Bring Jazz To Life

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

© «2021 UMG Recordings, Inc.»
℗ «2021 UMG Recordings, Inc. FP»

Annotation last modified on 2022-03-09 17:33 UTC.

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Cantaloupe Island - Remastered
recording engineer:
Rudy van Gelder (on 1964-06-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
cornet:
Freddie Hubbard (on 1964-06-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1964-06-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-06-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-06-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1964-06-17)
recording of:
Cantaloupe Island (on 1964-06-17)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Herbie Hancock4.45:24
2Let’s Fall In Love
recorded in:
Los Angeles, California, United States (on 1957-10-12)
bass:
Ray Brown (jazz bassist) (on 1957-10-12)
drums (drum set):
Stan Levey (on 1957-10-12)
piano:
Lou Levy (on 1957-10-12)
saxophone:
Stan Getz (on 1957-10-12) and Gerry Mulligan (on 1957-10-12)
instrumental recording of:
Let’s Fall in Love (on 1957-10-12)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
Stan Getz & Gerry Mulligan6:30
3Summer Montage / Madeline
recording engineer and mixer:
Nicholai Baxter
miscellaneous support:
Justin Moshkevich (task: pro-tools engineer)
co-producer:
Marius de Vries
producer:
Marius de Vries and Justin Hurwitz (American score composer)
assistant mixer:
Jay Markovitz and Derek Snyder
conductor:
Tim Davies (production music composer)
orchestrator:
Justin Hurwitz (American score composer)
phonographic copyright (℗) by:
Summit Entertainment, LLC (not for release label use; motion picture company) (in 2016)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Summer Montage / Madeline
publisher:
Damien Chazelle (from 2016 to present) and Justin Hurwitz (American score composer) (from 2016 to present)
orchestrator:
Justin Hurwitz (American score composer)
composer:
Damien Chazelle and Justin Hurwitz (American score composer)
is based on:
A Lovely Night (from "La La Land")
part of:
La La Land (2016 musical film score and soundtrack)
Justin Hurwitz2:04
4Soul Eyes
recording engineer:
Rudy van Gelder (on 1962-06-19)
producer:
Bob Thiele (producer & songwriter) (on 1962-06-19)
double bass:
Jimmy Garrison (on 1962-06-19)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-06-19)
piano:
McCoy Tyner (jazz pianist) (on 1962-06-19)
tenor saxophone:
John Coltrane (on 1962-06-19)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2002)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-06-19)
instrumental cover recording of:
Soul Eyes (on 1962-06-19)
composer:
Mal Waldron (American jazz pianist)
publisher:
Prestige Music (US drum & bass)
John Coltrane Quartet5:24
5There Is No Greater Love
recorded in:
New York, New York, United States (on 1962-01-11)
double bass [bass]:
Art Davis (US jazz double bassist) (on 1962-01-11)
drums (drum set):
Elvin Jones (jazz drummer) (on 1962-01-11)
piano:
McCoy Tyner (jazz pianist) (on 1962-01-11)
instrumental recording of:
There Is No Greater Love (on 1962-01-10)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
McCoy Tyner Trio6:21
6These Things Called Changes
producer:
Creed Taylor
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1966-10-04)
piano:
Bill Evans (pianist) (on 1966-10-04)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1966-10-04)
recording of:
These Things Called Changes (on 1966-10-04)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
Bill Evans3:35
7Black Velvet
recording engineer:
Rudy van Gelder (on 1958-11-16)
producer:
Alfred Lion
double bass [bass]:
Jymie Merritt (on 1958-11-16)
drums (drum set):
Wesley Landers (Jazz drummer) (on 1958-11-16)
piano:
Sonny Clark (on 1958-11-16)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1958-11-16)
recording of:
Black Velvet (on 1958-11-16)
composer:
Illinois Jacquet and Jimmy Mundy
Sonny Clark3:23
8Samba de Orpheus - Single Version
Vince Guaraldi Trio3:19
9Safari - Remastered
Horace Silver2:48
10How About You
recorded in:
Paris, Île-de-France, France (on 1959-05-18)
drums (drum set):
Ed Thigpen (on 1959-05-18)
guest bass:
Ray Brown (jazz bassist) (on 1959-05-18)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-05-18)
instrumental recording of:
How About You? (on 1959-05-18)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2)
Oscar Peterson Trio3:11
11Pearls
cover recording of:
Pearls
writer:
Sade Adu and Andrew Hale (keyboardist/composer)
Kandace Springs & Avishai Cohen4:44
12Evil Ways
guitar:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry) (on 1967-07-27)
percussion:
Willie Bobo (on 1967-07-27)
vocals:
Willie Bobo (on 1967-07-27)
recording of:
Evil Ways (on 1967-07-27)
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
Willie Bobo2:41
13Bouncin’ With Bud - Rudy Van Gelder Edition / Remastered 1998
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
Bud Powell3:03
14Don’t Know Why - First Sessions Demo
assistant engineer:
Mark Birkey
engineer:
Jay Newland
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland
mixer:
Arif Mardin and Jay Newland
acoustic guitar and electric guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Don’t Know Why
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部
cover recording of:
Don’t Know Why
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部
Norah Jones3.453:06
15Four Brothers
recording engineer:
Roy DuNann and Howard Holzer
producer:
Lester Koenig
alto saxophone:
Herb Geller (on 1959-05-12) and Charlie Kennedy (saxophonist) (on 1959-05-12)
alto saxophone, clarinet and tenor saxophone:
Art Pepper (on 1959-05-12)
baritone saxophone:
Med Flory (on 1959-05-12)
double bass:
Joe Mondragon (on 1959-05-12)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1959-05-12)
French horn:
Vincent DeRosa (on 1959-05-12)
piano:
Russ Freeman (pianist) (on 1959-05-12)
tenor saxophone:
Richie Kamuca (on 1959-05-12)
tenor saxophone and valve trombone:
Bob Enevoldsen (on 1959-05-12)
trombone:
Dick Nash (on 1959-05-12)
trumpet:
Al Porcino (on 1959-05-12) and Jack Sheldon (on 1959-05-12)
conductor:
Marty Paich (on 1959-05-12)
arranger:
Marty Paich
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1959-05-12)
recording of:
Four Brothers (on 1959-05-12)
composer:
Jimmy Giuffre (in 1947)
Art Pepper52:59
16Fascinating Rhythm
double bass:
Peter Washington (American jazz double bassist) (in 2018)
drums (drum set):
Kenny Washington (drums) (in 2018)
piano:
Bill Charlap (in 2018)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 2018) and Diana Krall (in 2018)
cover recording of:
Fascinatin’ Rhythm (in 2018)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
Tony Bennett & Diana Krall2:41
17Teach Me Tonight
cover recording of:
Teach Me Tonight
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 and 日音 Synch事業部
Dinah Washington2:48
18Tenderly
recorded in:
Los Angeles, California, United States (on 1953-12-08)
producer:
Norman Granz
editor:
Peter Pullman
alto saxophone:
Benny Carter (on 1953-12-08)
bass:
Ray Brown (jazz bassist)
double bass:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (on 1953-12-08)
drums (drum set):
Alvin Stoller and J.C. Heard (on 1953-12-08)
guitar:
Herb Ellis (jazz guitarist) and Barney Kessel (on 1953-12-08)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1953-12-08)
tenor saxophone:
Ben Webster (on 1953-12-08)
trumpet:
Harry Edison (on 1953-12-08)
instrumental recording of:
Tenderly (on 1953-12-08)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Ben Webster43:02
19Hey Laura
assistant engineer:
Owen Mulholland (engineer) and Ted Tuthill
engineer:
Jay Newland
associate producer:
Kamau Kenyatta
producer:
Brian Bacchus (producer, consultant A&R)
