School Reunion: The Party

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Don’t Stop Me Now
additional engineer:
John Etchells
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon (from 1978-07 until 1978-10)
electric guitar:
Brian May (Queen guitarist) (from 1978-07 until 1978-10)
percussion:
Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
piano:
Freddie Mercury (from 1978-07 until 1978-10)
vocals:
Brian May (Queen guitarist) (from 1978-07 until 1978-10), Freddie Mercury (from 1978-07 until 1978-10) and Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
arranger:
Queen (UK rock group)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1978) and Raincloud Productions Ltd. (in 1978)
recorded at:
Mountain Studio (original Montreux location, 1975-2002) in Montreux, Vaud, Switzerland (from 1978-07 until 1978-10) and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (from 1978-07 until 1978-10)
part of:
TV Cream: Real 100 Best Singles Ever (number: 74)
recording of:
Don’t Stop Me Now (from 1978-07 until 1978-10)
written in:
Montreux, Vaud, Switzerland and Nice, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France
lyricist and composer:
Freddie Mercury (from 1978-07 until 1978-10)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
We Will Rock You (Queen musical)
Queen4.353:31
2Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax
lyricist:
William Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Mark O’Toole (former bassist of Frankie Goes to Hollywood) and William Johnson
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.053:54
3Bad Boys
engineer:
Tony Taverner
co-producer:
George Michael
producer:
Steve Brown (engineer/music producer) and George Michael
music videos:
Bad Boys by Wham! (British pop-duo)
recording of:
Bad Boys
lyricist and composer:
George Michael
Wham!3:21
4Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Buggles3.93:26
5You Can’t Hurry Love
assistant engineer:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
engineer:
Paul Gomersall and Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Robert Colby (live sound engineer & producer, notably for Phil Collins) and Phil Collins (of Genesis)
mixer:
Robert Colby (live sound engineer & producer, notably for Phil Collins) and Paul Gomersall
bass guitar [bass]:
John
drums (drum set) [drums], tambourine and lead vocals:
Phil Collins (of Genesis)
glockenspiel [glock], piano and vibraphone:
Peter (Scene) Robinson (English score composer)
guitar [guitars]:
Daryl
strings arranger:
Martyn (Norrie) Ford (conductor)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (from 1982 to present)
cover recording of:
You Can’t Hurry Love
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
recording of:
You Can’t Hurry Love
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Phil Collins42:52
6Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Phonogram Ltd. (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners4.254:05
7My Girl
producer:
Clive Langer & Alan Winstanley
baritone saxophone and tenor saxophone:
Lee “Kix” Thompson (Madness)
bass:
Mark Bedford
drums (drum set) and percussion:
Daniel Woodgate
guitar:
Chris Foreman
keyboard:
Mike Barson
background vocals:
Chas Smash
vocals:
Suggs and Lee “Kix” Thompson (Madness)
recording of:
My Girl
lyricist and composer:
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.852:45
8Swords of a Thousand Men
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:54
9Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64)
recording of:
Call Me (in 1980-01)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc. and Sony/ATV Melody
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.253:26
10Que será mi vida (If You Should Go)
Gibson Brothers3:57
11Modern Love
assistant engineer:
Dave Greenberg (US engineer Sonopod/Boomtown)
engineer and mixer:
Bob Clearmountain
producer:
David Bowie (English singer‐songwriter) and Nile Rodgers
assistant mixer:
David Bowie (English singer‐songwriter) and Nile Rodgers
baritone saxophone:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (from 1983-01-03 until 1983-01-20)
bass:
Carmine Rojas (from 1983-01-03 until 1983-01-20)
drums (drum set):
Omar Hakim (from 1983-01-03 until 1983-01-20)
guitar:
Nile Rodgers (from 1983-01-03 until 1983-01-20)
piano:
Rob Sabino (from 1983-01-03 until 1983-01-20)
tenor saxophone:
Robert Aaron (from 1983-01-03 until 1983-01-20) and Stan Harrison (from 1983-01-03 until 1983-01-20)
trumpet:
Mac Gollehon (from 1983-01-03 until 1983-01-20)
background vocals:
Frank Simms (from 1983-01-03 until 1983-01-20), George Simms (from 1983-01-03 until 1983-01-20) and David Spinner (from 1983-01-03 until 1983-01-20)
lead vocals:
David Bowie (English singer‐songwriter) (from 1983-01-03 until 1983-01-20)
horn arranger:
David Bowie (English singer‐songwriter) and Nile Rodgers
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1983-01-03 until 1983-01-20)
recording of:
Modern Love (from 1983-01-03 until 1983-01-20)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Jones Music America and RZO Music Ltd
David Bowie4.354:47
12Mirror Man
producer:
The Human League and Martin Rushent
music videos:
Mirror Man by The Human League
recording of:
Mirror Man
writer:
Ian Burden, Jo Callis and Philip Oakey
The Human League23:50
13Temptation
producer:
B.E.F. and Greg Walsh (producer and engineer)
vocals:
Carol Kenyon
recording of:
Temptation
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 172.353:06
14Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth-pop duo)
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:39
15Just an Illusion
recording of:
Just an Illusion
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
Imagination3:41
16The Lion Sleeps Tonight
cover recording of:
The Lion Sleeps Tonight
lyricist:
George David Weiss (in 1961)
writer:
Luigi Creatore, Hugo Peretti and Albert Stanton (pseudonym for Al Brackman)
composer:
Solomon Linda
publisher:
Abilene Music Inc. and Luigi Creatore Music (ASCAP)
is based on:
Mbube
is based on:
Wimoweh
version of:
Wimoweh
part of:
The Lion King (2019 film soundtrack)
part of:
The Lion King (stage musical)
Tight Fit42:59
17You Drive Me Crazy
recording of:
You Drive Me Crazy
lyricist and composer:
Ronnie Harwood (Songwriter, singer and guitarist)
translated version of:
Krejčí (You Drive Me Crazy)
Shakin’ Stevens2:53
18Coming Up
recording engineer:
Paul McCartney (The Beatles) (from 1979-06 until 1979-07)
producer:
Paul McCartney (The Beatles)
assistant mixer:
Eddie Klein (engineer, Hog Hill Mill) (in 1979-09)
mixer:
Paul McCartney (The Beatles) (in 1979-09)
bass, drums (drum set), electric guitar, electric piano, percussion, synthesizer, tambourine, background vocals, background vocals and lead vocals and lead vocals:
Paul McCartney (The Beatles) (from 1979-06 until 1979-07)
recorded at:
Home Studio in East Sussex, England, United Kingdom (from 1979-06 until 1979-07) and Spirit of Ranachan Studio in Scotland, United Kingdom (from 1979-06 until 1979-07)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Coming Up (from 1979-06 until 1979-07)
lyricist and composer:
Paul McCartney (The Beatles)
Paul McCartney4.353:51
19That’s All
engineer:
Hugh Padgham
producer:
Genesis (English rock band) and Hugh Padgham
bass and guitar:
Mike Rutherford (in 1983)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (in 1983)
electric grand piano [Yamaha CP-70], synclavier and synthesizer:
Tony Banks (Genesis) (in 1983)
background vocals:
Tony Banks (Genesis) (in 1983) and Mike Rutherford (in 1983)
phonographic copyright (℗) by:
Anthony Banks Ltd., Michael Rutherford Ltd., Philip Collins Ltd., Virgin Records Ltd. (not for release label use! for company relationships only) (from 1983 to present) and Gelring Ltd. (Publishing company Associated with Genesis) (in 1983)
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (in 1983)
mixed at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom
recording of:
That’s All (in 1983)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Anthony Banks Ltd. (from 1983 to present), Hit & Run Music (Publishing) Ltd (from 1983 to present), Michael Rutherford Ltd. (from 1983 to present), Philip Collins Ltd. (from 1983 to present), Pun Music, Inc. (from 1983 to present) and Warner Brothers Music Inc. (from 1983 to present)
Genesis4.54:25
20Do You Really Want to Hurt Me
engineer and producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
membranophone and percussion:
Jon Moss
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Culture Club3.954:23
21Dance Away
engineer:
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) and Randy Mason
producer:
Roxy Music
mixer:
Bob Clearmountain
performer:
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) and Gary Tibbs
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979), Virgin EG Records Ltd. (in 1979) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Dance Away (in 1979)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1979)
Roxy Music43:45
22Only You
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe
additional producer:
Daniel Miller (British music producer and founder of Mute Records)
producer:
Eric Radcliffe and Yazoo (80s British synthpop duo, aka Yaz)
keyboard and synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (current name of Sony Music Publishing UK) and Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:12
▶ CD 2
▶ CD 3