Russ Freeman (pianist) (in 1956-08)
trumpet:
Jack Sheldon (in 1956-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1956-08)
instrumental recording of:
You Go to My Head (in 1956-08)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Art Pepper4:19
13You're Getting to Be a Habit With Me
recording of:
You’re Getting to Be a Habit With Me
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
Mel Tormé3:08
14My One and Only Love
bass:
Miroslav Vitouš (on 1968-03-14)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1968-03-14)
piano:
Chick Corea (jazz pianist) (on 1968-03-14)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-03-14)
instrumental cover recording of:
My One and Only Love (on 1968-03-14)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京
version of:
Music from Beyond the Moon (My One and Only Love)
Chick Corea3:38
15On the Sunny Side of the Street
recording engineer:
Rudy van Gelder (on 1960-04-25)
producer:
Alfred Lion
drums (drum set):
Donald “Duck” Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1960-04-25)
instrumental recording of:
On the Sunny Side of the Street (on 1960-04-25)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
Jimmy Smith5:48
16Maiden Voyage
Bobby Hutcherson5:43
▼ CD 3
#TitleArtistRatingLength
1We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:14
2Someone to Watch Over Me
Coleman Hawkins2:49
3Sweet Lorraine
recorded in:
Los Angeles, California, United States (on 1949-07-13, on 1949-07-25)
piano:
Art Tatum (US jazz pianist) (on 1949-07-13, on 1949-07-25)
Art Tatum2:38
4Call It Stormy Monday
cover recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
arranger:
Andy Farber
publisher:
Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Gregmark Music Inc (Gregmark), Lord and Walker Publishing, Songs Of The Knoll, 日音 Synch事業部, Peermusic III, Ltd. (BMI) (until 2018-11-01) and Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (from 2018-11-01 to present)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
Nancy Wilson2:26
5Una Mas (One More Time)
Kenny Dorham7:21
6Falling in Love With Love
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Paul Chambers (US jazz bassist) (on 1957-06-23)
drums (drum set):
Art Taylor (on 1957-06-23)
piano:
Sonny Clark (on 1957-06-23)
saxophone:
Curtis Porter (on 1957-06-23)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1957-06-23)
trumpet:
Bill Hardman (US jazz trumpeter) (on 1957-06-23)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1957-06-23)
instrumental recording of:
Falling in Love With Love (on 1957-06-23)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
Hank Mobley5:28
7The Things We Did Last Summer
The Lou Donaldson Quartet3:19
8Cool Struttin'
Sonny Clark9:23
9My Funny Valentine
piano:
André Previn (pianist, conductor, composer, arranger)
vocals:
Dinah Shore
performer:
André Previn (pianist, conductor, composer, arranger)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Dinah Shore & André Previn3:34
10Baubles, Bangles & Beads
engineer and producer:
Richard Bock (record producer)
bass:
Monk Montgomery
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
guitar:
Wes Montgomery (in 1958-04)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
phonographic copyright (℗) by:
キングレコード株式会社 (record company, logo "KING RECORDS" sometimes underlined - only use if there is no other label)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1958-04-22)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
Wes Montgomery3:29
11Thinking of You
Milt Jackson4:22
12You're My Everything
recording engineer:
Rudy van Gelder (on 1962-10-10)
producer:
Michael Cuscuna and Alfred Lion
alto saxophone and flute:
James Spaulding (jazz) (on 1962-10-10)
double bass [bass]:
Reggie Workman (on 1962-10-10)
drums (drum set):
Clifford Jarvis (on 1962-10-10)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-10-10)
trumpet:
Freddie Hubbard (on 1962-10-10)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-10-10)
instrumental cover recording of:
You’re My Everything (on 1962-10-10)
lyricist:
Mort Dixon and Joe Young (US lyricist)
composer:
Harry Warren (US composer and lyricist)
Freddie Hubbard6:35
13Summertime
Lou Rawls3:32
14Day Dream
recording engineer:
Neal Ceppos (from 1984-04-05 until 1984-04-23) and Frank Laico (from 1984-04-05 until 1984-04-23)
producer:
Kenny Burrell, Helen Keane and Grover Washington, Jr.
mixer:
Neal Ceppos and Frank Laico
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1984-04-05 until 1984-04-23)
drums (drum set):
Jack DeJohnette (from 1984-04-05 until 1984-04-23)
guitar:
Kenny Burrell (from 1984-04-05 until 1984-04-23)
percussion:
Ralph MacDonald (from 1984-04-05 until 1984-04-23)
saxophone:
Grover Washington, Jr. (from 1984-04-05 until 1984-04-23)
recorded at:
Mastermind Sound Studios in New York, New York, United States (from 1984-04-05 until 1984-04-23)
recording of:
Day Dream (from 1984-04-05 until 1984-04-23)
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
Kenny Burrell & Grover Washington, Jr.4:59
15You Happened My Way
recording engineer:
Rudy van Gelder (on 1959-01-31)
producer:
Alfred Lion
double bass:
Gene Taylor (US jazz bassist) (on 1959-01-31)
drums (drum set):
Louis Hayes (on 1959-01-31)
piano:
Horace Silver (on 1959-01-31)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1959-01-31)
recording of:
You Happened My Way (on 1959-01-31)
composer:
Horace Silver
The Horace Silver Quintet5:28
16After the Rain
alto saxophone and flute:
James Spaulding (jazz) (on 1966-12-07)
double bass:
Ron Carter (US jazz double-bassist) (on 1966-12-07)
drums (drum set):
Mickey Roker (Drummer) (on 1966-12-07)
piano:
Duke Pearson (on 1966-12-07)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1966-12-07)
trumpet:
Freddie Hubbard (on 1966-12-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1966-12-07)
Duke Pearson4:42

Credits

Release

ASIN:UK: B00008IUVW [info]