School Reunion: The Party

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Don’t Stop Me Now
additional engineer:
John Etchells
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon (from 1978-07 until 1978-10)
electric guitar:
Brian May (Queen guitarist) (from 1978-07 until 1978-10)
percussion:
Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
piano:
Freddie Mercury (from 1978-07 until 1978-10)
vocals:
Brian May (Queen guitarist) (from 1978-07 until 1978-10), Freddie Mercury (from 1978-07 until 1978-10) and Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
arranger:
Queen (UK rock group)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1978) and Raincloud Productions Ltd. (in 1978)
recorded at:
Mountain Studio (original Montreux location, 1975-2002) in Montreux, Vaud, Switzerland (from 1978-07 until 1978-10) and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (from 1978-07 until 1978-10)
part of:
TV Cream: Real 100 Best Singles Ever (number: 74)
recording of:
Don’t Stop Me Now (from 1978-07 until 1978-10)
written in:
Montreux, Vaud, Switzerland and Nice, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France
lyricist and composer:
Freddie Mercury (from 1978-07 until 1978-10)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
We Will Rock You (Queen musical)
Queen4.353:31
2Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax
lyricist:
William Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Mark O’Toole (former bassist of Frankie Goes to Hollywood) and William Johnson
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.053:54
3Bad Boys
engineer:
Tony Taverner
co-producer:
George Michael
producer:
Steve Brown (engineer/music producer) and George Michael
music videos:
Bad Boys by Wham! (British pop-duo)
recording of:
Bad Boys
lyricist and composer:
George Michael
Wham!3:21
4Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Buggles3.93:26
5You Can’t Hurry Love
assistant engineer:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
engineer:
Paul Gomersall and Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Robert Colby (live sound engineer & producer, notably for Phil Collins) and Phil Collins (of Genesis)
mixer:
Robert Colby (live sound engineer & producer, notably for Phil Collins) and Paul Gomersall
bass guitar [bass]:
John
drums (drum set) [drums], tambourine and lead vocals:
Phil Collins (of Genesis)
glockenspiel [glock], piano and vibraphone:
Peter (Scene) Robinson (English score composer)
guitar [guitars]:
Daryl
strings arranger:
Martyn (Norrie) Ford (conductor)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (from 1982 to present)
recording of:
You Can’t Hurry Love
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
cover recording of:
You Can’t Hurry Love
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Phil Collins42:52
6Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Phonogram Ltd. (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners4.254:05
7My Girl
producer:
Clive Langer & Alan Winstanley
baritone saxophone and tenor saxophone:
Lee “Kix” Thompson (Madness)
bass:
Mark Bedford
drums (drum set) and percussion:
Daniel Woodgate
guitar:
Chris Foreman
keyboard:
Mike Barson
background vocals:
Chas Smash
vocals:
Suggs and Lee “Kix” Thompson (Madness)
recording of:
My Girl
lyricist and composer:
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.852:45
8Swords of a Thousand Men
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:54
9Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64)
recording of:
Call Me (in 1980-01)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc. and Sony/ATV Melody
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.253:26
10Que será mi vida (If You Should Go)
Gibson Brothers3:57
11Modern Love
assistant engineer:
Dave Greenberg (US engineer Sonopod/Boomtown)
engineer and mixer:
Bob Clearmountain
producer:
David Bowie (English singer‐songwriter) and Nile Rodgers
assistant mixer:
David Bowie (English singer‐songwriter) and Nile Rodgers
baritone saxophone:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (from 1983-01-03 until 1983-01-20)
bass:
Carmine Rojas (from 1983-01-03 until 1983-01-20)
drums (drum set):
Omar Hakim (from 1983-01-03 until 1983-01-20)
guitar:
Nile Rodgers (from 1983-01-03 until 1983-01-20)
piano:
Rob Sabino (from 1983-01-03 until 1983-01-20)
tenor saxophone:
Robert Aaron (from 1983-01-03 until 1983-01-20) and Stan Harrison (from 1983-01-03 until 1983-01-20)
trumpet:
Mac Gollehon (from 1983-01-03 until 1983-01-20)
background vocals:
Frank Simms (from 1983-01-03 until 1983-01-20), George Simms (from 1983-01-03 until 1983-01-20) and David Spinner (from 1983-01-03 until 1983-01-20)
lead vocals:
David Bowie (English singer‐songwriter) (from 1983-01-03 until 1983-01-20)
horn arranger:
David Bowie (English singer‐songwriter) and Nile Rodgers
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1983-01-03 until 1983-01-20)
recording of:
Modern Love (from 1983-01-03 until 1983-01-20)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Jones Music America and RZO Music Ltd
David Bowie4.354:47
12Mirror Man
producer:
The Human League and Martin Rushent
music videos:
Mirror Man by The Human League
recording of:
Mirror Man
writer:
Ian Burden, Jo Callis and Philip Oakey
The Human League23:50
13Temptation
producer:
