Trusted Guide to Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#	Title	Artist	Rating	Length
1	Sub tuum praesidium choir vocals: The Monks and Choirboys of Downside Abbey	[anonymous]		1:04
2	O nata lux choir vocals: Choir of King’s College, Cambridge conductor: Philip Ledger recording of: O nata lux composer: Thomas Tallis (composer)	Thomas Tallis		1:57
3	Ave verum corpus choir vocals: Choir of King’s College, Cambridge conductor: Sir David Willcocks (UK composer, organist, choral conductor) recording of: Ave verum corpus composer: William Byrd (English composer) publisher: Oxford University Press part of: Gradualia ac cantiones sacrae, Liber 1 (A collection of 63 graduals and sacred songs dated 1605)	William Byrd		4:41
4	Miserere mei, Deus (vv. 1-4 & 17-20) choir vocals: Choir of King’s College, Cambridge treble vocals: Timothy Beasley-Murray (treble vocalist) vocals: Gerald Finley (bass-baritone) conductor: Stephen Cleobury (organist, conductor) partial recording of: Miserere mei, Deus composer: Gregorio Allegri (composer) quotes lyrics from: Miserere mei (words from Psalm 51)	Gregorio Allegri		5:47
5	Te Deum: Prelude orchestra: Academy of St Martin in the Fields conductor: Philip Ledger recording of: Te Deum, H. 146: Prélude composer: Marc‐Antoine Charpentier (composer) publisher: Copyright Control (not for release label use! this is only for copyrights and publishing relationships) part of: Te Deum, H. 146	Marc‐Antoine Charpentier		1:48
6	Canon in D orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recording of: Canon and Gigue in D major, T. 377: I. Canon composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, T. 377	Johann Pachelbel		5:00
7	Funeral Music for Queen Mary: March instruments: Philip Jones Brass Ensemble choir vocals: Choir of King’s College, Cambridge conductor: Philip Ledger recording of: Funeral Music on the Death of Queen Mary: I. March, Z. 860 composer: Henry Purcell (baroque composer) part of: Music for the Funeral of Queen Mary, Z. 860	Henry Purcell		1:38
8	Funeral Music for Queen Mary: Thou Knowest, Lord instruments: Philip Jones Brass Ensemble choir vocals: Choir of King’s College, Cambridge conductor: Philip Ledger recording of: Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58c "Thou knowest, Lord" (2nd setting for 4 trumpets) composer: Henry Purcell (baroque composer) (in 1687) part of: Music for the Funeral of Queen Mary, Z. 860	Henry Purcell		2:22
9	Adagio in G minor orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recording of: Adagio for Strings and Organ in G minor composer: Remo Giazotto previously attributed to: Tomaso Giovanni Albinoni (Italian Baroque composer) publisher: Ricordi London (Casa Ricordi sublabel for Classical music)	Tomaso Giovanni Albinoni		7:46
10	Trumpet Voluntary (The Prince of Denmark's March) organ: Jane Parker‐Smith (organist) trumpet: Maurice André (French trumpeter) recording of: The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) composer: Jeremiah Clarke (English baroque composer and organist) (in 1700)	Jeremiah Clarke		2:52
11	The Four Seasons: "Summer": III. Presto violin: Yehudi Menuhin (violinist) orchestra: Camerata Lysy Gstaad conductor: Alberto Lysy (violinist and conductor) recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”	Antonio Vivaldi		2:48
12	Gloria in excelsis Deo (Gloria, RV 589) choir vocals: Academy of St Martin in the Fields Chorus orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recording of: Gloria in D major, RV 589: I. Gloria in excelsis Deo composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Gloria in D major, RV 589	Antonio Vivaldi		2:24
13	The Arrival of the Queen of Sheba (Solomon) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recording of: Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” composer: George Frideric Handel (German‐British baroque composer) (in 1748) publisher: Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft part of: Solomon, HWV 67: Act III	George Frideric Handel		2:49