mixer:
Jay Newland (from 2013-04 until 2013-05)
bass:
Aaron James (Bassist)
drums (drum set):
Emanuel Harrold
Hammond organ [Hammond B3 organ]:
Glenn Patscha
piano:
Chip Crawford
vocals:
Gregory Porter
brass [horns] arranger:
Kamau Kenyatta
recorded at:
Sear Sound in New York, New York, United States (from 2013-03-28 until 2013-03-30, on 2013-04-15)
mixed at:
The Grateful Shed in Norwalk, Connecticut, United States (from 2013-04 until 2013-05)
recording of:
Hey Laura
lyricist and composer:
Gregory Porter
arranger:
Chip Crawford, Kamau Kenyatta and Gregory Porter
Gregory Porter3:19
20Oh Lady Be Good
bass:
Ray Brown (jazz bassist) (from 1959-07-14 until 1959-08-09)
drums (drum set):
Ed Thigpen (from 1959-07-14 until 1959-08-09)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1959-07-14 until 1959-08-09)
recorded at:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, United States (from 1959-07-14 until 1959-08-09)
instrumental recording of:
Oh, Lady Be Good! (from 1959-07-14 until 1959-08-09)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Oscar Peterson3:02
21Soul Sauce
producer:
Creed Taylor
bass:
John Hilliard (jazz bassist) (on 1964-11-20)
drums (drum set):
John Rae (US jazz drummer/vibraphonist) (on 1964-11-20)
percussion:
Armando Peraza (on 1964-11-20) and Alberto "Virgilio" Valdés (on 1964-11-20)
piano:
Lonnie Hewitt (on 1964-11-20)
vibraphone:
Cal Tjader (on 1964-11-20)
vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-11-20)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1964-11-20)
recording of:
Soul Sauce (on 1964-11-20)
writer:
Milton DeLugg, Chano Pozo and Bob Thiele (producer & songwriter)
version of:
Guarachi Guaro
Cal Tjader2:27
22Bags’ Groove
alto saxophone:
Lou Donaldson (on 1952-04-07)
double bass:
Percy Heath (on 1952-04-07)
drums (drum set):
Kenny Clarke (on 1952-04-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1952-04-07)
vibraphone:
Milt Jackson (on 1952-04-07)
recorded at:
WOR Studios in New York, New York, United States (on 1952-04-07)
recording of:
Bags’ Groove (on 1952-04-07)
composer:
Milt Jackson
Milt Jackson3:06
23You Go To My Head
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
You Go to My Head (on 1952-03-26)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Billie Holiday52:55
24Night Train
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Oscar Peterson Trio4:53
25Midnight Blue - Remastered
recording engineer:
Rudy van Gelder (on 1963-01-07)
producer:
Alfred Lion
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
drums (drum set):
Bill English (US jazz drummer) (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Midnight Blue (on 1963-01-07)
composer:
Kenny Burrell
Kenny Burrell4:02
26Wall Street
recorded in:
Los Angeles, California, United States (on 1955-03-28)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-03-28)
drums (drum set):
Irv Cottler (on 1955-03-28)
guitar:
Al Hendrickson (on 1955-03-28) and Barney Kessel (on 1955-03-28)
piano:
Jimmy Rowles (on 1955-03-28)
tenor saxophone:
Georgie Auld (on 1955-03-28)
trumpet:
Harry “Sweets” Edison (on 1955-03-28)
recording of:
Wail Street (on 1955-03-28)
composer:
Barney Kessel
Barney Kessel2.454:24
27I Can’t Get Started
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Dizzy Gillespie Sextet3:07
28Laura
recording of:
Laura (1945 song)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
Charlie Parker3:10
29Brownie Eyes - Remastered
alto saxophone and flute:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-08-28)
tenor saxophone:
Charlie Rouse (on 1953-08-28)
trumpet:
Clifford Brown (trumpet) (on 1953-08-28)
Clifford Brown3:56
30Little Black Train
Indra Rios‐Moore33:28
31Groovin’
recorded in:
New York, New York, United States (in 1968-02)
producer:
Esmond Edwards
baritone saxophone:
Pepper Adams (baritone saxophonist) (in 1968-02)
bass:
Ron Carter (US jazz double-bassist) (in 1968-02)
