Tracklist

CD 1
#TitleArtistRatingLength
1Faulte d'argent
choir vocals:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Faulte d'argent (in 1988-02)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin Desprez2:08
2Une puce
performer:
Ensemble Clément Janequin (French early music ensemble)
Claude Lejeune3:22
3Autant en emporte le vent
performer:
Ensemble Clément Janequin (French early music ensemble)
Claude Lejeune1:31
4Nous sommes de l'ordre de Saint-Babouyn
choir vocals:
Ensemble Clément Janequin (French early music ensemble) (in 1994-07)
vocals:
Ensemble Clément Janequin (French early music ensemble) (in 1994-07)
conductor:
Dominique Visse (countertenor) (in 1994-07)
recording of:
Nous sommes de l'ordre de saint Babouyn (in 1994-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Loyset Compère (Franco-Flemish composer of the Renaissance) (in 1500)
Loyset Compère3:50
5Le chant du rossignol
engineer:
Claude Armand (in 1982-07)
lute:
Claude Debôves
baritone vocals:
Philippe Cantor (bass‐baritone)
bass vocals:
Antoine Sicot
countertenor vocals:
Dominique Visse (countertenor)
tenor vocals:
Michel Laplénie (tenor, and conductor of the baroque choral Ensemble Sagittarius)
performer:
Ensemble Clément Janequin (French early music ensemble) (in 1982-07)
recorded at:
Studio 106, Radio France in Paris, Île-de-France, France (in 1982-07)
recording of:
Le Rossignol: "En escoutant le chant mélodieulx "
composer:
Clément Janequin (French Renaissance composer, c. 1485-1558)
Clément Janequin1:59
6La Chasse
engineer:
Jean-François Pontefract (engineer) (in 1987-08)
performer:
Ensemble Clément Janequin (French early music ensemble)
recorded at:
Église Saint-Martin d'Arles (Chapelle du Méjan) in Arles, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1987-08)
recording of:
La chasse: Gentilz veneurs (in 1987-08)
composer:
Clément Janequin (French Renaissance composer, c. 1485-1558)
Clément Janequin7:11
7Du beau tétin
lute:
Claude Debôves
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor)
recording of:
Blaison du beau tétin
composer:
Clément Janequin (French Renaissance composer, c. 1485-1558)
Clément Janequin3:59
8Du laid tétin
choir vocals:
Ensemble Clément Janequin (French early music ensemble) (in 1994-07)
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor) (in 1994-07)
recording of:
Du laid tétin (in 1994-07)
lyricist:
Clément Marot (French renaissance poet, 1496-1544) (in 1534)
composer:
Jacobus Clemens non Papa (Franco–Flemish Renaissance composer) (in 1556)
Clemens non Papa3:00
9Tant que vivray
lute:
Claude Debôves (in 1985)
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor)
recording of:
Tant que vivray (in 1985)
publisher:
Pierre Attaingnant (French Renaissance music publisher, fl. 1514-1551) (in 1527)
lyricist:
Clément Marot (French renaissance poet, 1496-1544)
composer:
Claudin de Sermisy (French Renaissance composer) (in 1527)
Claudin de Sermisy2:19
10Il est bel et bon
lute:
Claude Debôves (in 1985)
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor)
recording of:
Il est bel et bon (arr. Dall'Aquila) (in 1985)
composer:
Pierre Passereau (French Renaissance composer, fl. 1509-1547)
arranger:
Marco Dall’Aquila
Pierre Passereau1:19
11La prise de Calais (Hardis Françoys)
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor)
Guillaume Costeley3:53
12La, la, la, je ne l'ose dire
choir vocals:
Ensemble Clément Janequin (French early music ensemble) (in 1994-07)
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor) (in 1994-07)
recording of:
La, la, la, la je ne l'ose dire (in 1994-07)
composer:
Pierre Certon (French renaissance composer, c. 1515-1572)
Pierre Certon0:59
13Anchor che col partire, madrigal à 4 voix
performer:
The Hilliard Ensemble (British male vocal quartet)
Cipriano de Rore2:17
14Schiet's arbuscel, à 4 voix
engineer and producer:
Markus Heiland
vocals:
Huelgas Ensemble (Belgian early music ensemble) (in 2001-07)
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 2001-07)
recorded at:
Église Saint-Médard de Domart-en-Ponthieu in Domart-en-Ponthieu, Somme, Hauts-de-France, France (in 2001-07)
recording of:
Schiet'arbuscel (in 2001-07)
composer:
Cipriano de Rore (Franco-Flemish Renaissance composer)
Cipriano de Rore4:07
15Dissimulare etiam sperasti, à 5, 6 et 7 voix sur un texte de Virgile
engineer and producer:
Markus Heiland
vocals:
Huelgas Ensemble (Belgian early music ensemble) (in 2001-07)
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 2001-07)
recorded at:
Église Saint-Médard de Domart-en-Ponthieu in Domart-en-Ponthieu, Somme, Hauts-de-France, France (in 2001-07)
recording of:
Dissimulare etiam sperasti (in 2001-07)
lyricist:
Publius Vergilius Maro
composer:
Cipriano de Rore (Franco-Flemish Renaissance composer)
Cipriano de Rore7:36
16Allala, pia Calia, morescha à 4 voix
performer:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Allala la pia calia, S. x/104
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. x/104)
Roland de Lassus2:09
17Vezzosi augelli, madrigal à 4 voix (Livre I, 1585)
choir vocals:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
Luca Marenzio2:32
18Crudele acerba, madrigal à 5 voix (Livre IX, 1599)
choir vocals:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
Luca Marenzio3:20
19Mercè grido piangendo, madrigal à 5 voix (Ferrara, 1579)
alto vocals:
Nathalie Stutzmann (contralto and conductor)
baritone vocals:
Michel Laplénie (tenor, and conductor of the baroque choral Ensemble Sagittarius)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Monique Zanetti (French soprano)
tenor vocals:
Jean-Paul Fouchécourt (tenor)
recording of:
Madrigals, Book 5: “Mercè grido piangendo, W. 5 No. 49”
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 5
Carlo Gesualdo4:16
20Constant Penelope, consort song
soprano vocals:
Emma Kirkby (soprano)
performer:
Fretwork (consort of viols)
William Byrd2:02
21The noble famous Queen, consort song
soprano vocals:
Emma Kirkby (soprano)
performer:
Fretwork (consort of viols)
William Byrd2:09
22Flow, my tears
lute:
Robert Spencer (English lutenist, guitarist & musicologist) (in 1977-09)
choir vocals:
Deller Consort (UK vocal & instrumental early music ensemble)
countertenor vocals:
Alfred Deller (countertenor) (in 1977-09)
recording of:
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" (in 1977-09)
composer:
John Dowland (composer and lutenist) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland5:18
23Come away, come, sweet love
lute:
Robert Spencer (English lutenist, guitarist & musicologist) (in 1977-09)
countertenor vocals:
Alfred Deller (countertenor) (in 1977-09)
recording of:
The First Booke of Songs or Ayres, No. 11: "Come away, come, sweet love" (in 1977-09)
composer:
John Dowland (composer and lutenist) (in 1597)
part of:
The First Booke of Songs or Ayres
John Dowland2:28

Credits

Release

part of:Century: La musique des siècles (harmonia mundi series) (number: 09) (order: 9)
ASIN:FR: B000ARHNEE [info]

Release group

part of:Chansons de la Renaissance Century: La musique des siècles (number: 9) (order: 5)