The Finest Collection: Dinner Jazz

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleArtistRatingLength
1I'm Just a Lucky So and So
recording engineer:
Ray Hall (engineer)
producer:
Bob Thiele (producer & songwriter) (on 1961-04-04)
clarinet:
Barney Bigard (on 1961-04-04)
double bass:
Mort Herbert (on 1961-04-04)
drums (drum set):
Danny Barcelona (on 1961-04-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-04)
trombone:
Trummy Young (on 1961-04-04)
trumpet:
Louis Armstrong (on 1961-04-04)
vocals:
Louis Armstrong (on 1961-04-04)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-04)
recording of:
I’m Just a Lucky So and So (on 1961-04-04)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Louis Armstrong & Duke Ellington43:08
2Dear Old Stockholm
recorded in:
New York, New York, United States (on 1952-05-09)
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1952-05-09)
double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (on 1952-05-09)
trombone:
J.J. Johnson (Jazz/bop trombonist/session leader) (on 1952-05-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1952-05-09)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-09)
recording of:
Dear Old Stockholm (on 1952-05-09)
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
Miles Davis4:12
3You Go to My Head
recorded in:
New York, New York, United States (on 1950-05-17)
producer:
Teddy Reig
bass:
Tommy Potter (on 1950-05-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1950-05-17)
piano:
Al Haig (on 1950-05-17)
tenor saxophone:
Stan Getz (on 1950-05-17)
instrumental recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
Stan Getz3:01
4You're Nobody Till Somebody Loves You
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1945-05-19)
guitar:
Oscar Moore (on 1945-05-19)
piano:
Nat King Cole (on 1945-05-19)
vocals:
Nat King Cole (on 1945-05-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1945-05-19)
recording of:
You’re Nobody Till Somebody Loves You (on 1945-05-19)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
cover recording of:
You’re Nobody Till Somebody Loves You (in 1945)
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, Volume I)
The Nat King Cole Trio2:51
5Trane's Blues
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1956-03-02)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-03-02)
piano:
Kenny Drew (on 1956-03-02)
tenor saxophone:
John Coltrane (on 1956-03-02)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1956-03)
recording of:
John Paul Jones (on 1956-03-02)
writer:
Phil Charig, Milton Pascal and Dan Shapiro
recording of:
Trane's Blues (on 1956-03-02)
composer:
John Coltrane (in 1956)
is based on:
Vierd Blues
John Coltrane6:56
6Willow Weep for Me
producer:
Francis Wolff (photographer and record producer)
double bass [bass]:
Pierre Michelot (on 1963-05-23)
drums (drum set):
Kenny Clarke (on 1963-05-23)
piano:
Bud Powell (on 1963-05-23)
tenor saxophone:
Dexter Gordon (on 1963-05-23)
recorded at:
CBS Studios (Paris) (on 1963-05-23)
instrumental recording of:
Willow Weep for Me (on 1963-05-23)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
Dexter Gordon8:48
7The Blues Ain't Nothing but a Woman Crying for Her Man
Dinah Washington3:45
8Easy Living
recording engineer:
Rudy van Gelder (on 1962-01-20)
producer:
Alfred Lion
bass:
Milt Hinton (on 1962-01-20)
drums (drum set):
Art Blakey (on 1962-01-20)
piano:
Sonny Clark (on 1962-01-20)
tenor saxophone:
Ike Quebec (on 1962-01-20)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1962-01-20)
instrumental recording of:
Easy Living (on 1962-01-20)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Ike Quebec5:01
9Midnight Blue
recording engineer:
Rudy van Gelder (on 1963-01-07)
producer:
Alfred Lion
congas:
Ray Barretto (on 1963-01-07)
double bass:
Major Holley (on 1963-01-07)
drums (drum set):
Bill English (US jazz drummer) (on 1963-01-07)
electric guitar:
Kenny Burrell (on 1963-01-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1963-01-07)
recording of:
Midnight Blue (on 1963-01-07)
composer:
Kenny Burrell
Kenny Burrell4:01
10I Can't Get Started
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1956 to present, from 2004 to present)
live recording of:
I Can’t Get Started (in 1956-07)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Chet Baker3:08
11Driftin'
recording engineer:
Rudy van Gelder (on 1962-05-28)
producer:
Alfred Lion
bass:
Butch Warren (on 1962-05-28)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1962-05-28)
flugelhorn:
Freddie Hubbard
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-05-28)
tenor saxophone:
Dexter Gordon (on 1962-05-28)
trumpet:
Freddie Hubbard (on 1962-05-28)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (from 1962-05-28 to present, on 1962-05-28)
recording of:
Driftin’ (on 1962-05-28)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Herbie Hancock6:55
12Dance of the Infidels
recorded in:
New York, New York, United States (on 1949-08-08)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
Bud Powell2:54
13You're a Heavenly Thing
recording of:
You're a Heavenly Thing (in 1951-10)
lyricist:
Joe Young (US lyricist)
composer:
Little Jack Little
Mel Tormé2:31
14Lazy Afternoon
recording engineer:
Rudy van Gelder (on 1964-11-16)
drums (drum set):
Elvin Jones (jazz drummer) (on 1964-11-16)
guitar:
Grant Green (jazz guitarist) (on 1964-11-16)
organ:
Larry Young (on 1964-11-16)
vibraphone:
Bobby Hutcherson (on 1964-11-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1964-11-16)
instrumental cover recording of:
Lazy Afternoon (The Golden Apple, 1954) (on 1964-11-16)
lyricist:
John Latouche
composer:
Jerome Moross (composer and conductor)
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
Grant Green7:44
15Stranger in Paradise
producer:
Richard Bock (record producer)
drums (drum set):
Benny Barth (jazz drummer) (on 1959-04-22)
electric bass guitar [Fender bass]:
Monk Montgomery (on 1958-04-22)
electric guitar [guitar]:
Wes Montgomery (on 1958-04-22)
piano:
Richie Crabtree (on 1958-04-22)
vibraphone:
Buddy Montgomery (on 1958-04-22)
recorded at:
Forum Theatre in Los Angeles, California, United States (on 1958-04-22)
instrumental recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (on 1958-04-22)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
Wes Montgomery4:55
CD 2

Credits

Release

ASIN:UK: B0002H2LWG [info]