14	Hallelujah Chorus (Messiah, ed. Lam) choir vocals: Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) orchestra: English Chamber Orchestra conductor: Charles Mackerras (Australian conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel		4:01
15	Toccata in D minor, BWV 565i organ: Wayne Marshall (British pianist, organist and conductor) recording of: Toccata und Fuge d-Moll, BWV 565: I. Toccata composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Toccata und Fuge d-Moll, BWV 565	Johann Sebastian Bach		3:23
16	Jesu, Joy of Man's Desiring (Cantata no. 147) choir vocals: Choir of King’s College, Cambridge orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) and Sir David Willcocks (UK composer, organist, choral conductor) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		3:31
17	Double Violin Concerto in D minor, BWV 1043: II. Largo violin: Christian Ferras (violinist) and Yehudi Menuhin (violinist) orchestra: Bath Festival Orchestra recording of: Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		7:43
18	Trumpet Concerto in E-flat: III. Finale: Allegro trumpet: Alison Balsom (classical trumpet player) orchestra: Deutsche Kammerphilharmonie Bremen conductor: Thomas Klug (German violinist, conductor and concertmaster) recording of: Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro composer: Joseph Haydn (composer) (in 1796) part of: Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1	Joseph Haydn		4:30
19	Serenade in G "Eine kleine Nachtmusik", K 525: I. Allegro orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		5:52
20	Piano Concerto no. 21 in C "Elvira Madigan", K 467: II. Andante piano: Stephen Hough (pianist) orchestra: Hallé Orchestra conductor: Bryden Thomson (conductor) recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart		6:47

▼ CD 2
#	Title	Artist	Rating	Length
1	Horn Concerto no. 4 in E-flat, K 495: III. Rondo: Allegro vivace orchestra: English Chamber Orchestra conductor: Jeffrey Tate (conductor) recording of: Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Concerto for Horn no. 4 in E-flat major, K. 495	Wolfgang Amadeus Mozart		3:45
2	Symphony no. 5 in C minor, op. 67: I. Allegro con brio orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Kurt Sanderling (conductor) recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		6:35
3	Piano Sonata no. 14 in C-sharp minor "Moonlight", op. 27 no. 2: I. Adagio sostenuto piano: Dame Moura Lympany (British pianist) recording of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (German composer) (in 1801) part of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven		5:48
4	Symphony no. 9 in D minor "Choral", op. 125: IV. Ode to Joy (extract) bass vocals: Bryn Terfel (bass-baritone opera singer) choir vocals: Royal Liverpool Philharmonic Choir mezzo-soprano vocals: Della Jones (mezzo-soprano) soprano vocals: Joan Rodgers (soprano) tenor vocals: Peter Bronder (British tenor) orchestra: Royal Liverpool Philharmonic Orchestra conductor: Charles Mackerras (Australian conductor) partial recording of: Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) librettist: Friedrich Schiller (German poet and playwright) is based on: An die Freude part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		3:19
5	Violin Concerto no. 2 in B minor, op. 6: III. Rondo ("La campanella") violin: Yehudi Menuhin (violinist) orchestra: Royal Philharmonic Orchestra conductor: Alberto Erede (conductor) recording of: Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella” composer: Niccolò Paganini (composer and violinist) (in 1826) part of: Violin Concerto no. 2 in B minor, op. 7, MS 48 (“La campanella”)	Niccolò Paganini		7:02
6	Piano Quintet in A "Trout", D 667: IV. Theme and Variations double bass: Georg Hörtnagel (double bass player) piano: Elisabeth Leonskaja (pianist) string trio: Members of the Alban Berg Quartett (string quartet) recording of: Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto composer: Franz Schubert (composer) (in 1819) publisher: G. Henle Verlag part of: Quintett A-Dur, D. 667 „Forellenquintett“	Franz Schubert		7:32
