Les Trésors du Jazz 1953

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength

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26-1Cosmic Rays
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1953-01)
double bass:
Teddy Kotick (in 1953-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1953-01)
piano:
Hank Jones (piano) (in 1953-01)
recording of:
Cosmic Rays (in 1953-01)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker3:15
26-2Get Happy
instrumental recording of:
Get Happy (in 1953-01)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Gerry Mulligan5:48
26-3Bunny
trombone:
Milt Bernhart (on 1953-01-12)
trumpet:
Shorty Rogers (trumpet) (on 1953-01-12)
Shorty Rogers3:25
26-4The Iron Hat
tenor saxophone:
Ben Webster (on 1953-01-22)
Ben Webster2:56
26-5Pennies From Heaven
producer:
Lee Gillette
alto saxophone:
Vinnie Dean (from 1953-01-28 until 1953-01-30) and Lee Konitz (jazz saxophonist) (from 1953-01-28 until 1953-01-30)
baritone saxophone:
Bob Gioga (from 1953-01-28 until 1953-01-30)
bass:
Don Bagley (from 1953-01-28 until 1953-01-30)
bass trombone:
George Roberts (american bass trombone) (from 1953-01-28 until 1953-01-30)
drums (drum set):
Stan Levey (from 1953-01-28 until 1953-01-30)
guitar:
Sal Salvador (from 1953-01-28 until 1953-01-30)
piano:
Stan Kenton (from 1953-01-28 until 1953-01-30)
tenor saxophone:
Bill Holman (from 1953-01-28 until 1953-01-30) and Richie Kamuca (from 1953-01-28 until 1953-01-30)
trombone:
Bill Russo (from 1953-01-28 until 1953-01-30), Bob Burgess (american trombonist) (from 1953-01-28 until 1953-01-30), Keith Moon (jazz trombonist) (from 1953-01-28 until 1953-01-30) and Frank Rosolino (from 1953-01-28 until 1953-01-30)
trumpet:
Conte Candoli (from 1953-01-28 until 1953-01-30), Buddy Childers (American jazz trumpeter & composer) (from 1953-01-28 until 1953-01-30), Don Dennis (from 1953-01-28 until 1953-01-30), Maynard Ferguson (from 1953-01-28 until 1953-01-30) and Ruben McFall (from 1953-01-28 until 1953-01-30)
conductor:
Stan Kenton (from 1953-01-28 until 1953-01-30)
arranger:
Lennie Niehaus (American saxophonist and score composer)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1953-01-28 until 1953-01-30)
recording of:
Pennies From Heaven (from 1953-01-28 until 1953-01-30)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
Stan Kenton2:56
26-6Rocker
recording of:
Rocker (on 1953-01-29)
composer:
Gerry Mulligan
The Gerry Mulligan Tentette2:26
26-7A Ballad
recording of:
A Ballad (on 1953-01-29)
composer:
Gerry Mulligan
publisher:
Criterion Music Corp.
The Gerry Mulligan Tentette2:52
26-8Baa-Too-Kee
drums (drum set):
Stan Levey (on 1953-01-30)
Stan Kenton2:40
26-9The Serpent’s Tooth
recording of:
The Serpent's Tooth, I (on 1953-01-30)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis6:59
26-10Round About Midnight
recording of:
’Round Midnight (on 1953-01-30)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Miles Davis7:03
26-11D.R. Blues
recorded in:
Paris, Île-de-France, France (in 1953)
double bass:
Pierre Michelot (on 1953-01-30)
drums (drum set):
Pierre Lemarchand (French jazz drummer) (on 1953-01-30)
electric guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1953-01-30)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1953)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (on 1953-01-30)
performer:
Django Reinhardt et son quintette (in 1953)
recording of:
Blues (on 1953-01-30)
composer:
Django Reinhardt (French jazz guitarist and composer)
recording of:
D. R. Blues (on 1953-01-30)
composer:
Django Reinhardt (French jazz guitarist and composer)
recording of:
D. R. Blues (in 1953)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:07
26-12Oh! Lady Be Good
instrumental recording of:
Oh, Lady Be Good! (in 1953-01)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Gerry Mulligan1:53
26-13It Could Happen to You
engineer:
Doug Hawkins (sound engineer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
instrumental recording of:
It Could Happen to You (on 1951-05-01)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
live instrumental recording of:
It Could Happen to You (on 1953-02-07)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
Bud Powell3:23
26-14Tin Tin Deo
live recording of:
Tin Tin Deo (on 1953-02-09)
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) and Music Sales Corp. (American copyright holder in both popular and classical music)
Dizzy Gillespie4:07
26-15Embraceable You
live cover recording of:
Embraceable You (on 1953-02-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Dizzy Gillespie & Sarah Vaughan3:13
26-16Milenberg Joys
recording of:
Milenberg Joys (on 1953-02-14)
composer:
Ferdinand Morton, Paul Mares and Leon Roppolo
Michel Attenoux1:29
26-17Cremer Stomp
trumpet:
Félix Lisiecki (in 1953-02)
Félix Lisiecki1:31
27-1I Want to Be Happy
engineer:
Doug Hawkins (sound engineer) (on 1953-08-14)
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recording of:
I Want to Be Happy (No, No, Nanette) (on 1953-02-14)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1953-08-14)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
Bud Powell3:23
27-2Brazil
instrumental recording of:
Brazil (on 1953-02-18)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Ary Barroso
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
translated version of:
Aquarela do Brasil
part of:
Brazil
Lars Gullin Quartet3:11
27-3Tasty Pudding
recording of:
Tasty Pudding (on 1953-02-19)
composer:
Al Cohn
Miles Davis3:20
27-4Motel
recording of:
Motel (on 1953-02-24)
composer:
Gerry Mulligan
Gerry Mulligan2:34
27-5Avalon
recording of:
Avalon (on 1953-02-27)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
Erroll Garner4:11
27-6Caravan
recording of:
Caravan (on 1953-02-27)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Erroll Garner7:00
27-7Perdido
live recording of:
Perdido (original instrumental version) (on 1953-03-02)
composer:
Juan Tizol
Dave Brubeck7:46
27-8Nuages
recording of:
Nuages (instrumental) (on 1953-03-10)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Django Reinhardt3:14
27-9Liza
recording of:
Liza (All the Clouds’ll Roll Away) (on 1953-03-23)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1929)
part of:
An American in Paris (2015 Broadway musical)
Bernard Peiffer2:50
27-10Coop de Graas
trumpet:
Shorty Rogers (trumpet) (on 1953-03-26)
Shorty Rogers2:59
27-11The Tattooed Bride
recording of:
The Tattooed Bride (on 1953-03-30)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington9:25
27-12Perdido
recording of:
Perdido (original instrumental version) (on 1953-03-30)
composer:
Juan Tizol
D. Ellington, O. Pettiford4:44
28-1Sweetheart of Sigmund Freud
trumpet:
Shorty Rogers (trumpet) (on 1953-04-02)
Shorty Rogers2:39
28-2Tiny’s Blues
piano:
Bud Powell (on 1953-04-05)
Bud Powell With Joe Timer6:08
28-3Deccaphonie
recording of:
Deccaphonie (on 1953-04-08)
composer:
Jean Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:14
28-4Lucky Duck
trumpet:
Charlie Shavers (on 1953-04-13)
Charlie Shavers6:38
28-5Day Dream
recording of:
Day Dream (on 1953-04-14)
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
Charlie Mingus2:39
28-6Janet
recording of:
Janet (on 1953-04-14)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington2:10
28-7All Too Soon
recording of:
All Too Soon (on 1953-04-14)
lyricist:
Carl Sigman (in 1940)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
Duke Ellington3:04
28-8Speak Low
instrumental recording of:
Speak Low (One Touch of Venus) (on 1953-04-15)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
Laurindo Almeida2:29
28-9Ferdinando
clarinet:
Buddy DeFranco (on 1953-04-15)
double bass:
Milt Hinton (on 1953-04-15)
drums (drum set):
Art Blakey (on 1953-04-15)
piano:
Kenny Drew (on 1953-04-15)
Buddy DeFranco5:04
28-10Ensley
trumpet:
Nelson Williams (jazz trumpeter) (on 1953-04-15)
Nelson Williams1:59
28-11Tempus Fugit
recording of:
Tempus Fugit (on 1953-04-20)
composer:
Bud Powell
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Miles Davis3:49
28-12Enigma
recording of:
Enigma (on 1953-04-20)
composer:
J.J. Johnson (Jazz/bop trombonist/session leader)
publisher:
TRO-Folkways Music Publishers, Inc.
