| …À La Fumée | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 1: Variation I | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 2: Variation II | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 3: Variation III | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 4: Variation IV | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 5: Variation V. Si prenda il tempo un poco più vivace | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 6: Variation VI. Adagio | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 7: Variation VII. Allegro ma non troppo | | | | | | | |
| 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 1: Variation I | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 3: Variation III | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 4: Variation IV | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 5: Variation V | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 6: Variation VI | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 7: Variation VII | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 8: Variation VIII | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 9: Variation IX | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 10: Variation X. Adagio | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 11: Variation XI. Poco adagio quasi andante | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 12: Variation XII. Allegro | | | | | | | |
| 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66: Thema. Allegretto | | | | | | | |
| A Due | | | | | | | |
| Amers | | | | | | | |
| Amers: Part 1: Libero, dolce, misterioso | | | | | | | |
| Amers: Part 2: Sempre molto energico, ma espressivo | | | | | | | |
| Ariel's Hail | | | | | | | |
| Aure | | | | | | | |
| Capriole | | | | | | | |
| Cello Sonata in E-flat major, op. 64: I. Allegro con brio | | | | | | | |
| Cello Sonata in E-flat major, op. 64: II. Andante | | | | | | | |
| Cello Sonata in E-flat major, op. 64: III. Menuetto. Allegretto | | | | | | | |
| Cello Sonata in E-flat major, op. 64: IV. Adagio | | | | | | | |
| Cello Sonata in E-flat major, op. 64: V. Menuetto. Moderato | | | | | | | |
| Cello Sonata in E-flat major, op. 64: VI. Finale. Allegro | | | | | | | |
| Cello Sonata no. 2 in C major, op. 26 no. 2: I. Allegro moderato ed amabile | | | | | | | |
| Cello Sonata no. 2 in C major, op. 26 no. 2: II. Allegro agitato, non troppo mosso | | | | | | | |
| Cello Sonata no. 2 in C major, op. 26 no. 2: III. Andantino cantabile, senza lentezza | | | | | | | |
| Cello Sonata no. 2 in C major, op. 26 no. 2: IV. Final à la Roumaine. Allegro sciolto | | | | | | | |
| Cendres | | | | | | | |
| Chant | | | | Concerto | | | |
| Dos Coyotes | | | | | | | |
| Dos Coyotes: I. | | | | | | | |
| Dos Coyotes: II. | | | | | | | |
| Dos Coyotes: III. | | | | | | | |
| Dos Coyotes: IV. | | | | | | | |
| Dreaming Chaconne | | | | | | | |
| Elegy: Snow in June | | | | | | | |
| Fairy Tale for cello & piano "The Story of Tsar Berendyey", JW 7/5: I. Con moto | | | | | | | |
| Fairy Tale for cello & piano "The Story of Tsar Berendyey", JW 7/5: II. Con moto | | | | | | | |
| Fairy Tale for cello & piano "The Story of Tsar Berendyey", JW 7/5: III. Allegro | | | | | | | |
| Introduction, Theme and Variations | | | | | | | |
| Iscrizione | | | | | | | |
| Je sens un deuxième cœur: I. Je dévoulema peau | | | | | | | |
| Je sens un deuxième cœur: II. Ouvre-moi, vite | | | | | | | |
| Je sens un deuxième cœur: III. Dans le rêve elle l'attendait | | | | | | | |
| Je sens un deuxième cœur: IV. Il faut que j'entre | | | | | | | |
| Je sens un deuxième cœur: V. Je sens un deuxiéme cœur qui bat tout près du mien | | | | | | | |
| Karanssi, op. 114: I. | | | | | | | |
| Karanssi, op. 114: II. | | | | | | | |
| Karanssi, op. 114: III. | | | | | | | |
| Konzertstück | | | | | | | |
| Konzertstück: I. | | | | | | | |
| Konzertstück: II. | | | | | | | |
| Konzertstück: III. | | | | | | | |
| Light and Matter | | | | | | | |
| Mania | | | | | | | |
| Mirage | | | | | | | |
| Mirage | | | | | | | |
| Mirrors | | | | | | | |
| Mystery Variations | | | | | | | |
| Oi kuu | | | | | | | |
| Oi kuu | | | | | | | |
| Partia: I. Sinfonia | | | | | | | |
| Partia: II. Coranto | | | | | | | |
| Partia: III. Aria | | | | | | | |
| Partia: IV. Boria | | | | | | | |
| Partia: V. Double | | | | | | | |
| Partia: VI. Giga | | | | | | | |
| Petals | | | | | | | |
| Plus II | | | | | | | |
| Près | | | | | | | |
| Près: I | | | | | | | |
| Près: II | | | | | | | |
| Près: III | | | | | | | |
| Presto for cello & piano, JW 7/6 | | | | | | | |
| Pros | | | | | | | |
| Quo vadis, op. 102: I. | | | | | | | |
| Quo vadis, op. 102: II. | | | | | | | |
| Quo vadis, op. 102: III. | | | | | | | |
| Sept Papillons | | | | | | | |
| Sept papillons: Papillon I. Dolce, leggiere, libero | | | | | | | |
| Sept papillons: Papillon II. Leggiere, molto espressivo | | | | | | | |
| Sept papillons: Papillon III. Calmo, con tristezza | | | | | | | |
| Sept papillons: Papillon IV. Dolce, tranquillo | | | | | | | |
| Sept papillons: Papillon V. Lento, misterioso | | | | | | | |
| Sept papillons: Papillon VI. Sempre poco nervoso, senza tempo | | | | | | | |
| Sept papillons: Papillon VII. Molto espressivo, energico | | | | | | | |
| Serenade for Cello and Piano, op. 31 no. 1 | | | | | | | |
| Serenatas: Agitato | | | | | | | |
