Self Portrait

~ Release by Artie Shaw (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Nightmare
recording of:
Nightmare
composer:
Artie Shaw
2:51
2Cream Puff
recording of:
Cream Puff
2:55
3Streamline
2:25
4The Blues - A
2:52
5The Blues - B
2:59
6Shoot the Likker to Me, John Boy
2:50
7Free Wheeling
3:07
8Monsoon
3:09
9Begin the Beguine
recording of:
Begin the Beguine
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
3:14
10Any Old Time
3:11
11Yesterdays
instrumental recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:19
12It Had to Be You
instrumental recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
2:30
13Star Dust
instrumental cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
3:42
14Shine On, Harvest Moon
recording of:
Shine On, Harvest Moon
lyricist:
Jack Norworth (in 1908)
composer:
Nora Bayes (in 1908) and Jack Norworth (in 1908)
2:30
15Back Bay Shuffle
recording of:
Back Bay Shuffle
composer:
Teddy McRae and Artie Shaw
3:38
16Softly, as in a Morning Sunrise
recording of:
Softly, as in a Morning Sunrise (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
2:42
17Rosalie
recording of:
Rosalie (from “Rosalie”)
lyricist and composer:
Cole Porter (composer) (in 1937)
2:44
18Traffic Jam
recording of:
Traffic Jam
composer:
Teddy McRae and Artie Shaw
2:16
19Prosschai
recorded in:
New York, New York, United States (on 1939-03-12)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-03-12) and Les Robinson (on 1939-03-12)
bass:
Sid Weiss (on 1939-03-12)
clarinet:
Artie Shaw (on 1939-03-12)
drums (drum set):
Buddy Rich (on 1939-03-12)
guitar:
Al Avola (on 1939-03-12)
piano:
Bob Kitsis (on 1939-03-12)
tenor saxophone:
Georgie Auld (on 1939-03-12) and Tony Pastor (on 1939-03-12)
trombone:
George Arus (on 1939-03-12), Les Jenkins (on 1939-03-12) and Harry Rodgers (on 1939-03-12)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-03-12), Chuck Peterson (trumpet) (on 1939-03-12) and Bernie Privin (on 1939-03-12)
orchestra:
Artie Shaw and His Orchestra (on 1939-03-12)
3:14
20Carioca
recorded in:
Boston, Massachusetts, United States (on 1939-08-18)
clarinet:
Artie Shaw
drums (drum set):
Buddy Rich
arranger:
Jerry Gray (US big band arranger and conductor) and Artie Shaw
instrumental recording of:
Carioca (from "Flying Down to Rio") (on 1939-08-18)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
The 7th Academy Award for Best Original Song (number: 2)
4:06
21Rose Room
recording of:
Rose Room
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
2:44
22I Surrender Dear
3:42
23Everything Is Jumpin'
5:07
▼ CD 2
#TitleRatingLength
1At Sundown
recording of:
At Sundown
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Donaldson Publishing Co. and Leo Feist, Inc.
4:01
2Sweet Sue (Just You)
instrumental recording of:
Sweet Sue, Just You
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
3:35
3Man From Mars
3:41
4Diga Diga Doo
instrumental recording of:
Diga Diga Doo
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
2:43
5Frenesi
recording of:
Frenesi
lyricist and composer:
Alberto Domínguez
3:04
6Gloomy Sunday
alto saxophone:
Bud Carlton (on 1940-03-03), Jack Stacy (on 1940-03-03) and Blake Reynolds (on 1940-03-03)
bass clarinet:
Joe Krechter (on 1940-03-03)
cello:
Irving Lipschultz (on 1940-03-03) and Jules Tannenbaum (on 1940-03-03)
clarinet:
Artie Shaw (on 1940-03-03)
double bass:
Jud DeNaut (on 1940-03-03)
drums (drum set):
Carl Maus (on 1940-03-03)
flute:
Morton Ruderman (on 1940-03-03)
French horn:
Jack Cave (french horn) (on 1940-03-03)
guitar:
Bobby Sherwood (guitarist/trumpeter) (on 1940-03-03)
oboe:
Phil Nemoli (on 1940-03-03)