B.E.F. and Greg Walsh (producer and engineer)
vocals:
Carol Kenyon
recording of:
Temptation
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 172.353:06
14Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth-pop duo)
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:39
15Just an Illusion
recording of:
Just an Illusion
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
Imagination3:41
16The Lion Sleeps Tonight
cover recording of:
The Lion Sleeps Tonight
lyricist:
George David Weiss (in 1961)
writer:
Luigi Creatore, Hugo Peretti and Albert Stanton (pseudonym for Al Brackman)
composer:
Solomon Linda
publisher:
Abilene Music Inc. and Luigi Creatore Music (ASCAP)
is based on:
Mbube
is based on:
Wimoweh
version of:
Wimoweh
part of:
The Lion King (2019 film soundtrack)
part of:
The Lion King (stage musical)
Tight Fit42:59
17You Drive Me Crazy
recording of:
You Drive Me Crazy
lyricist and composer:
Ronnie Harwood (Songwriter, singer and guitarist)
translated version of:
Krejčí (You Drive Me Crazy)
Shakin’ Stevens2:53
18Coming Up
recording engineer:
Paul McCartney (The Beatles) (from 1979-06 until 1979-07)
producer:
Paul McCartney (The Beatles)
assistant mixer:
Eddie Klein (engineer, Hog Hill Mill) (in 1979-09)
mixer:
Paul McCartney (The Beatles) (in 1979-09)
bass, drums (drum set), electric guitar, electric piano, percussion, synthesizer, tambourine, background vocals, background vocals and lead vocals and lead vocals:
Paul McCartney (The Beatles) (from 1979-06 until 1979-07)
recorded at:
Home Studio in East Sussex, England, United Kingdom (from 1979-06 until 1979-07) and Spirit of Ranachan Studio in Scotland, United Kingdom (from 1979-06 until 1979-07)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Coming Up (from 1979-06 until 1979-07)
lyricist and composer:
Paul McCartney (The Beatles)
Paul McCartney4.353:51
19That’s All
engineer:
Hugh Padgham
producer:
Genesis (English rock band) and Hugh Padgham
bass and guitar:
Mike Rutherford (in 1983)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (in 1983)
electric grand piano [Yamaha CP-70], synclavier and synthesizer:
Tony Banks (Genesis) (in 1983)
background vocals:
Tony Banks (Genesis) (in 1983) and Mike Rutherford (in 1983)
phonographic copyright (℗) by:
Anthony Banks Ltd., Michael Rutherford Ltd., Philip Collins Ltd., Virgin Records Ltd. (not for release label use! for company relationships only) (from 1983 to present) and Gelring Ltd. (Publishing company Associated with Genesis) (in 1983)
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (in 1983)
mixed at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom
recording of:
That’s All (in 1983)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Anthony Banks Ltd. (from 1983 to present), Hit & Run Music (Publishing) Ltd (from 1983 to present), Michael Rutherford Ltd. (from 1983 to present), Philip Collins Ltd. (from 1983 to present), Pun Music, Inc. (from 1983 to present) and Warner Brothers Music Inc. (from 1983 to present)
Genesis4.54:25
20Do You Really Want to Hurt Me
engineer and producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
membranophone and percussion:
Jon Moss
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Culture Club3.954:23
21Dance Away
engineer:
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) and Randy Mason
producer:
Roxy Music
mixer:
Bob Clearmountain
performer:
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) and Gary Tibbs
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979), Virgin EG Records Ltd. (in 1979) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Dance Away (in 1979)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1979)
Roxy Music43:45
22Only You
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe
additional producer:
Daniel Miller (British music producer and founder of Mute Records)
producer:
Eric Radcliffe and Yazoo (80s British synthpop duo, aka Yaz)
keyboard and synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (current name of Sony Music Publishing UK) and Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:12
▼ CD 2
#TitleArtistRatingLength
1Fame
vocals:
Irene Cara
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (in 1980)
recording of:
Fame
lyricist:
Dean Pitchford
composer:
Michael Gore
publisher:
EMI Affiliated Catalog Inc.
part of:
The 53rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 53)
Irene Cara35:14
2Rhythm of the Night
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 2009) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
recording of:
Rhythm of the Night
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. and Realsongs
DeBarge3.63:54
3Gloria
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
music videos:
Gloria (music video) by Laura Branigan
recording of:
Gloria (English version) (from 1981 until 1982)
lyricist and composer:
Giancarlo Bigazzi, Umberto Tozzi and Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, S.I.A.E. Direzione Generale, Songs of Universal, Inc. and Sugar Song Publications, Inc.
translated version of:
Gloria (original Italian version)
Laura Branigan54:51
4I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
additional bass:
Paul Westwood (bassist) (in 1983)
lead vocals:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal and Rondor Music (London) Ltd.
