Classical Chillout

~ Release by Various Artists (see all versions of this release, 6 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Adagio para Cuerdas
programming and producer:
William Orbit (English musician, composer and record producer)
performer:
William Orbit (English musician, composer and record producer)
arranger:
William Orbit (English musician, composer and record producer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1999)
recording of:
Adagio for Strings (catch‐all for arrangements)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
arrangement of:
Adagio for Strings
Samuel Barber9:43
2Gymnopédie No.1
piano:
Angela Brownridge (pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985)
recording of:
Première Gymnopédie: Lent et douloureux
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Gymnopédies
Erik Satie3:18
3Adiemus
additional engineer:
Gary Thomas (engineer)
assistant engineer and assistant mixer:
Kirsten Cowie
engineer and mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
soprano vocals:
Miriam Stockley (in 1995)
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (in 1995)
percussion arranger:
Mike Ratledge
orchestrator:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
phonographic copyright (℗) by:
Jenkins Ratledge Ltd. (in 1995)
recorded at and mixed at:
Angel Recording Studios in Islington, London (Greater London), England, United Kingdom
recording of:
Adiemus
orchestrator and composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
writer:
Mike Ratledge
publisher:
FB Media in GSA
part of:
Adiemus I: Songs of Sanctuary
Karl Jenkins2.54:03
4FarewellZbigniew Preisner5:14
5O Mio Babbino Caro (Gianni Schicchi)
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (from 1997-08-12 until 1997-08-15)
producer:
David Groves (classical music producer at EMI)
editor:
Caroline Haigh, Simon Kiln and Jørn Pedersen
soprano vocals:
Angela Gheorghiu (Romanian soprano) (in 1999)
soprano vocals [Lauretta]:
Angela Gheorghiu (Romanian soprano) (from 1997-08-12 until 1997-08-15)
vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
London Symphony Orchestra (from 1997-08-12 until 1997-08-15, in 1999)
conductor:
Antonio Pappano (conductor and pianist) (from 1997-08-12 until 1997-08-15, in 1999)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1999) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (from 1997-08-12 until 1997-08-15)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1997-08-12 until 1997-08-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:09
6Adagio
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Giovanni Albinoni5:54
7Casta Diva (Norma)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:37
8Spiegel im Spiegel (Obertura)
piano:
Martin Roscoe (English classical pianist) (in 1994)
violin:
Tasmin Little (violinist) (in 1994)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1994)
recording of:
Spiegel im Spiegel (for violin and piano)
composer:
Arvo Pärt (in 1978)
partial recording of:
Spiegel im Spiegel (for violin and piano)
composer:
Arvo Pärt (in 1978)
Arvo Pärt4:05
9Duó de las Flores (Lakmé)
mezzo-soprano vocals:
Danielle Millet (mezzo-soprano) (from 1970-09-17 until 1970-12-21)
soprano vocals:
Mady Mesplé (soprano) (from 1970-09-17 until 1970-12-21)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1970-09-17 until 1970-12-21)
conductor:
Alain Lombard (conductor) (from 1970-09-17 until 1970-12-21)
phonographic copyright (℗) by:
EMI France (in 1971)
edit of:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) by Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Chœurs du Théâtre National de l’Opéra‐Comique, Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) (from 1970-09-17 until 1970-12-21)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes3:33
10The Heart Asks Pleasure First / The Promise
additional engineer:
Jamie Luker
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer and creative direction:
Michael Nyman (composer)
piano:
Michael Nyman (composer)
conductor:
Michael Nyman (composer)
arranger:
Michael Nyman (composer)
phonographic copyright (℗) by:
Michael Nyman Ltd. (independent UK record, publishing and holding company) (in 1993)
recorded at:
Arco Studios in München, Bayern, Germany and Kitsch Recording Studio in Ixelles / Elsene, Brussels, Belgium
medley including a recording of:
The Heart Asks Pleasure First (The Piano)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
The Piano (1993 film score)
medley including a recording of:
The Promise (The Piano)
composer:
Michael Nyman (composer)
publisher:
J&W Chester/Ed Wilhelm
part of:
The Piano (1993 film score)
Michael Nyman3:15
11Cántico De Jean Racine
producer:
Eric Macleod (producer)
choir vocals:
Orfeón Donostiarra (Spanish choir) (from 1984-07-16 until 1984-07-27)