Miles Davis3:22
28-13Love Me or Leave Me
recording of:
Love Me or Leave Me (on 1953-04-27)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Gerry Mulligan2:41
28-14Swinghouse
producer:
Richard Bock (record producer)
baritone saxophone and baritone saxophone [baritone sax]:
Gerry Mulligan (on 1953-04-27)
bass and double bass [bass]:
Carson Smith (on 1953-04-27)
drums (drum set) and drums (drum set) [drums]:
Larry Bunker (on 1953-04-27)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1953-04-27)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-04-27)
recording of:
Swing House (on 1953-04-27)
composer:
Gerry Mulligan
Gerry Mulligan2:53
28-15Up-N-Adam
tenor saxophone:
Lester Young (saxophonist) (in 1953-05)
Lester Young4:12
29-1The Man I Love
instrumental recording of:
The Man I Love (in 1953-05)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Oscar Peterson6:15
29-27 Come 11
recording of:
Seven Come Eleven (in 1953-05)
composer:
Charlie Christian and Benny Goodman (clarinetist and bandleader)
Oscar Peterson4:55
29-3Nice Work If You Can Get It
instrumental recording of:
Nice Work If You Can Get It (on 1953-05-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
André Previn2:44
29-4Men From Mars
drums (drum set):
Art Mardigan (American jazz drummer) (on 1953-05-14)
Woody Herman3:02
29-5All the Things You Are
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1953-05-15)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
D. Gillespie & C. Parker7:48
29-6Salt Peanuts
recording of:
Salt Peanuts (on 1953-05-15)
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
D. Gillespie & C. Parker7:35
29-7When Lights Are Low
recording of:
When Lights Are Low (on 1953-05-19)
lyricist:
Spencer Williams (US jazz composer, pianist & singer)
composer:
Benny Carter
publisher:
Bee Cee Music Co.
Miles Davis3:25
29-8Five Brothers
recording of:
Five Brothers (on 1953-05-20)
composer:
Gerry Mulligan
Gerry Mulligan2:59
29-9Old Folks
recording of:
Old Folks (on 1953-05-25)
lyricist:
Dedette Lee Hill (in 1938)
composer:
Willard Robison (in 1938)
Charlie Parker With Dave Lambert3:34
29-10Cascades En Mi Bémol
piano:
Martial Solal (on 1953-05-31)
orchestra:
Tony Proteau et son orchestre (on 1953-05-31)
M. Solal & T. Proteau2:31
29-11You Go to My Head
recording of:
You Go to My Head (on 1953-06-07)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Raymond Fol3:09
29-12Hot and Cool Blues
Bobby Byrne's & Kai Winding's6:55
30-1Turnpike
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-22)
saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) (on 1953-06-22)
trumpet:
Clifford Brown (trumpet) (on 1953-06-22)
recording of:
Turnpike
composer:
J.J. Johnson (Jazz/bop trombonist/session leader)
J.J. Johnson4:18
30-23D
baritone saxophone:
Bobby McNeely (on 1953-06-23)
double bass:
Ike Brown (US jazz/R&B bassist) (on 1953-06-23)
drums (drum set):
Darnell "Blimp" Cole (on 1953-06-23)
organ:
Dwight Davis (on 1953-06-23)
piano:
Boyd Lee Dunlop (on 1953-06-23)
tenor saxophone:
Big Jay McNeely (on 1953-06-23)
Big Jay McNeely2:41
30-3Delaunay’s Dilemna
recording of:
Delaunay's Dilemma (on 1953-06-25)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet3:57
30-4Autumn in New York
recording of:
Autumn in New York (1934) (on 1953-06-25)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Modern Jazz Quartet3:38
30-5The Wild One
trumpet:
Shorty Rogers (trumpet) (on 1953-07-14)
Shorty Rogers3:17
30-6South Rampart Street Parade
recording of:
South Rampart Street Parade (original 1937 instrumental version) (on 1953-07-17)
composer:
Ray Bauduc (in 1937) and Bob Haggart (in 1937)
Kid Ory3:24
30-7Happy Little Sunbeam
recording of:
Happy Little Sunbeam (on 1953-07-19)
composer:
Russ Freeman (pianist)
Chet Baker2:43
30-8Chi Chi
recording of:
Chi Chi (on 1953-07-30)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker3:02
30-9Confirmation
recording of:
Confirmation (on 1953-07-30)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker2:58
30-10Crazy Rhythm
instrumental recording of:
Crazy Rhythm (on 1953-07-30)
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
Stan Getz5:50
30-11Apple Jam
tenor saxophone:
Stan Getz (on 1953-08-03) and Wardell Gray (on 1953-08-03)
Jazz At The Philharmonic11:52
30-12Reets and I
recording of:
Reets and I (on 1953-08-14)
composer:
Benny Harris
Bud Powell2:31
30-13Dedicated to Lee
baritone saxophone:
Lars Gullin (on 1953-08-25)
Lars Gullin2:39
30-14Easy Living
instrumental recording of:
Easy Living (on 1953-08-28)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Clifford Brown3:40
30-15Jeepers Creepers
instrumental recording of:
Jeepers Creepers (in 1953-09)
lyricist:
Johnny Mercer (in 1938)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
Dave Brubeck7:22
31-1Burt Covers Bud
piano:
Bud Powell (in 1953-09)
Bud Powell3:03
31-2You’d Be So Nice to Come Home To
instrumental recording of:
You’d Be So Nice to Come Home To (in 1953-09)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Bud Powell2:36
31-3Montoona Clipper
Les Brown5:38
31-4The Nearness of You
instrumental recording of:
The Nearness of You (on 1953-09-02)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Lionel Hampton10:41
31-5Just You Just Me
instrumental recording of:
Just You, Just Me (on 1953-09-02)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (soundtrack of the 1977 film)
Jazz At The Philharmonic23:12
31-6Four Others
recording of:
Four Brothers (on 1953-09-11)
composer:
Jimmy Giuffre (in 1947)
Woody Herman2:52
31-7A Night in Tunisia
recording of:
Night in Tunisia (instrumental) (on 1953-09-13)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
Miles Davis11:55
32-1Stockholm Sweetnin’
recording of:
Stockholm Sweetnin' (on 1953-09-15)
composer:
Quincy Jones
publisher:
Silhouette Music Corp.
