# | Title | Rating | Length |
---|
1 | I Love Paris- engineer:
- Val Valentin
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
- baritone saxophone:
- Chuck Gentry (on 1956-02-07)
- bass trombone:
- George Roberts (on 1956-02-07)
- cello:
- Robert La Marchina (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
- double bass:
- Joe Mondragon (on 1956-02-07)
- drums (drum set):
- Alvin Stoller (on 1956-02-07)
- flute:
- Ted Nash (on 1956-02-07)
- guitar:
- Barney Kessel (on 1956-02-07)
- harp:
- Corky Hale (on 1956-02-07)
- oboe:
- Bob Cooper (on 1956-02-07)
- piano:
- Paul Smith (on 1956-02-07)
- tenor saxophone:
- Bob Cooper (on 1956-02-07) and Ted Nash (on 1956-02-07)
- trombone:
- Milt Bernhart (on 1956-02-07), Joe Howard (on 1956-02-07) and Lloyd Ulyate (on 1956-02-07)
- trumpet:
- Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
- lead vocals:
- Ella Fitzgerald (in 1956, on 1956-02-07)
- conductor:
- Buddy Bregman (in 1956, on 1956-02-07)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
- recording of:
- I Love Paris (on 1956-02-07)
- lyricist and composer:
- Cole Porter (in 1953)
- publisher:
- Chappell , Chappell & Co., Inc. and Warner/Chappell North America Limited
- part of:
- Can‐Can
- part of:
- Can‐Can
- part of:
- High Society
- cover recording of:
- I Love Paris (in 1956)
- lyricist and composer:
- Cole Porter (in 1953)
- publisher:
- Chappell , Chappell & Co., Inc. and Warner/Chappell North America Limited
- part of:
- Can‐Can
- part of:
- Can‐Can
- part of:
- High Society
| | 4:59 |
2 | You Do Something to Me | 2 | 2:23 |
3 | Ridin’ High | | 3:23 |
4 | Easy to Love | | 3:26 |
5 | It’s All Right With Me | | 3:09 |
6 | Why Can’t You Behave? | | 5:07 |
7 | What Is This Thing Called Love? | | 2:06 |
8 | You’re the Top | | 3:36 |
9 | Love for Sale- engineer:
- Val Valentin
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
- baritone saxophone:
- Chuck Gentry (on 1956-02-08)
- bass trombone:
- George Roberts (on 1956-02-08)
- cello:
- Robert La Marchina (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
- double bass:
- Joe Mondragon (on 1956-02-08)
- drums (drum set):
- Alvin Stoller (on 1956-02-08)
- guitar:
- Barney Kessel (on 1956-02-08)
- harp:
- Corky Hale (on 1956-02-08)
- piano:
- Paul Smith (on 1956-02-08)
- tenor saxophone:
- Bob Cooper (on 1956-02-08) and Ted Nash (on 1956-02-08)
- trombone:
- Milt Bernhart (on 1956-02-08), Joe Howard (on 1956-02-08) and Lloyd Ulyate (on 1956-02-08)
- trumpet:
- Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
- lead vocals:
- Ella Fitzgerald (in 1956, on 1956-02-08)
- conductor:
- Buddy Bregman (in 1956, on 1956-02-08)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-08)
- cover recording of:
- Love for Sale (on 1956-02-08)
- lyricist and composer:
- Cole Porter (in 1930)
- publisher:
- Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
- cover recording of:
- Love for Sale (in 1956)
- lyricist and composer:
- Cole Porter (in 1930)
- publisher:
- Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
| | 5:55 |
10 | It’s De‐Lovely | | 2:44 |
11 | Night and Day- engineer:
- Val Valentin
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-03-27) and Bud Shank (on 1956-03-27)
- baritone saxophone:
- Chuck Gentry (on 1956-03-27)
- bass trombone:
- George Roberts (on 1956-03-27)
- cello:
- Robert La Marchina (on 1956-03-27) and Edgar Lustgarten (on 1956-03-27)
- double bass:
- Joe Mondragon (on 1956-03-27)
- drums (drum set):
- Alvin Stoller (on 1956-03-27)
- guitar:
- Barney Kessel (on 1956-03-27)
- harp:
- Corky Hale (on 1956-03-27)
- piano:
- Paul Smith (on 1956-03-27)
- tenor saxophone:
- Bob Cooper (on 1956-03-27) and Ted Nash (on 1956-03-27)
- trombone:
- Milt Bernhart (on 1956-03-27), Joe Howard (on 1956-03-27) and Lloyd Ulyate (on 1956-03-27)
- trumpet:
- Pete Candoli (on 1956-03-27), Harry “Sweets” Edison (on 1956-03-27), Maynard Ferguson (on 1956-03-27) and Conrad Gozzo (on 1956-03-27)
- lead vocals:
- Ella Fitzgerald (on 1956-03-27)
- conductor:
- Buddy Bregman (in 1956)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-03-27)
- cover recording of:
- Night and Day (on 1956-03-27)
- lyricist and composer:
- Cole Porter (in 1932)
- publisher:
- Chappell & Co., Inc. , Chappell Music Ltd., Warner Bros. , Warner Bros. Music , Warner Bros., Inc. , Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
- part of:
- Gay Divorce
| | 3:06 |
12 | Ace in the Hole | | 2:00 |
13 | So in Love | | 3:53 |
14 | I’ve Got You Under My Skin | 2.35 | 2:44 |
15 | I Concentrate on You | 3 | 3:14 |
16 | Don’t Fence Me In | | 3:28 |
17 | You’re the Top (alternate take) | | 2:10 |
18 | I Concentrate on You (alternate take) | | 3:03 |
19 | Let’s Do It (Let’s Fall in Love) (alternate take) | | 8:50 |
20 | Love for Sale (live) | | 4:11 |