bass trombone:
Alan Raph (in 1968-02)
congas and tambourine:
Johnny Pacheco (in 1968-02)
drums (drum set):
Billy Cobham (in 1968-02)
flugelhorn and trumpet:
Jimmy Owens (jazz trumpeter) (in 1968-02)
guitar:
George Benson (jazz guitarist/singer) (in 1968-02)
trumpet:
Ernie Royal (in 1968-02) and Snooky Young (in 1968-02)
conductor:
Tom McIntosh (in 1968-02)
arranger:
Tom McIntosh
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
instrumental cover recording of:
Groovin’ (in 1968-02)
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
George Benson2:47
32That Midnight Sun Will Never Set
engineer:
Bob Arnold (engineer) and Johnny Cue
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Benny Carter (from 1961-11-13 until 1961-11-15) and Phil Woods (US jazz woodwind player) (from 1961-11-13 until 1961-11-15)
bass:
Jimmy Garrison (from 1961-11-13 until 1961-11-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1961-11-13 until 1961-11-15)
guitar:
John Collins (jazz guitarist) (from 1961-11-13 until 1961-11-15)
piano:
Dick Katz (US jazz pianist, 1924-2009) (from 1961-11-13 until 1961-11-15)
tenor saxophone:
Coleman Hawkins (from 1961-11-13 until 1961-11-15) and Charlie Rouse (from 1961-11-13 until 1961-11-15)
Benny Carter4:01
33Sunday Kind Of Love
engineer:
Al Schmitt and Bill Smith (US recording engineer)
producer:
Al Schmitt
vocals:
Diane Schuur
Diane Schuur4:00
34Quiet Nights of Quiet Stars (Corcovado)
recorded in:
Hollywood, Los Angeles, California, United States (on 1967-01-31)
engineer:
Lee Herschberg
co-producer:
Ray Gilbert
producer:
Sonny Burke (producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1967-01-31)
conductor:
Claus Ogerman (on 1967-01-31)
arranger:
Claus Ogerman
cover recording of:
Quiet Nights of Quiet Stars (version #3, lyrics credited to Buddy Kaye & Gene Lees) (on 1967-01-31)
lyricist:
Buddy Kaye and Gene Lees
composer:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Corcovado
cover recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric) (on 1967-01-31)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Corcovado
Antônio Carlos Jobim & Frank Sinatra22:45
35Gramercy Sunset
phonographic copyright (℗) by:
Universal Music Classics (label group, a division of UMG Recordings, Inc.) (in 2016)
The Hot Sardines4:15
36Tango Till They’re Sore
recording engineer:
Stuart Bruce (from 2016-01-12 until 2016-01-13)
assistant engineer:
Joe Jones (producer, engineer) (from 2016-01-12 until 2016-01-13)
mixer:
Stuart Bruce
double bass:
Barak Mori (from 2016-01-12 until 2016-01-13)
electric guitar:
Jon Herington (from 2016-01-12 until 2016-01-13)
guitalele and guitar:
Madeleine Peyroux (US jazz singer & songwriter) (from 2016-01-12 until 2016-01-13)
vocals:
Madeleine Peyroux (US jazz singer & songwriter)
recorded at:
Parish Church of St. Mary the Virgin in Great Milton, Oxfordshire, England, United Kingdom (from 2016-01-12 until 2016-01-13)
recording of:
Tango Till They’re Sore
lyricist and composer:
Tom Waits
Madeleine Peyroux3:24
37Oops!
performer:
Ella Fitzgerald (American jazz singer)
cover recording of:
Oops! (The Belle of New York, 1952 film)
lyricist:
Johnny Mercer
composer:
Harry Warren (US composer and lyricist)
Ella Fitzgerald & Louis Armstrong3:14
38Wind Cries Mary
alto saxophone:
Jamie Talbot (English jazz alto saxophonist)
bass:
Geoff Gascoyne
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
percussion:
Francis Fuster
tenor saxophone:
Ben Castle
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz-pop artist)
cover recording of:
The Wind Cries Mary
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Experience Hendrix, L.L.C. (company, not a label) and Sea-Lark Enterprises, Inc.
Jamie Cullum43:36
39Old Devil Moon
recorded in:
New York, New York, United States (in 1958-08)
recording engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr.