7	Moment Musical no. 3 in F minor piano: David Fray (pianist) recording of: 6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato composer: Franz Schubert (composer) part of: 6 Moments musicaux for Piano, op. 94, D. 780	Franz Schubert		2:14
8	Symphonie Fantastique, op. 14: V. Songe d'une nuit du Sabbat orchestra: Orchestre national du Capitole de Toulouse conductor: Michel Plasson (conductor) recording of: Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat composer: Hector Berlioz (composer) (in 1830) quotes music from: Dies Irae (plainchant) part of: Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties	Hector Berlioz		9:40
9	Violin Concerto in E minor, op. 64: II. Andante violin: Yehudi Menuhin (violinist) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Efrem Kurtz (conductor) recording of: Violinkonzert in e-Moll, op. 64: II. Andante composer: Felix Mendelssohn (composer) (from 1838 until 1844-09-16) revised by: Felix Mendelssohn (composer) (in 1845) part of: Violinkonzert in e-Moll, op. 64	Felix Mendelssohn		7:58
10	Träumerei (Kinderszenen) piano: Dame Moura Lympany (British pianist) recording of: Kinderszenen, op. 15: No. 7. Träumerei (original for piano) composer: Robert Schumann (German classical composer) (in 1838) part of: Kinderszenen, op. 15	Robert Schumann		2:38
11	Nocturne no. 2 in E-flat, op. 9 no. 2 piano: Garrick Ohlsson (pianist) recording of: Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante composer: Fryderyk Chopin (composer) (from 1830 until 1832) part of: Nocturnes, op. 9 (original for piano)	Frédéric Chopin		4:13
12	Waltz no. 6 in D-flat "Minute", op. 64 no. 1 piano: Ingrid Fliter (pianist) recording of: Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute Waltz” composer: Fryderyk Chopin (composer) (from 1846 until 1847) part of: Waltzes, op. 64	Frédéric Chopin		1:52
13	Liebestraum no. 3 in A-flat piano: John Ogdon (pianist and composer) recording of: Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” (for piano) composer: Franz Liszt (Hungarian composer, pianist and conductor) (in 1850) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) arrangement of: O lieb, so lang du lieben kannst, S. 298/2 (second version) part of: Liebesträume, S. 541	Franz Liszt		4:31
14	The Ride of the Valkyries (Die Walküre) orchestra: Oslo Philharmonic Orchestra conductor: Mariss Jansons (Latvian conductor) recording of: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt composer: Richard Wagner (composer) (from 1854 until 1856) publisher: Schott Music International (publisher; do not use as label) part of: Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"	Richard Wagner		4:47
15	Vltava (Die Moldau) (Má vlast) orchestra: Staatskapelle Dresden (Dresden Symphonic Orchestra) conductor: Paavo Berglund (conductor) recording of: Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) composer: Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08) part of: B. number catalogue by František Bartoš (number: B. 111) is based on: La Mantovana part of: Má vlast, JB 1:112 (My Country / My Fatherland)	Bedřich Smetana		5:02

▼ CD 3
#	Title	Artist	Rating	Length
1	An der schönen Blauen Donau (On the Beautiful Blue Danube) (Waltz) orchestra: London Philharmonic Orchestra (LPO) conductor: Franz Welser‐Möst (conductor) recording of: An der schönen blauen Donau, op. 314 premiered in: Wien, Austria (on 1867-02-15) composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866) part of: Works of Johann Strauss Jr. by opus number (number: op. 314)	Johann Strauss II		9:42
2	Hungarian Dance no. 5 in F-Sharp minor piano: Michel Béroff (French pianist) and Jean‐Philippe Collard (French classical pianist) recording of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace composer: Johannes Brahms (German composer) (from 1858 until 1868) part of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1	Johannes Brahms		2:07