orchestra:
Orchestre de Capitole de Toulouse (from 1984-07-16 until 1984-07-27)
conductor:
Michel Plasson (conductor) (from 1984-07-16 until 1984-07-27)
balance engineer:
Serge Rémy (from 1984-07-16 until 1984-07-27)
phonographic copyright (℗) by:
EMI France (in 1984)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (from 1984-07-16 until 1984-07-27)
recording of:
Cantique de Jean Racine, op. 11 (for choir and orchestra (without organ)) (from 1984-07-16 until 1984-07-27)
composer:
Gabriel Fauré (French composer) (in 1865)
librettist:
Jean Racine (French dramatist)
arrangement of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
recording of:
Cantique de Jean Racine, op. 11 (catch-all for arrangements and unknown versions)
lyricist:
Jean Racine (French dramatist)
composer:
Gabriel Fauré (French composer) (in 1865)
arrangement of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
Gabriel Fauré5:50
12The Ashokan Farewell
guitar:
Molly Mason
violin:
Jay Ungar
orchestra:
Nashville Chamber Orchestra
conductor:
Paul Gambill (conductor)
phonographic copyright (℗) by:
Angel Records (please read annotations before use! primarily classical genre imprint, EMI subsidiary) (in 1999)
recording of:
Ashokan Farewell
composer:
Jay Ungar (in 1982)
publisher:
Swinging Door Music
Ungar & Mason5:11
13This Is Not AmericaDavid Bowie & Pat Metheny Group5:39
14Claro de Luna
piano:
Dame Moura Lympany (British pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy4:59
15Miserere Mei, Deus
baritone vocals, bass vocals [Cantor], bass-baritone vocals [cantor] and other vocals [cantor]:
Gerald Finley (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge (in 1984)
treble vocals:
Timothy Beasley-Murray (treble vocalist) (in 1984)
vocals:
Gerald Finley (bass-baritone) (in 1984)
conductor:
Stephen Cleobury (organist, conductor)
chorus master:
Stephen Cleobury (organist, conductor) (in 1984)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:45
CD 2
#TitleArtistRatingLength
1My Heart Will Go On
orchestra:
Orchestra (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
David Abel (conductor)
arranger:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
instrumental recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 70)
part of:
Titanic
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 70)
part of:
Titanic
James Horner4:25
2Perpetuum Mobile
orchestra and performer:
Penguin Cafe Orchestra
conductor:
Simon Jeffes
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1996)
recording of:
Perpetuum mobile
composer:
Simon Jeffes
Simon Jeffes4:34
3Concerto for Violin and Oboe in D minor
oboe:
Léon Goossens (oboist)
violin:
Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
conductor:
Léon Goossens (oboist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1962)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:59
4Symphony No. 3 (Symphony of Sorrowful Songs)
soprano vocals:
Zofia Kilanowicz (in 1993)
orchestra:
Kraków Symphony Orchestra (in 1993)
conductor:
Jacek Kaspszyk (conductor) (in 1993)
recorded at:
Wratislava Cantans (1993) (28th International Oratorio-Cantata Festival)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1995)
live partial recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo (in 1993)
lyricist:
Helena Wanda Błażusiakówna
composer:
Henryk Mikołaj Górecki (Polish composer) (in 1976)
part of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Mikołaj Górecki4:34
5The Lark Ascending
violin:
Hugh Bean (violinist)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Sir Adrian Boult (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
partial recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:27
6Gnossienne No. 1
piano:
Anne Queffélec (pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1988) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988)
recording of:
Gnossienne no. 1
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:30
7Nagoya Marimbas
marimba:
Colin Currie (percussionist) and Sam Walton (marimba)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
Nagoya Marimbas
composer:
Steve Reich (American composer) (in 1994)
Steve Reich4:55
8Violin Concerto No. 1 in G minor, Op. 26
violin:
Yehudi Menuhin (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Walter Süsskind (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1959)
partial recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:26
9Song for Athene
choir vocals:
Winchester Cathedral Choir
conductor and chorus master:
David Hill (organist and conductor)
phonographic copyright (℗) by:
Floating Earth Ltd. (in 1998) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Song for Athene
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Tavener (20th century composer) (in 1993)
publisher:
Chester Music Ltd.