bass:
Sam Jones (US jazz bassist) (in 1958-08)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1958-08)
piano:
Kenny Drew (in 1958-08)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (in 1958-08)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (in 1958-08)
instrumental recording of:
Old Devil Moon (from “Finian’s Rainbow”) (in 1958-08)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
part of:
Finian’s Rainbow (1947 Broadway musical)
Chet Baker22:57
40The Cat
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone:
Phil Woods (US jazz woodwind player) (on 1964-04-29)
bass:
George Duvivier (on 1964-04-29)
bass trombone:
Tony Studd (on 1964-04-29)
drums (drum set):
Grady Tate (on 1964-04-29)
French horn:
Ray Alonge (french horn) (on 1964-04-29), Earl Chapin (on 1964-04-29), Bill Corea (on 1964-04-29), Bill Correa (Hornist) (on 1964-04-29) and Jim Buffington (US jazz, studio and classical hornist) (on 1964-04-29)
guitar:
Kenny Burrell (on 1964-04-29)
organ:
Jimmy Smith (US jazz organist) (on 1964-04-29)
percussion:
Phil Kraus (on 1964-04-29)
trombone:
Billy Byers (on 1964-04-29), Jimmy Cleveland (US jazz trombonist) (on 1964-04-29) and Urbie Green (on 1964-04-29)
trumpet:
Bernie Glow (on 1964-04-29), Thad Jones (on 1964-04-29), Marky Markowitz (on 1964-04-29), Jimmy Maxwell (Trumpet) (on 1964-04-29), Ernie Royal (on 1964-04-29) and Snooky Young (on 1964-04-29)
tuba:
Don Butterfield (on 1964-04-29)
conductor:
Lalo Schifrin (pianist & composer) (on 1964-04-29)
arranger:
Lalo Schifrin (pianist & composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1964-04-29)
recording of:
The Cat (original music (no lyrics) by Lalo Schifrin) (on 1964-04-29)
composer:
Lalo Schifrin (pianist & composer)
Jimmy Smith & Lalo Schifrin3:27
41Gone With The Wind
recording engineer:
Jack Higgins (recording engineer) (on 1960-01-28)
producer:
Orrin Keepnews
double bass:
Percy Heath (on 1960-01-28)
drums (drum set):
Albert “Tootie” Heath (on 1960-01-28)
guitar:
Wes Montgomery (on 1960-01-28)
piano:
Tommy Flanagan (on 1960-01-28)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1960-01-28)
instrumental recording of:
Gone With the Wind (on 1960-01-28)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Wes Montgomery46:24
42Moanin’ - Alternate Take
alto saxophone:
Frank Wess (on 1959-06-16) and Phil Woods (US jazz woodwind player) (on 1959-06-16)
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1959-06-16)
bass:
Ray Brown (jazz bassist) (on 1959-06-16)
drums (drum set):
Don Lamond (on 1959-06-16)
French horn:
Julius Watkins (on 1959-06-16)
guitar:
Les Spann (on 1959-06-16)
piano:
Patti Bown (on 1959-06-16)
tenor saxophone:
Jerome Richardson (on 1959-06-16) and Zoot Sims (US jazz saxophonist) (on 1959-06-16)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1959-06-16), Urbie Green (on 1959-06-16), Quentin Jackson (on 1959-06-16) and Melba Liston (US jazz trombonist) (on 1959-06-16)
trumpet:
Harry “Sweets” Edison (on 1959-06-16), Joe Newman (US jazz trumpeter) (on 1959-06-16), Ernie Royal (on 1959-06-16) and Joe Wilder (on 1959-06-16)
conductor:
Quincy Jones (on 1959-06-16)
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1959-06-16)
Quincy Jones3:06
43(Fly Me To The Moon) In Other Words
engineer:
Val Valentin (on 1962-10-12)
producer:
Creed Taylor (on 1962-10-12)
double bass [bass]:
Andy Simpkins (on 1962-10-12)
drums (drum set):
Bill Dowdy (on 1962-10-12)
piano:
Gene Harris (on 1962-10-12)
vocals:
Anita O’Day (on 1962-10-12)
recording of:
Fly Me to the Moon (on 1962-10-12)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Anita O’Day & The Three Sounds3:45
44Ceora
recording engineer:
Rudy van Gelder (on 1965-09-18)
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1965-09-18)
double bass [bass]:
Larry Ridley (on 1965-09-18)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1965-09-18)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-09-18)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1965-09-18)
trumpet:
Lee Morgan (on 1965-09-18)
recording of:
Ceora (on 1965-09-18)
composer:
Lee Morgan
Lee Morgan6:23
45My Baby Just Cares For Me - Live