3	String Sextet no. 1 in B-flat, op. 18: III. Scherzo: Allegro molto strings: Wiener Streichsextett (Vienna String Sextet) recording of: Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18: III. Scherzo. Allegro molto - Animato - Più animato composer: Johannes Brahms (German composer) (from 1859 until 1860) part of: Sextet for 2 Violins, 2 Violas, and 2 Cellos no. 1 in B-flat major, op. 18	Johannes Brahms		3:07
4	Swan Lake: Scene (Act III) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: John Lanchbery partial recording of: Swan Lake, op. 20: Act III composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Swan Lake, op. 20 (Лебединое озеро)	Pyotr Ilyich Tchaikovsky		2:33
5	Symphony no. 6 in B minor "Pathétique", op. 74: III. Allegro molto vivace orchestra: London Philharmonic Orchestra (LPO) conductor: Mstislav Rostropovich (cellist/conductor) recording of: Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08) part of: Symphony no. 6 in B minor, op. 74 “Pathétique”	Pyotr Ilyich Tchaikovsky		9:01
6	Serenade for Strings in E, op. 22: I. Moderato orchestra: London Chamber Orchestra conductor: Christopher Warren‐Green (violinist and conductor) recording of: Serenade for Strings in E major, op. 22, B. 52: I. Moderato composer: Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14) revised by: Antonín Dvořák (composer) (in 1878) part of: Smyčcová serenáda E dur, op. 22, B. 52	Antonín Dvořák		4:40
7	Morning (Peer Gynt Incidental Music, op. 23) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recording of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning composer: Edvard Grieg (composer) (in 1875) librettist: Henrik Ibsen (in 1867) part of: Peer Gynt, op. 23	Edvard Grieg		4:18
8	The Flight of the Bumble-Bee (Tsar Saltan) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recording of: Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) composer: Николай Андреевич Римский‐Корсаков (Russian composer) (from 1899 until 1900) part of: The Tale of Tsar Saltan: Act III	Nikolai Rimsky-Korsakov		1:25
9	Nimrod ("Enigma" Variations, op. 36) orchestra: London Symphony Orchestra conductor: Sir Adrian Boult (conductor) recording of: Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) publisher: Sir Edward Elgar (dec’d) (composer) composer: Edward Elgar (composer) (in 1899) dedicated to: Augustus J. Jaeger part of: Variations on an Original Theme (‘Enigma’), op. 36	Edward Elgar		3:56
10	Cello Concerto: I. Adagio - Moderato cello: Jacqueline du Pré (cellist) orchestra: London Symphony Orchestra conductor: Sir John Barbirolli (conductor and cellist) recording of: Cello Concerto in E minor, op. 85: I. Adagio – Moderato composer: Edward Elgar (composer) (from 1918 until 1919) part of: Cello Concerto in E minor, op. 85	Edward Elgar		7:59
11	Symphony no. 5 in C-sharp minor IV. Adagietto orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Sir John Barbirolli (conductor and cellist) recording of: Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam composer: Gustav Mahler (composer) (from 1901 until 1902) part of: Symphony no. 5	Gustav Mahler		9:57
12	Clair de lune (Suite bergamasque) piano: Dame Moura Lympany (British pianist) recording of: Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) composer: Claude Debussy (composer) (from 1890 until 1905) part of: Suite bergamasque, L. 75, CD 82a (for piano)	Claude Debussy		4:57
13	Also sprach Zarathustra orchestra: London Philharmonic Orchestra (LPO) conductor: Klaus Tennstedt (conductor) partial recording of: Also sprach Zarathustra (op 30; TrV 176) premiered in: Frankfurt am Main, Hessen, Germany (on 1896-11-27) composer: Richard Strauss (German composer) (in 1896) part of: Works of Richard Strauss by opus number (number: op. 30) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 176)	Richard Strauss		1:47
14	Gymnopédie no. 1 piano: Aldo Ciccolini (pianist) recording of: Première Gymnopédie: Lent et douloureux composer: Erik Satie (French composer) (from 1888-02 until 1888-04) part of: Gymnopédies	Erik Satie		3:10
