Three Classic Albums

~ Release by Milt Jackson (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Blues Oriental
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Blues Oriental (on 1958-10-28)
composer:
Milt Jackson
Cannonball Adderley with Milt Jackson5:03
2Things Are Getting Better
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) and Kendal (in 2014)
recording of:
Things Are Getting Better (on 1958-10-28)
writer:
Dory Langdon and Julian Adderley
Cannonball Adderley with Milt Jackson7:14
3Serves Me Right (take 5)
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
recording of:
Serves Me Right
composer:
Buddy Johnson
Cannonball Adderley with Milt Jackson4:49
4Groovin’ High
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2013) and Kendal (in 2014)
recording of:
Groovin’ High (on 1958-10-28)
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Cannonball Adderley with Milt Jackson5:22
5The Sidewalks of New York (take 5)
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
instrumental recording of:
The Sidewalks of New York (on 1958-10-28)
lyricist:
James W. Blake
composer:
Charles B. Lawlor
Cannonball Adderley with Milt Jackson6:59
6Sounds for Sid
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Sounds for Sid (on 1958-10-28)
composer:
Julian Adderley
Cannonball Adderley with Milt Jackson6:27
7Just One of Those Things
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
instrumental recording of:
Just One of Those Things (on 1958-10-28)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Cannonball Adderley with Milt Jackson6:45
8Close Your Eyes
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
instrumental recording of:
Close Your Eyes (on 1958-09-12)
lyricist and composer:
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. and Sherman, Clay & Co. (in 1933)
Milt Jackson & Coleman Hawkins6:51
9Stuffy
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
recording of:
Stuffy (on 1958-09-12)
composer:
Coleman Hawkins
Milt Jackson & Coleman Hawkins5:43
10Don’t Take Your Love From Me
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
instrumental recording of:
Don’t Take Your Love From Me (on 1958-09-12)
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
Milt Jackson & Coleman Hawkins4:51
▼ CD 2
#TitleArtistRatingLength
1Get Happy
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
instrumental recording of:
Get Happy (on 1958-09-12)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Milt Jackson & Coleman Hawkins5:30
2Sandra's Blues
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
recording of:
Sandra’s Blues (on 1958-09-12)
composer:
Milt Jackson
Milt Jackson & Coleman Hawkins6:41
3Indian Blues
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (US jazz double bassist) (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
recording of:
Indian Blues (on 1958-09-12)
composer:
Milt Jackson
Milt Jackson & Coleman Hawkins6:06
4Whisper Not
bass:
Paul Chambers (US jazz bassist) (from 1958-12-28 until 1958-12-29)
drums (drum set):
Connie Kay (from 1958-12-28 until 1958-12-29)
piano:
Tommy Flanagan (from 1958-12-28 until 1958-12-29)
tenor saxophone:
Benny Golson (from 1958-12-28 until 1958-12-29)
trumpet:
Art Farmer (from 1958-12-28 until 1958-12-29)
vibraphone:
Milt Jackson (from 1958-12-28 until 1958-12-29)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1958-12-28 until 1958-12-29)
instrumental recording of:
Whisper Not (in 1958-12)
lyricist:
Leonard Feather
composer:
Benny Golson
Milt Jackson6:18
5I Remember Clifford
bass:
Paul Chambers (US jazz bassist) (from 1958-12-28 until 1958-12-29)
drums (drum set):
Connie Kay (from 1958-12-28 until 1958-12-29)
piano:
Tommy Flanagan (from 1958-12-28 until 1958-12-29)
tenor saxophone:
Benny Golson (from 1958-12-28 until 1958-12-29)
trumpet:
Art Farmer (from 1958-12-28 until 1958-12-29)
vibraphone:
Milt Jackson (from 1958-12-28 until 1958-12-29)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1958-12-28 until 1958-12-29)
recording of:
I Remember Clifford (from 1958-12-28 until 1958-12-29)
lyricist:
Jon Hendricks
composer:
Benny Golson
Milt Jackson5:56
6Thinking of You
bass:
Paul Chambers (US jazz bassist) (from 1958-12-28 until 1958-12-29)
drums (drum set):
Connie Kay (from 1958-12-28 until 1958-12-29)
piano:
Tommy Flanagan (from 1958-12-28 until 1958-12-29)
tenor saxophone:
Benny Golson (from 1958-12-28 until 1958-12-29)
trumpet:
Art Farmer (from 1958-12-28 until 1958-12-29)
vibraphone:
Milt Jackson (from 1958-12-28 until 1958-12-29)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1958-12-28 until 1958-12-29)
instrumental recording of:
Thinking of You (in 1958-12)
lyricist:
Bert Kalmar (in 1929)
composer:
Harry Ruby (in 1929)
Milt Jackson4:24
7Blues for Diahann
bass:
Paul Chambers (US jazz bassist) (from 1958-12-28 until 1958-12-29)
drums (drum set):
Connie Kay (from 1958-12-28 until 1958-12-29)
piano:
Tommy Flanagan (from 1958-12-28 until 1958-12-29)
tenor saxophone:
Benny Golson (from 1958-12-28 until 1958-12-29)
trumpet:
Art Farmer (from 1958-12-28 until 1958-12-29)
vibraphone:
Milt Jackson (from 1958-12-28 until 1958-12-29)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1958-12-28 until 1958-12-29)
Milt Jackson7:26
8Afternoon in Paris
bass:
Paul Chambers (US jazz bassist) (from 1958-12-28 until 1958-12-29)
drums (drum set):
Connie Kay (from 1958-12-28 until 1958-12-29)
piano:
Tommy Flanagan (from 1958-12-28 until 1958-12-29)
tenor saxophone:
Benny Golson (from 1958-12-28 until 1958-12-29)
trumpet:
Art Farmer (from 1958-12-28 until 1958-12-29)
vibraphone:
Milt Jackson (from 1958-12-28 until 1958-12-29)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1958-12-28 until 1958-12-29)
recording of:
Afternoon in Paris (in 1958-12)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
Milt Jackson6:03
9Ill Wind
bass:
Paul Chambers (US jazz bassist) (from 1958-12-28 until 1958-12-29)
drums (drum set):
Connie Kay (from 1958-12-28 until 1958-12-29)
piano:
Tommy Flanagan (from 1958-12-28 until 1958-12-29)
tenor saxophone:
Benny Golson (from 1958-12-28 until 1958-12-29)
trumpet:
Art Farmer (from 1958-12-28 until 1958-12-29)
vibraphone:
Milt Jackson (from 1958-12-28 until 1958-12-29)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1958-12-28 until 1958-12-29)
instrumental recording of:
Ill Wind (in 1958-12)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
Milt Jackson4:28

Credits

Release group

part of:... Classic Albums (Real Gone Jazz) (order: 8)