…À La Fumée | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 1: Variation I | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 2: Variation II | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 3: Variation III | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 4: Variation IV | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 5: Variation V. Si prenda il tempo un poco più vivace | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 6: Variation VI. Adagio | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 7: Variation VII. Allegro ma non troppo | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 1: Variation I | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 3: Variation III | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 4: Variation IV | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 5: Variation V | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 6: Variation VI | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 7: Variation VII | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 8: Variation VIII | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 9: Variation IX | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 10: Variation X. Adagio | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 11: Variation XI. Poco adagio quasi andante | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 12: Variation XII. Allegro | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66: Thema. Allegretto | | | | | | | |
A Due | | | | | | | |
Amers | | | | | | | |
Amers: Part 1: Libero, dolce, misterioso | | | | | | | |
Amers: Part 2: Sempre molto energico, ma espressivo | | | | | | | |
Ariel's Hail | | | | | | | |
Aure | | | | | | | |
Capriole | | | | | | | |
Cello Sonata in E-flat major, op. 64: I. Allegro con brio | | | | | | | |
Cello Sonata in E-flat major, op. 64: II. Andante | | | | | | | |
Cello Sonata in E-flat major, op. 64: III. Menuetto. Allegretto | | | | | | | |
Cello Sonata in E-flat major, op. 64: IV. Adagio | | | | | | | |
Cello Sonata in E-flat major, op. 64: V. Menuetto. Moderato | | | | | | | |
Cello Sonata in E-flat major, op. 64: VI. Finale. Allegro | | | | | | | |
Cello Sonata no. 2 in C major, op. 26 no. 2: I. Allegro moderato ed amabile | | | | | | | |
Cello Sonata no. 2 in C major, op. 26 no. 2: II. Allegro agitato, non troppo mosso | | | | | | | |
Cello Sonata no. 2 in C major, op. 26 no. 2: III. Andantino cantabile, senza lentezza | | | | | | | |
Cello Sonata no. 2 in C major, op. 26 no. 2: IV. Final à la Roumaine. Allegro sciolto | | | | | | | |
Cendres | | | | | | | |
Chant | | | | Instrumentalkonzert | | | |
Dos Coyotes | | | | | | | |
Dos Coyotes: I. | | | | | | | |
Dos Coyotes: II. | | | | | | | |
Dos Coyotes: III. | | | | | | | |
Dos Coyotes: IV. | | | | | | | |
Dreaming Chaconne | | | | | | | |
Elegy: Snow in June | | | | | | | |
Fairy Tale for cello & piano "The Story of Tsar Berendyey", JW 7/5: I. Con moto | | | | | | | |
Fairy Tale for cello & piano "The Story of Tsar Berendyey", JW 7/5: II. Con moto | | | | | | | |
Fairy Tale for cello & piano "The Story of Tsar Berendyey", JW 7/5: III. Allegro | | | | | | | |
Introduction, Theme and Variations | | | | | | | |
Iscrizione | | | | | | | |
Je sens un deuxième cœur: I. Je dévoulema peau | | | | | | | |
Je sens un deuxième cœur: II. Ouvre-moi, vite | | | | | | | |
Je sens un deuxième cœur: III. Dans le rêve elle l'attendait | | | | | | | |
Je sens un deuxième cœur: IV. Il faut que j'entre | | | | | | | |
Je sens un deuxième cœur: V. Je sens un deuxiéme cœur qui bat tout près du mien | | | | | | | |
Karanssi, op. 114: I. | | | | | | | |
Karanssi, op. 114: II. | | | | | | | |
Karanssi, op. 114: III. | | | | | | | |
Konzertstück | | | | | | | |
Konzertstück: I. | | | | | | | |
Konzertstück: II. | | | | | | | |
Konzertstück: III. | | | | | | | |
Light and Matter | | | | | | | |
Mania | | | | | | | |
Mirage | | | | | | | |
Mirage | | | | | | | |
Mirrors | | | | | | | |
Mystery Variations | | | | | | | |
Oi kuu | | | | | | | |
Oi kuu | | | | | | | |
Partia: I. Sinfonia | | | | | | | |
Partia: II. Coranto | | | | | | | |
Partia: III. Aria | | | | | | | |
Partia: IV. Boria | | | | | | | |
Partia: V. Double | | | | | | | |
Partia: VI. Giga | | | | | | | |
Petals | | | | | | | |
Plus II | | | | | | | |
Près | | | | | | | |
Près: I | | | | | | | |
Près: II | | | | | | | |
Près: III | | | | | | | |
Presto for cello & piano, JW 7/6 | | | | | | | |
Pros | | | | | | | |
Quo vadis, op. 102: I. | | | | | | | |
Quo vadis, op. 102: II. | | | | | | | |
Quo vadis, op. 102: III. | | | | | | | |
Sept Papillons | | | | | | | |
Sept papillons: Papillon I. Dolce, leggiere, libero | | | | | | | |
Sept papillons: Papillon II. Leggiere, molto espressivo | | | | | | | |
Sept papillons: Papillon III. Calmo, con tristezza | | | | | | | |
Sept papillons: Papillon IV. Dolce, tranquillo | | | | | | | |
Sept papillons: Papillon V. Lento, misterioso | | | | | | | |
Sept papillons: Papillon VI. Sempre poco nervoso, senza tempo | | | | | | | |
Sept papillons: Papillon VII. Molto espressivo, energico | | | | | | | |
Serenade for Cello and Piano, op. 31 no. 1 | | | | | | | |
Serenatas: Agitato | | | | | | | |