15	Fantasia on "Greensleeves" (Sir John in Love) producer: Victor Olof orchestra: Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11) conductor: Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11) arranger: Ralph Greaves (in 1934) balance engineer: Harold Davidson (classical sound engineer, active from late 1950's) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11) recording of: Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11) composer: Ralph Vaughan Williams (English composer) (from 1924 until 1928) arranger: Ralph Greaves (in 1934) publisher: Oxford University Press (in 1936) is based on: Greensleeves (generic entry for traditional and unknown arrangements) is based on: Lovely Joan (traditional English folk song) is based on: Sir John in Love	Ralph Vaughan Williams		4:40
16	Rhapsody on a Theme of Paganini: Variation 18 producer: John Fraser (UK producer) (from 1984-05-03 until 1984-05-04) piano: Cécile Ousset (French pianist) (from 1984-05-03 until 1984-05-04) orchestra: City of Birmingham Symphony Orchestra (from 1984-05-03 until 1984-05-04) conductor: Simon Rattle (conductor) (from 1984-05-03 until 1984-05-04) balance engineer: Michael Sheady (engineer) (from 1984-05-03 until 1984-05-04) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984) recorded at: Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1984-05-03 until 1984-05-04) recording of: Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (from 1984-05-03 until 1984-05-04) composer: Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18) part of: Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)	Sergei Rachmaninov		2:59

▼ CD 4
#	Title	Artist	Rating	Length
1	Jupiter, the Bringer of Jollity (The Planets, op. 32) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Simon Rattle (conductor) recording of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity composer: Gustav Holst (composer) (from 1914 until 1916) orchestration of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst		8:05
2	Piano Concerto in G: I. Allegramente piano: Samson François (pianist) orchestra: Orchestre de la Société des Concerts du Conservatoire conductor: André Cluytens (conductor) recording of: Piano Concerto in G major: I. Allegramente composer: Maurice Ravel (classical composer) (from 1929 until 1931) part of: Piano Concerto in G major	Maurice Ravel		7:44
3	Le Sacre du printemps: Danse sacrale (L'Élue) orchestra: City of Birmingham Symphony Orchestra conductor: Simon Rattle (conductor) recording of: Le Sacre du printemps : II. Le Sacrifice : VI. Danse sacrale (L’Élue) composer: Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913) publisher: Boosey & Hawkes Ltd. part of: Le Sacre du printemps: II. Le Sacrifice	Igor Stravinsky		5:04
4	Dance of the Knights (Romeo & Juliet) orchestra: London Symphony Orchestra conductor: André Previn (pianist, conductor, composer, arranger) recording of: Romeo and Juliet, op. 64: Act I. Scene II. No. 13. Dance of the Knights composer: Сергей Сергеевич Прокофьев (Russian composer) part of: Romeo and Juliet, op. 64: Act I	Sergei Prokofiev		5:41
5	O Fortuna (Carmina Burana) choir vocals: Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Riccardo Muti (conductor) recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		2:44
6	Rhapsody in Blue (Jazz Band version): Opening piano: Wayne Marshall (British pianist, organist and conductor) orchestra: City of Birmingham Symphony Orchestra conductor: Simon Rattle (conductor) recording of: Rhapsody in Blue (original 1924 jazz band version, less often performed) orchestrator: Ferde Grofé (pianist, arranger, conductor and composer) (in 1924) composer: George Gershwin (composer) (in 1924) publisher: Harms, Inc. (in 1924) premiered at: Aeolian Hall in New York, New York, United States (on 1924-02-12) version of: Rhapsody in Blue (original 1924 two-piano manuscript version)	George Gershwin		4:39
