| # | Title | Artist | Rating | Length |
|---|
| 1 | Urgent | Foreigner | | 4:32 |
| 2 | Stray Cat Strut | Stray Cats | | 3:18 |
| 3 | We Got the Beat- additional assistant recording engineer:
- James Ball, Eric Kortee and Darroll Gustamachio
- assistant recording engineer:
- Ted Blechta and John Terelle
- recording engineer and mixer:
- Rob Freeman
- producer:
- Rob Freeman and Richard Gottehrer
- assistant mixer:
- Gray Russell
- bass guitar and guitar:
- Kathy Valentine
- drums (drum set) and percussion:
- Gina Schock
- guitar [lead guitar] and keyboard:
- Charlotte Caffey
- guitar [rhythm guitar]:
- Jane Wiedlin
- lead vocals:
- Belinda Carlisle
- vocals:
- Charlotte Caffey and Jane Wiedlin
- phonographic copyright (℗) by:
- I.R.S., Inc. (in 1981)
- additionally recorded at:
- Sound Mixers Studio in New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recorded at:
- Pennylane Studios in New York, New York, United States
- mixed at:
- Sound Mixers Studio in New York, New York, United States
- recording of:
- We Got the Beat
- lyricist and composer:
- Charlotte Caffey
- writer:
- The Go‐Go’s
- publisher:
- Daddy-Oh Music and Universal Music–MGB Songs
| The Go‐Go’s | 4.4 | 2:32 |
| 4 | Shining Star | The Manhattans | | 4:42 |
| 5 | I Love a Rainy Night | Eddie Rabbitt | | 3:11 |
| 6 | Slow Hand | The Pointer Sisters | 5 | 3:54 |
| 7 | Lost in Love | Air Supply | 5 | 3:55 |
| 8 | Just the Two of Us | Bill Withers & Grover Washington, Jr. | | 3:32 |
| 9 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 54)
| Christopher Cross | 5 | 3:55 |
| 10 | Magic | The Cars | | 4:00 |
| 11 | Mickey | Toni Basil | | 3:28 |
| 12 | Too Hot | Kool & the Gang | | 3:51 |
| 13 | Desire | Andy Gibb | 5 | 4:31 |
| 14 | Jesse | Carly Simon | | 4:20 |
| 15 | I Keep Forgettin’ (Every Time You’re Near) | Michael McDonald | 4.2 | 3:43 |
| 16 | Steal Away | Robbie Dupree | | 3:31 |
| 17 | Theme From Hill Street Blues | Mike Post | | 3:14 |
| 18 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:45 |
| 19 | Clones (We’re All) | Alice Cooper | 4.3 | 2:53 |
| 20 | Cars | Gary Numan | 4.05 | 3:56 |
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