John Tavener6:15
10Gabriel's Oboe
orchestra:
The Ennio Morricone Orchestra (Italian symphonic orchestra)
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone2:17
11Weather Storm
producer:
Craig Armstrong (Scottish score composer)
keyboard [keyboards] and piano:
Craig Armstrong (Scottish score composer)
orchestra:
London Session Orchestra
conductor:
Craig Armstrong (Scottish score composer)
arranger:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Melankolic (in 1997) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1997)
recording of:
Weather Storm
composer:
Craig Armstrong (Scottish score composer), Robert Del Naja, Curtis Harmon, Nellee Hooper, James Lloyd (jazz keyboard/piano), Grant Marshall, C.C. Murray, Cedric A. Napoleon and Andrew Vowles
Craig Armstrong6:08
12Chi Mai
orchestra:
Ennio Morricone & His Orchestra (Italian symphonic orchestra)
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Chi mai (no lyrics)
composer:
Ennio Morricone (Italian classical and score composer)
publisher:
Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
is based on:
Chi mai (with lyrics by Carlo Nistri)
Ennio Morricone45:11
13In Paradisum (Requiem)
producer:
David Groves (classical music producer at EMI)
organ:
Peter Barley (from 1988-12-16 until 1988-12-19)
violin:
José‐Luis García (violinist & conductor) (from 1988-12-16 until 1988-12-19)
choir vocals:
Choir of King’s College, Cambridge (from 1988-12-16 until 1988-12-19)
orchestra:
English Chamber Orchestra (from 1988-12-16 until 1988-12-19)
conductor:
Stephen Cleobury (organist, conductor) (from 1988-12-16 until 1988-12-19)
balance engineer:
Neville Boyling (engineer) (from 1988-12-16 until 1988-12-19) and David Flower (engineer) (from 1988-12-16 until 1988-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1989)
recorded at:
Chapel of King’s College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-12-16 until 1988-12-19)
recording of:
Requiem, op. 48: VII. In Paradisum (from 1988-12-16 until 1988-12-19)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48
Gabriel Fauré3:31
14Ebben? ne andro Iontana
engineer and balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Wally]:
Maria Callas (soprano) (on 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-20)
conductor:
Tullio Serafin (conductor) (on 1954-09-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955) and IDOL (Independent Distribution On Line) (in 2013)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-20) and Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (on 1954-09-20)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani4:55
15Winter
producer:
David Groves (classical music producer at EMI)
cello:
Antonio Bocaterra (cellist) (from 1993-12-14 until 1993-12-18)
harpsichord:
Robert Kettelson (pianist) (from 1993-12-14 until 1993-12-18)
solo violin and violin:
Giulio Franzetti (violinist) (from 1993-12-14 until 1993-12-18)
orchestra:
I Solisti dell’Orchestra Filarmonica della Scala (from 1993-12-14 until 1993-12-18) and Soloists of the Philharmonic Orchestra of La Scala (from 1993-12-14 until 1993-12-18)
conductor:
Riccardo Muti (conductor) (from 1993-12-14 until 1993-12-18)
balance engineer:
Michael Sheady (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1994)
recorded at:
Chiesa di San Marco in Milano, Milano, Lombardia, Italy (from 1993-12-14 until 1993-12-18)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1993-12-14 until 1993-12-18)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi2:36
16Piano Concerto No. 5
piano:
Andrei Gavrilov (pianist) (in 1987)
orchestra:
Academy of St Martin in the Fields (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:29
17Ave verum corpus
producer:
James Mallinson (producer)
choir vocals:
Schwedischer Rundfunkchor (in 1987) and Stockholmer Kammerchor (Stockholm Chamber Choir) (in 1987)
orchestra:
Berliner Philharmoniker (in 1987)
conductor:
Riccardo Muti (conductor) (in 1987)
chorus master:
Eric Ericson (from 1987-02-14 until 1987-02-15)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1987-02-14 until 1987-02-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (in 1987)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Köchelverzeichnis (original numbering) (number: 618) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618)
Wolfgang Amadeus Mozart3:23

Credits

Release group

part of:Classical Chillout (number: 1) (order: 1)
Discogs:https://www.discogs.com/master/297545 [info]