piano:
Stan Wrightsman (on 1940-03-03)
trombone:
Babe Bowman (on 1940-03-03), Randall Miller (on 1940-03-03) and Bill Rank (on 1940-03-03)
trumpet:
Manny Klein (on 1940-03-03), Charlie Margulis (on 1940-03-03) and George Thow (on 1940-03-03)
viola:
Jack Gray (on 1940-03-03), Stanley Spiegelman (on 1940-03-03) and Dave Sterkin (on 1940-03-03)
violin:
Robert Barene (on 1940-03-03), Harry Bluestone (on 1940-03-03), Sid Brokaw (on 1940-03-03), Dave Cracov (on 1940-03-03), Peter Eisenberg (on 1940-03-03), Jerry Joyce (on 1940-03-03), Alex Law (on 1940-03-03) and Mark Levant (on 1940-03-03)
vocals:
Pauline Byrne (on 1940-03-03)
recording of:
Gloomy Sunday (on 1940-03-03)
lyricist:
Jávor László (Hungarian poet)
composer:
Rezső Seress
translator:
Sam M. Lewis (1930s lyricist)
translated version of:
Szomorú vasárnap
3:41
7Temptation
alto saxophone:
Bus Bassey (on 1940-09-07) and Neely Plumb (on 1940-09-07)
cello:
F. Goerner (on 1940-09-07)
clarinet:
Artie Shaw (on 1940-09-07)
double bass:
Jud DeNaut (on 1940-09-07)
drums (drum set):
Nick Fatool (on 1940-09-07)
electric guitar:
Al Hendrickson (on 1940-09-07)
piano:
Johnny Guarnieri (on 1940-09-07)
tenor saxophone:
Jerry Jerome (on 1940-09-07) and Les Robinson (on 1940-09-07)
trombone:
Vernon Brown (on 1940-09-07) and Jack Jenney (American jazz trombonist) (on 1940-09-07)
trumpet:
Billy Butterfield (on 1940-09-07), J. Cathcart (on 1940-09-07) and George Wendt (Swing trumpeter) (on 1940-09-07)
viola:
A. Harshman (on 1940-09-07) and K. Collins (viola) (on 1940-09-07)
violin:
Al Beller (on 1940-09-07), B. Bower (on 1940-09-07), B. Morrow (on 1940-09-07), E. Lamas (on 1940-09-07), T. Boardman (on 1940-09-07) and T. Klages (on 1940-09-07)
conductor:
Artie Shaw (on 1940-09-07)
instrumental recording of:
Temptation (on 1940-09-07)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Going Hollywood (1933 film)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
3:01
8Star Dust
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-10-07)
alto saxophone:
Bus Bassey (on 1940-10-07) and Neely Plumb (on 1940-10-07)
cello:
F. Goerner (on 1940-10-07)
clarinet:
Artie Shaw (on 1940-10-07)
double bass and double bass [bass]:
Jud DeNaut (on 1940-10-07)
drums (drum set):
Nick Fatool (on 1940-10-07)
electric guitar and guitar:
Al Hendrickson (on 1940-10-07)
piano:
Johnny Guarnieri (on 1940-10-07)
tenor saxophone:
Jerry Jerome (on 1940-10-07) and Les Robinson (on 1940-10-07)
trombone:
Vernon Brown (on 1940-10-07) and Jack Jenney (American jazz trombonist) (on 1940-10-07)
trumpet:
Billy Butterfield (on 1940-10-07), J. Cathcart (on 1940-10-07) and George Wendt (Swing trumpeter) (on 1940-10-07)
viola:
A. Harshman (on 1940-10-07) and K. Collins (viola) (on 1940-10-07)
violin:
Al Beller (on 1940-10-07), B. Bower (on 1940-10-07), B. Morrow (on 1940-10-07), E. Lamas (on 1940-10-07), T. Boardman (on 1940-10-07) and T. Klages (on 1940-10-07)
orchestra:
Artie Shaw and His Orchestra (on 1940-10-07)
conductor:
Artie Shaw (on 1940-10-07)
instrumental recording of:
Stardust (the jazz standard) (on 1940-10-07)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
3:31
9Blues (from the "Lenox Avenue Suite"), Part 1
partial recording of:
Blues from "Lenox Avenue"
composer:
William Grant Still (in 1936)
part of:
The House Rent Party (Lenox Avenue)
3:17
10Blues (from the "Lenox Avenue Suite"), Part 2
partial recording of:
Blues from "Lenox Avenue"
composer:
William Grant Still (in 1936)
part of:
The House Rent Party (Lenox Avenue)
3:12
11Prelude in C Major
2:53
12Summit Ridge Drive
recording of:
Summit Ridge Drive
composer:
Artie Shaw
publisher:
Denton & Haskins Corp.