7	Fanfare for the Common Man producer and balance engineer: Brian Culverhouse (classical producer and engineer, active from 1960s) orchestra: Orquesta Filarmónica de la Ciudad de México (in 1985-03) conductor: Enrique Bátiz (conductor and pianist) (in 1985-03) recorded at: Sala Nezahualcóyotl in Ciudad de México, Mexico (in 1985-03) recording of: Fanfare for the Common Man (in 1985-03) composer: Aaron Copland (composer) (in 1942)	Aaron Copland		3:42
8	Adagio for Strings orchestra: The Philadelphia Orchestra conductor: Eugene Ormandy (conductor) recording of: Adagio for Strings orchestrator: Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938) composer: Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936) premiered by: NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05) premiered at: [radio broadcast] (1938-11-05) publisher: G. Schirmer Inc. arrangement of: String Quartet, op. 11: II. Molto adagio	Samuel Barber		6:24
9	Candide: Overture sound engineer: Robert Gooch (British classical sound engineer, active from late 1950's) producer: Christopher Bishop (conductor/producer) (on 1971-11-30) orchestra: London Symphony Orchestra (on 1971-11-30) conductor: André Previn (pianist, conductor, composer, arranger) (on 1971-11-30) balance engineer: Robert Gooch (British classical sound engineer, active from late 1950's) (on 1971-11-30) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-11-30) recording of: Candide: Overture (on 1971-11-30) composer: Leonard Bernstein part of: Candide	Leonard Bernstein		4:15
10	Cantus in Memory of Benjamin Britten orchestra: Bournemouth Sinfonietta conductor: Richard Studt (violinist, conductor) recording of: Cantus in memoriam Benjamin Britten composer: Arvo Pärt (in 1977) revised by: Arvo Pärt (in 1980) premiered at: [concert] (1977-04-07)	Arvo Pärt		6:12
11	Agnus Dei (The Armed Man: A Mass for Peace) trumpet: Paul Beniston (trumpet player) choir vocals: National Youth Choir of Great Britain orchestra: London Philharmonic Orchestra (LPO) conductor: Karl Jenkins (Welsh composer, conductor and instrumentalist) recording of: The Armed Man: A Mass for Peace: Agnus Dei composer: Karl Jenkins (Welsh composer, conductor and instrumentalist) part of: The Armed Man: A Mass for Peace (the complete work)	Karl Jenkins		3:40
12	The Heart Asks Pleasure First / The Promise (from the film The Piano) piano: Michael Nyman (composer) recording of: The Heart Asks Pleasure First (The Piano) composer: Michael Nyman (composer) publisher: Chester Music Ltd., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) part of: The Piano (1993 film score) recording of: The Promise (The Piano) composer: Michael Nyman (composer) publisher: J&W Chester/Ed Wilhelm part of: The Piano (1993 film score)	Michael Nyman		3:14
13	The Protecting Veil: The Incarnation orchestra: London Symphony Orchestra recording of: The Protecting Veil: IV. The Incarnation composer: John Tavener (20th century composer) (from 1987 until 1988) part of: The Protecting Veil	John Tavener		3:43
14	Pie Jesu (Requiem) choir vocals: Choir of King’s College, Cambridge tenor vocals: Edward Saklatvala (tenor) orchestra: City of London Sinfonia (chamber orchestra) conductor: Stephen Cleobury (organist, conductor) recording of: Requiem: III. Pie Jesu composer: John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985) part of: Requiem	John Rutter		3:35
15	Short Ride in a Fast Machine orchestra: City of Birmingham Symphony Orchestra conductor: Simon Rattle (conductor) recording of: Short Ride in a Fast Machine composer: John Adams (American minimalist composer) (in 1986)	John Adams		4:19
16	Violin Concerto "Concentric Paths": I. Rings violin: Anthony Marwood (violinist) orchestra: Chamber Orchestra of Europe conductor: Thomas Adès recording of: Violin Concerto "Concentric Paths": I. Rings composer: Thomas Adès (in 2005) part of: Violin Concerto "Concentric Paths"	Thomas Adès		4:04

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Discogs:	https://www.discogs.com/release/12395078 [info]

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