Clifford Brown & Art Farmer5:28
32-2In Lighter Vein
piano:
Stan Kenton (on 1953-09-16)
Stan Kenton2:53
32-3Lover Man
instrumental recording of:
Lover Man (on 1953-09-16)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Stan Kenton4:21
32-4I’ll Remember April
instrumental recording of:
I’ll Remember April (on 1953-09-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music, MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
Lee Konitz3:21
32-5Now’s the Time
recording of:
Now’s the Time (on 1953-09-18)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Trombone Rapport14:26
32-6Zoot
recording of:
Zoot (on 1953-09-18)
composer:
Bill Holman
Stan Kenton3:05
32-7Concerto to End All Concertos
recording of:
Concerto to End All Concertos (on 1953-09-18)
composer:
Stan Kenton
Stan Kenton5:58
32-8Now’s the Time
recording of:
Now’s the Time (on 1953-09-22)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
Charlie Parker4:13
32-9Brown Skins
recording of:
Brown Skins (on 1953-09-23)
composer:
Gigi Gryce
publisher:
Twenty-Eighth Street Music
Clifford Brown, Gigi Gryce and his Orchestra6:05
32-10On the Sunny Side of the Street
instrumental recording of:
On the Sunny Side of the Street (on 1953-10-03)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
part of:
American Splendor
Sidney Bechet3:25
32-11The Stopper
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Art Blakey and Kenny Clarke (on 1953-10-07)
piano:
Kenny Drew and John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
The Stopper (on 1953-10-07)
composer:
Sonny Rollins
Sonny Rollins With The M.J.Q.2:56
32-12In a Sentimental Mood
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Art Blakey (on 1953-10-07) and Kenny Clarke (on 1953-10-07)
piano:
Kenny Drew (on 1953-10-07) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
instrumental recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Sonny Rollins With The M.J.Q.3:18
33-1Tenderly
instrumental recording of:
Tenderly (on 1953-10-10)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Jazz Studio One15:54
33-2Minority
recording of:
Minority (on 1953-10-21)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
Cal Tjader3:00
33-3Miss Bliss
Charlie Mingus3:05
33-4All the Things You Are
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1953-10-31)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
M J Q3:13
33-5La Ronde
recording of:
La Ronde (on 1953-10-31)
writer:
John Lewis (pianist, member of Modern Jazz Quartet)
M J Q3:07
33-6Rose of the Rio Grande
instrumental recording of:
Rose of the Rio Grande (on 1953-10-31)
lyricist:
Edgar Leslie
composer:
Ross Gorman and Harry Warren (US composer and lyricist)
M J Q3:12
33-7Au Tabou
double bass:
Jean-Marie Ingrand (on 1953-11-02)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1953-11-02)
guitar:
Jimmy Gourley (on 1953-11-02)
piano:
Henri Renaud (French 1940-60s jazz pianist) (on 1953-11-02)
tenor saxophone:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1953-11-02)
Bobby Jaspar2:46
33-8Side Car
baritone saxophone:
Lars Gullin (on 1953-11-09)
clarinet:
Arne Domnérus (on 1953-11-09)
double bass:
Simon Brehm (on 1953-11-09)
piano:
Bengt Hallberg (on 1953-11-09)
trombone:
Åke Persson (on 1953-11-09)
Bengt Hallberg3:05
33-9Let’s Call This
double bass:
Percy Heath (on 1953-11-13)
drums (drum set):
Willie Jones (jazz drummer, not Willie Jones III) (on 1953-11-13)
French horn:
Julius Watkins (on 1953-11-13)
piano:
Thelonious Monk (on 1953-11-13)
tenor saxophone:
Sonny Rollins (on 1953-11-13)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-13)
recording of:
Let’s Call This (on 1953-11-13)
composer:
Thelonious Monk
Thelonious Monk5:04
33-10Friday the 13th
recording of:
Friday the 13th (on 1953-11-13)
composer:
Thelonious Monk
Thelonious Monk10:32
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