3:21
13Dr. Livingstone I Presume
3:23
14Concerto for Clarinet
9:15
15Nobody Knows the Trouble I've Seen
3:35
16Dancing in the Dark
recorded in:
Hollywood, Los Angeles, California, United States (on 1941-01-23)
alto saxophone:
Bus Bassey (on 1941-01-23) and Neely Plumb (on 1941-01-23)
cello:
Fred Goerner (on 1941-01-23)
clarinet:
Artie Shaw (on 1941-01-23)
double bass:
Jud DeNaut (on 1941-01-23)
drums (drum set):
Nick Fatool (on 1941-01-23)
electric guitar:
Al Hendrickson (on 1941-01-23)
piano:
Johnny Guarnieri (on 1941-01-23)
tenor saxophone:
Jerry Jerome (on 1941-01-23) and Les Robinson (on 1941-01-23)
trombone:
Vernon Brown (on 1941-01-23), Ray Conniff (on 1941-01-23) and Jack Jenney (American jazz trombonist) (on 1941-01-23)
trumpet:
Billy Butterfield (on 1941-01-23), Clyde Hurley (on 1941-01-23) and George Wendt (Swing trumpeter) (on 1941-01-23)
viola:
Keith Collins (viola) (on 1941-01-23) and Allan Harshman (on 1941-01-23)
violin:
Alex Beller (on 1941-01-23), Truman Boardman (on 1941-01-23), Bill Brower (on 1941-01-23), Ted Klages (on 1941-01-23), Eugene Lamas (on 1941-01-23) and Bob Morrow (on 1941-01-23)
orchestra:
Artie Shaw and His Orchestra (on 1941-01-23)
recording of:
Dancing in the Dark (on 1941-01-23)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Band Wagon (1953 film)
3:04
17I Cover the Waterfront
instrumental recording of:
I Cover the Waterfront
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc. and Warner Bros., Inc. (not for release label use!)
3:30
18Nocturne
3:34
19Blues in the Night
recorded in:
New York, New York, United States (on 1941-09-02)
alto saxophone:
Chuck DiMaggio (on 1941-09-02) and Les Robinson (on 1941-09-02)
baritone saxophone:
Artie Baker (saxophonist, flutist and clarinetist) (on 1941-09-02)
cello:
Fred Goerner (on 1941-09-02), Ed Sodero (on 1941-09-02) and George Taliarkin (on 1941-09-02)
clarinet:
Artie Shaw (on 1941-09-02)
double bass:
Eddie McKinney (jazz bassist) (on 1941-09-02)
drums (drum set):
Dave Tough (jazz drummer) (on 1941-09-02)
guitar:
Mike Bryan (Musician - Guitar Player) (on 1941-09-02)
piano:
Johnny Guarnieri (on 1941-09-02)
tenor saxophone:
Georgie Auld (on 1941-09-02) and Mickey Folus (on 1941-09-02)
trombone:
Ray Conniff (on 1941-09-02), Jack Jenney (American jazz trombonist) (on 1941-09-02) and Morey Samel (on 1941-09-02)
trumpet:
Lee Castle (on 1941-09-02), Max Kaminsky (on 1941-09-02), Steve Lipkins (on 1941-09-02) and Hot Lips Page (on 1941-09-02)
viola:
Lenny Atkins (on 1941-09-02), Morris Kohn (on 1941-09-02) and Sam Rosenblum (on 1941-09-02)
violin:
Alex Beller (on 1941-09-02), Max Berman (on 1941-09-02), Truman Boardman (on 1941-09-02), Bill Ehrenkranz (on 1941-09-02), Leo Persner (on 1941-09-02), Raoul Polikian (on 1941-09-02), Leonard Posner (on 1941-09-02), Irving Raymond (on 1941-09-02) and Bernie Tinterow (on 1941-09-02)
vocals:
Hot Lips Page (on 1941-09-02)
orchestra:
Artie Shaw and His Orchestra (on 1941-09-02)
recording of:
Blues in the Night (My Mama Done Tol’ Me) (on 1941-09-02)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2)
3:13
▼ CD 3
#TitleRatingLength
1Is It Taboo?