assistant recording engineer:
Nick Rives
recording engineer:
Ed Cherney
programming:
Chandler Harrod (engineer)
producer:
Larry Klein
mixer:
Tim Palmer (British producer/mixer)
editor:
Adam Greenspan
double bass:
Alex Frank (bassist)
drums (drum set):
Kenny Elliot
guitar:
John Storie
Hammond organ:
Joe Bagg
piano:
Jeff Goldblum
saxophone:
James King (US multi-instrumentalist, Fitz and The Tantrums)
solo trumpet:
Till Brönner (German trumpet player)
vocals:
Haley Reinhart
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
'62 Studios in Austin, Texas, United States
edited at:
Strange Cargo Studio in Los Angeles, California, United States
cover recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Jeff Goldblum & The Mildred Snitzer Orchestra & Haley Reinhart5:15
46Mood Indigo
recording engineer:
Rudy van Gelder (on 1962-08-18)
engineer:
Rudy van Gelder
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Johnny Hodges (on 1962-08-18)
baritone saxophone and bass clarinet:
Harry Carney (on 1962-08-18)
bass and double bass:
Aaron Bell (jazz double bassist) (on 1962-08-18)
cornet and violin:
Ray Nance (on 1962-08-18)
drums (drum set) and membranophone:
Sam Woodyard (on 1962-08-18)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1962-08-18)
tenor saxophone:
Coleman Hawkins (on 1962-08-18)
trombone:
Lawrence Brown (jazz trombonist) (on 1962-08-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-08-18)
instrumental cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1962-08-18)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1962-08-18)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & Coleman Hawkins5:57
47Through For The Night
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1959-04-03)
recording of:
Through for the Night (on 1959-04-03)
writer:
Trummy Young
Coleman Hawkins5:11
48April In Paris
producer:
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-07-26) and Marshall Royal (on 1955-07-26)
alto saxophone, clarinet, flute and tenor saxophone:
Frank Wess (on 1955-07-26)
baritone saxophone and bass clarinet:
Charlie Fowlkes (on 1955-07-26)
clarinet and tenor saxophone:
Frank Foster (saxophonist) (on 1955-07-26)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-07-26)
drums (drum set):
Sonny Payne (on 1955-07-26)
guitar:
Freddie Green (on 1955-07-26)
piano:
Count Basie (pianist) (on 1955-07-26)
trombone:
Henry Coker (on 1955-07-26), Bill Hughes (trombone) (on 1955-07-26) and Benny Powell (on 1955-07-26)
trumpet:
Wendell Culley (on 1955-07-26), Reunald Jones (on 1955-07-26), Thad Jones (on 1955-07-26) and Joe Newman (US jazz trumpeter) (on 1955-07-26)
arranger:
Wild Bill Davis
instrumental recording of:
April in Paris (on 1955-07-26)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Count Basie3:50
49Big City Blues - Live At Webster Hall, New York City / December 18, 1962
producer:
Jim Davis (jazz producer)
bass trombone:
Tony Studd (from 1962-12-18 until 1962-12-21)
brass:
Clark Terry (American swing trumpeter) (from 1962-12-18 until 1962-12-21)
double bass:
Bill Crow (from 1962-12-18 until 1962-12-21)
drums (drum set):
Gus Johnson (drums) (from 1962-12-18 until 1962-12-21)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (from 1962-12-18 until 1962-12-21)
reeds:
Gene Allen (baritone saxophonist) (from 1962-12-18 until 1962-12-21), Gerry Mulligan (from 1962-12-18 until 1962-12-21) and Gene Quill (from 1962-12-18 until 1962-12-21)
tenor saxophone:
Jim Reider (American jazz saxophonist) (from 1962-12-18 until 1962-12-21)
trombone:
Willie Dennis (from 1962-12-18 until 1962-12-21)
trumpet:
Don Ferrara (from 1962-12-18 until 1962-12-21), Doc Severinsen (from 1962-12-18 until 1962-12-21) and Nick Travis (from 1962-12-18 until 1962-12-21)
valve trombone:
Bob Brookmeyer (from 1962-12-18 until 1962-12-21)
woodwind:
Eddie Caine (saxophone player, not the rapper) (from 1962-12-18 until 1962-12-21)
arranger:
Bob Brookmeyer and Gerry Mulligan
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1962-12-18 until 1962-12-21)
recording of:
Big City Blues (from 1962-12-18 until 1962-12-21)
composer:
Bob Brookmeyer
Gerry Mulligan5:44