The Vietnam War: A Film by Ken Burns & Lynn Novick: The Soundtrack

~ Release by Various Artists (see all versions of this release, 5 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1A Hard Rain’s A‐Gonna Fall
producer:
John Hammond (producer)
acoustic guitar, harmonica and lead vocals:
Bob Dylan
recording of:
Hard Rain’s A‐Gonna Fall
lyricist and composer:
Bob Dylan (in 1962-10)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Bob Dylan4.256:51
2Hello Vietnam (single version)
Johnnie Wright3:08
3It’s My Life
producer:
Mickie Most (English record producer)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 12)
cover recording of:
It’s My Life (The Animals)
lyricist:
Roger Atkins
composer:
Carl D’Errico
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Animals3.23:08
4Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
lyricist and composer:
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:33
5Turn Turn Turn
producer:
Terry Melcher
arranger:
Pete Seeger
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season) (on 1965-09-10)
lyricist:
[traditional] (special purpose artist)
composer:
Pete Seeger (in 1959)
publisher:
TRO Essex Music Ltd.
The Byrds4.653:51
6Masters of War
The Staple Singers4:36
7Mustang Sally
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
producer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
Wilson Pickett43:06
8Smokestack Lightnin’
recorded in:
Chicago, Illinois, United States (in 1956-01)
bass:
Willie Dixon
double bass and double bass [bass]:
Willie Dixon (in 1956-01)
drums (drum set) and drums (drum set) [drums]:
Earl Phillips (in 1956-01)
guitar:
Willie Johnson (Member of The Famous Flames) (in 1956-01), Willie Johnson (American electric blues guitarist) (in 1956-01) and Hubert Sumlin (Chicago blues guitarist and singer) (in 1956-01)
harmonica and lead vocals:
Howlin’ Wolf (in 1956-01)
piano:
Hosea Lee Kennard (in 1956-01)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 285)
recording of:
Smokestack Lightning (in 1956-01)
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher)
Howlin’ Wolf53:08
9Backlash Blues
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
phonographic copyright (℗) by:
BMG Music (in 1967)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
recording of:
Backlash Blues (on 1967-01-05)
lyricist:
Langston Hughes
composer:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Filmtrax-Mogul (publisher; do NOT use as release label) and Rolls Royce Music (publisher; do NOT use as release label)
Nina Simone4.652:29
10The Sound of Silence
Simon & Garfunkel3:05
11One Too Many Mornings
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
recording of:
One Too Many Mornings
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Bob Dylan4.22:39
12Ain’t Too Proud to Beg
producer:
Norman Whitfield
instruments:
The Funk Brothers (from 1966-01-04 until 1966-01-11)
background vocals:
Melvin Franklin (from 1966-01-04 until 1966-01-11), Eddie Kendricks (from 1966-01-04 until 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1966-01-04 until 1966-01-11) and Paul Williams (member of The Temptations) (from 1966-01-04 until 1966-01-11)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1966-01-04 until 1966-01-11)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1966-01-04 until 1966-01-11)
recording of:
Ain’t Too Proud to Beg (from 1966-01-04 until 1966-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) and Norman Whitfield
composer:
Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Stone Agate Music and Stone Agate Music Division
The Temptations52:32
13Are You Experienced?
engineer:
Eddie Kramer (engineer)
producer:
Bryan “Chas” Chandler
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1967-04-03 until 1967-04-04)
electric bass guitar:
Noel Redding (from 1967-04-03 until 1967-04-04)
electric guitar and piano:
Jimi Hendrix (from 1967-04-03 until 1967-04-04)
phonographic copyright (℗) by:
Experience Hendrix, L.L.C. (company, not a label) (in 2010)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1967-04-03 until 1967-04-04)
recording of:
Are You Experienced? (from 1967-04-03 until 1967-04-04)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music and Interworld Music Ltd.
The Jimi Hendrix Experience44:14
14I’m a Man (single version)
The Spencer Davis Group2:55
15Green Onions (single version)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s4.152:54
16Strange Brew
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967) and Robert Stigwood Organisation Ltd. (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
recording of:
Strange Brew (from 1967-04 until 1967-05)
writer:
Eric Clapton, Gail Collins Pappalardi and Felix Pappalardi
publisher:
Careers‐BMG Music Publishing, Inc., Casserole Music Corp., Dratleaf Music Ltd., Pronto Music (publisher), Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Windfall Music Enterprises Incorporated
Cream4.152:47
17Waist Deep in the Big Muddy (live)
live recording of:
Waist Deep in the Big Muddy
lyricist:
Pete Seeger
composer:
Pete Seeger (in 1967)
Pete Seeger2:55
18A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
Procol Harum4.14:01
19The Lord Is in This Place
engineer:
John Wood (US sound engineer and producer)
producer:
Joe Boyd (US producer, founder of Hannibal Records)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2003)
recorded at:
St Peters Westbourne Grove in Kensington, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1968)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1968)
recording of:
"The Lord Is in This Place, How Dreadful Is This Place?" (in 1968)
writer and composer:
Sandy Denny, Ashley Hutchings and Richard Thompson (UK folk rock singer/songwriter)
publisher:
Warlock Music Ltd.
sub-publisher:
Pubco
Fairport Convention21:59
20For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.452:35
▶ Digital Media 2

Credits

Release

phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2017)
purchase for download:https://itunes.apple.com/us/album/id1445669136 [info]