recorded in:
New York, New York, United States (on 1941-09-03)
bass:
Eddie McKinney (jazz bassist) (on 1941-09-03)
cello:
Fred Goerner (on 1941-09-03), Ed Sodero (on 1941-09-03) and George Taliarkin (on 1941-09-03)
clarinet:
Artie Shaw (on 1941-09-03)
drums (drum set):
Dave Tough (jazz drummer) (on 1941-09-03)
guitar:
Mike Bryan (Musician - Guitar Player) (on 1941-09-03)
piano:
Johnny Guarnieri (on 1941-09-03)
tenor saxophone:
Georgie Auld (on 1941-09-03)
trombone:
Ray Conniff (on 1941-09-03)
trumpet:
Lee Castle (on 1941-09-03)
viola:
Lenny Atkins (on 1941-09-03), Morris Kohn (on 1941-09-03) and Sam Rosenblum (on 1941-09-03)
violin:
Alex Beller (on 1941-09-03), Max Berman (on 1941-09-03), Truman Boardman (on 1941-09-03), Bill Ehrenkranz (on 1941-09-03), Leo Persner (on 1941-09-03), Raoul Polikian (on 1941-09-03), Leonard Posner (on 1941-09-03), Irving Raymond (on 1941-09-03) and Bernie Tinterow (on 1941-09-03)
orchestra:
Artie Shaw and His Orchestra (on 1941-09-03)
3:20
2There'll Be Some Changes Made
instrumental recording of:
There’ll Be Some Changes Made
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
4:19
3Take Your Shoes Off, Baby
3:26
4Just Kiddin' Around
3:21
5To a Broadway Rose
3:26
6Evensong
4:16
7Suite #8
4:39
8Two in One Blues
3:32
9Lady Day
3:03
10'S Wonderful
instrumental recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
3:07
11Bedford Drive
recorded in:
New York, New York, United States (on 1945-01-09)
alto saxophone:
Les Clarke (on 1945-01-09) and Tom Mace (on 1945-01-09)
baritone saxophone:
Chuck Gentry (on 1945-01-09)
bass:
Morris Rayman (on 1945-01-09)
clarinet:
Artie Shaw (on 1945-01-09)
drums (drum set):
Lou Fromm (on 1945-01-09)
guitar:
Barney Kessel (on 1945-01-09)
piano:
Dodo Marmarosa (on 1945-01-09)
tenor saxophone:
Herbie Steward (jazz saxophonist) (on 1945-01-09) and Jon Walton (on 1945-01-09)
trombone:
Ray Conniff (on 1945-01-09), Charles Coolidge (on 1945-01-09), Pat McNaughton (on 1945-01-09) and Harry Rodgers (on 1945-01-09)
trumpet:
Paul Cohen (US jazz trumpeter) (on 1945-01-09), Roy Eldridge (on 1945-01-09), Tony Faso (on 1945-01-09) and George Schwartz (on 1945-01-09)
orchestra:
Artie Shaw and His Orchestra (on 1945-01-09)
3:18
12The Grabtown Grapple
2:57
13The Sad Sack
3:07
14Summertime
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
5:01
15Tabu
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-06-07)
alto saxophone:
Louis Prisby (on 1945-06-07) and Rudy Tanza (on 1945-06-07)
baritone saxophone:
Chuck Gentry (on 1945-06-07)
bass:
Morris Rayman (on 1945-06-07)
clarinet:
Artie Shaw (on 1945-06-07)
drums (drum set):
Lou Fromm (on 1945-06-07)
guitar:
Barney Kessel (on 1945-06-07)
piano:
Dodo Marmarosa (on 1945-06-07)
tenor saxophone:
Ralph Rosenlund (on 1945-06-07) and Jon Walton (on 1945-06-07)
trombone:
Gus Dixon (on 1945-06-07), Harry Rodgers (on 1945-06-07), Bob Swift (on 1945-06-07) and Ollie Wilson (on 1945-06-07)
trumpet:
Roy Eldridge (on 1945-06-07), Stan Fishelson (on 1945-06-07), Bernie Glow (on 1945-06-07) and George Schwartz (on 1945-06-07)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-07)
3:09
16Lucky Number
2:41
17The Man I Love
instrumental recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
3:09
18The Hornet
3:06
19The Maid With the Flaccid Hair
3:51
20The Glider
2:48
▼ CD 4
#TitleRatingLength
1Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (trombone player) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (jazz trumpeter) (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
3:18
2My Heart Belongs to Daddy
3:05