Nik Kershaw43:24
5Wild Boys
engineer and audio engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Duran Duran (English rock band) and Nile Rodgers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984, in 1998)
part of:
Cachitos Nochevieja 2022 (number: 54)
recording of:
The Wild Boys
writer:
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) and Simon John Charles Le Bon (singer for Duran Duran)
publisher:
Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. and Noticevale Ltd.
Duran Duran4.154:17
6Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
membranophone:
John Keeble (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:52
7The Safety Dance
producer:
Marc Durand (Canadian producer)
phonographic copyright (℗) by:
Statik Records (in 1982)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 39) and Huffington Post: 100 Best Canadian Songs Ever (number: 48)
recording of:
The Safety Dance
lyricist and composer:
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, Tactik Music (publisher) (in 1982) and Wintrup Musik (in 1982)
Men Without Hats3.92:44
8The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music and Kinda Blue Music
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:54
9Two Tribes
producer:
Trevor Horn
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
Two Tribes
written in:
Liverpool, Merseyside, England, United Kingdom (from 1982 until 1983)
lyricist and composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Mark William O'Toole (former bassist of Frankie Goes to Hollywood) and William Johnson
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood3.653:57
10Holding Out for a Hero
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Holding Out for a Hero
lyricist:
Dean Pitchford
composer:
Jim Steinman
publisher:
Ensign Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing LLC (1995–2020)
is based on:
Stark Raving Love
Bonnie Tyler4.154:22
11Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38) and Billboard: Greatest of All Time Hot 100 Songs (number: 73)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
J. Geils Band4.13:37
12Road to Nowhere
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher) and Index Music, Inc.
Talking Heads44:02
13Maneater
recording of:
Maneater
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
Hot Cha Music Co., Primary Wave Brian and Unichappell Music, Inc.
Daryl Hall & John Oates4:15
14Heartache Avenue
recording of:
Heartache Avenue
lyricist and composer:
Lol Mason and Mark Tibenham
publisher:
ATV Music (in 1982) and Graduate (publisher) (in 1982)
The Maisonettes42:56
15Modern Girl
recording of:
Modern Girl
writer:
Dominic Bugatti and Frank Musker
Sheena Easton3:28
16Never Ending Story
producer:
Giorgio Moroder
background vocals:
Beth Andersen
lead vocals:
Limahl
performer:
Limahl
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
lyricist:
Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Limahl3.353:30
17Sometimes
producer:
Flood (British producer Mark Ellis)
mixer:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) and Mike Pela
trumpet:
Guy Barker
part of:
Cachitos Nochevieja 2022 (number: 107)
recording of:
Sometimes
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure33:37
18Imagination
recording of:
Imagination
lyricist and composer:
Neville Keighley
Belouis Some33:33
19Just Be Good to Me
recording of:
Just Be Good to Me
composer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
S.O.S. Band5:50
20We Don’t Need Another Hero (Thunderdome)
assistant engineer:
Mike Ging
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
saxophone:
Tim Cappello
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
We Don’t Need Another Hero
lyricist and composer:
Terry Britten and Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company) and Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.354:17
▼ CD 3
#TitleArtistRatingLength
1The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz2.654:01
2Hand on Your Heart
engineer:
Karen Hewitt and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
mixer:
Phil Harding (engineer, producer and remixer)
vocals:
Kylie Minogue
phonographic copyright (℗) by:
Mushroom Records (from 1989 to present)
recording of:
Hand on Your Heart
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Kylie Minogue33:52
3Too Many Broken Hearts
recording of:
Too Many Broken Hearts
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Jason Donovan3:25
4I Owe You Nothing
recording of:
I Owe You Nothing
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (in 1988), Intersong Music Ltd. (in 1988) and Virgin Music (Publishers) Ltd. (in 1988)
Bros3:39
5The Power
producer:
Snap! (dance group; tracks: “The Power” & “Rhythm Is a Dancer”)
phonographic copyright (℗) by:
Anzilotti & Münzing (in 1990)
recording of:
The Power
writer:
Benito Benites, Antoinette Colandero and John Garrett III
publisher:
Hanseatic Musikverlag GmbH (1964-2001), House of Fun Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Snap43:46
6Ice Ice Baby
phonographic copyright (℗) by:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
recording of:
Ice Ice Baby
lyricist:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) and Vanilla Ice
composer:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) and Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., Fernhill Publishing, Ice Baby Music, Knightlife Productions, QPM Music Inc., Queen Music Ltd. and Sony/ATV Songs LLC
is based on:
Under Pressure
Vanilla Ice4.53:43
7Opposites Attract
producer:
Oliver Leiber
arranger:
Oliver Leiber
part of:
The Downloader’s Music Source Book (number: 87)
recording of:
Opposites Attract
lyricist and composer:
Oliver Leiber
Paula Abdul2.54:23
8U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi-instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi-instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
is based on:
Super Freak
M.C. Hammer4.154:13
9Ride on Time
producer:
Groove Groove Melody
mixer:
Daniele Davoli, Mirko Limoni and Valerio Semplici (Black Box)
bass guitar:
Raimondo Violi
guitar [rhythm guitar]:
Sauro Malavasi
conductor:
Daniele Davoli, Mirko Limoni and Valerio Semplici (Black Box)
arranger:
Daniele Davoli, Mirko Limoni and Valerio Semplici (Black Box)
samples:
Love Sensation (LP version) by Loleatta Holloway
recording of:
Ride on Time
writer:
Daniele Davoli, Dan Hartman, Mirko Limoni and Valerio Semplici (Black Box)
publisher:
Lombardoni Edizioni Musicali
quotes lyrics from:
Love Sensation
Black Box3.254:33
10Criticize
recording of:
Criticize
writer:
Jellybean Johnson and Alexander O’Neal
Alexander O’Neal44:03
11Labour of Love
recording of:
Labour of Love
writer:
Gregory Kane and Patrick Kane
Hue and Cry3.23:32
12Live It Up
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia
recording of:
Live It Up
lyricist and composer:
Greedy Smith (Australian musician and songwriter with Mental As Anything)
Mental as Anything3.653:48
13Leave a Light On
recording of:
Leave a Light On
writer:
Rick Nowels and Ellen Shipley
publisher:
Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) and Virgin Songs Inc. (in 1989)
Belinda Carlisle4:15
14Here I Go Again
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., Seabreeze Music Ltd., Windswept Pacific Music Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Whitesnake3:52
15Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt
electric bass guitar:
Zac Foley
electric guitar, guitar and keyboard:
Ian Dench
sampler [samples]:
Derry Brownson
background vocals:
Claudia Fontaine (vocals, background vocals)
lead vocals:
James Atkin
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Tusk and Warner Chappell Music Ltd. (no slash; used 1988–1996)
EMF3.653:29
16I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Proclaimers43:36
17The Look
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1988-08)
classical guitar:
Erik Borelius (in 1988-08)
drums (drum set) and hi-hat:
Pelle Alsing (in 1988-08)
electric guitar:
Jonas Isacsson (in 1988-08)
keyboard:
Clarence Öfwerman (in 1988-08)
saxophone:
Erik Häusler (in 1988-08)
slide guitar:
Janne Oldaeus (in 1988-08)
background vocals:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) and Clarence Öfwerman (in 1988-08)
lead vocals:
Marie Fredriksson (in 1988-08) and Per Gessle (Swedish singer and guitarist) (in 1988-08)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!)
recorded at:
EMI Studios in Stockholm, Stockholms län, Sweden (in 1988-08)
mixed at:
EMI Studios in Stockholm, Stockholms län, Sweden
recording of:
The Look (in 1988-08)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.63:57
18Hot in the City
assistant engineer:
Steve Bates
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
edit of:
Hot in the City (extended version) by Billy Idol (English rock singer‐songwriter)
music videos:
Hot in the City (uncensored version) by Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
lyricist and composer:
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher) and Rare Blue Music Inc
Billy Idol4.53:35
19Mary’s Prayer
performer:
Danny Wilson (Scottish pop group) (in 1987)
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer. Ex-Danny Wilson, Ex-Transister, Ex-King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Danny Wilson33:46
20The Joker
assistant engineer and assistant mixer:
Gene Hicks
engineer and mixer:
Jay Ranellucci
producer:
Steve Miller (leader of Steve Miller Band)
phonographic copyright (℗) by:
Sailor Music (in 1973)
recording of:
The Joker
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) and Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc. and Warner Chappell Music, Inc.
The Steve Miller Band4.153:40