3What Is This Thing Called Love
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
3:00
4Get Out of Town
3:15
5Love for Sale
3:06
6Anniversary Song
2:11
7Smooth 'N' Easy
3:20
8Star Dust
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-10-07)
alto saxophone:
Bus Bassey (on 1940-10-07) and Neely Plumb (on 1940-10-07)
cello:
F. Goerner (on 1940-10-07)
clarinet:
Artie Shaw (on 1940-10-07)
double bass and double bass [bass]:
Jud DeNaut (on 1940-10-07)
drums (drum set):
Nick Fatool (on 1940-10-07)
electric guitar and guitar:
Al Hendrickson (on 1940-10-07)
piano:
Johnny Guarnieri (on 1940-10-07)
tenor saxophone:
Jerry Jerome (on 1940-10-07) and Les Robinson (on 1940-10-07)
trombone:
Vernon Brown (on 1940-10-07) and Jack Jenney (American jazz trombonist) (on 1940-10-07)
trumpet:
Billy Butterfield (on 1940-10-07), J. Cathcart (on 1940-10-07) and George Wendt (Swing trumpeter) (on 1940-10-07)
viola:
A. Harshman (on 1940-10-07) and K. Collins (viola) (on 1940-10-07)
violin:
Al Beller (on 1940-10-07), B. Bower (on 1940-10-07), B. Morrow (on 1940-10-07), E. Lamas (on 1940-10-07), T. Boardman (on 1940-10-07) and T. Klages (on 1940-10-07)
orchestra:
Artie Shaw and His Orchestra (on 1940-10-07)
conductor:
Artie Shaw (on 1940-10-07)
instrumental recording of:
Stardust (the jazz standard) (on 1940-10-07)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
3:37
9Aesop's Foibles
3:42
10I Get a Kick Out of You
instrumental recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
3:27
11'S Wonderful
instrumental recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
3:03
12So Easy
3:25
13Krazy Kat
3:20
14Orinoco
2:40
15Fred's Delight
4:08
16Similau
3:28
17Afro-Cubana
3:48
18These Foolish Things
recorded in:
Hollywood, Los Angeles, California, United States (on 1945-06-08)
alto saxophone:
Louis Prisby (on 1945-06-08) and Rudy Tanza (on 1945-06-08)
baritone saxophone:
Chuck Gentry (on 1945-06-08)
bass:
Morris Rayman (on 1945-06-08)
clarinet:
Artie Shaw (on 1945-06-08)
drums (drum set):
Lou Fromm (on 1945-06-08)
guitar:
Barney Kessel (on 1945-06-08)
piano:
Dodo Marmarosa (on 1945-06-08)
tenor saxophone:
Ralph Rosenlund (on 1945-06-08) and Jon Walton (on 1945-06-08)
trombone:
Gus Dixon (on 1945-06-08), Harry Rodgers (on 1945-06-08), Bob Swift (on 1945-06-08) and Ollie Wilson (on 1945-06-08)
trumpet:
Roy Eldridge (on 1945-06-08), Stan Fishelson (on 1945-06-08), Bernie Glow (on 1945-06-08) and George Schwartz (on 1945-06-08)
orchestra:
Artie Shaw and His Orchestra (on 1945-06-08)
3:11
19I've Got a Crush on You
instrumental recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
3:54
20Someone to Watch Over Me
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
4:48
21Autumn Leaves
recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
3:30
▼ CD 5
#TitleRatingLength
1Don't Take Your Love From Me
5:29
2The Chaser
8:41
3Star Dust
cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
5:56
4Summit Ridge Drive
recording of:
Summit Ridge Drive
composer:
Artie Shaw
publisher:
Denton & Haskins Corp.
6:07
5I Can't Get Started
instrumental recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
5:15
6Too Marvelous for Words
instrumental recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
5:46
7Yesterdays
6:05
8Bewitched, Bothered, and Bewildered
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:12
9S'Posin'
5:34
10My Funny Valentine
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
5:31
11Dancing on the Ceiling
recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
7:12
12Scuttlebutt
6:15

Credits

Release

ASIN:US: B00005PJBJ [info]