| # | Title | Artist | Rating | Length |
|---|
| 1 | Two Tribes | Frankie Goes to Hollywood | 3.65 | 3:56 |
| 2 | Don’t You Want Me | The Human League | 4 | 3:57 |
| 3 | Is There Something I Should Know | Duran Duran | 3.15 | 4:09 |
| 4 | The Sun Always Shines on TV | a‐ha | 4.15 | 5:07 |
| 5 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998) and Capitol Records, Inc. (in 1998)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64)
- recording of:
- Call Me (in 1980-01)
- writer:
- Deborah Harry and Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc. and Sony/ATV Melody
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.25 | 3:31 |
| 6 | Karma Chameleon- engineer:
- Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- harmonica:
- Judd Lander (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon (in 1983)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay , Jon Moss and Phil Pickett
- publisher:
- EMI Virgin Music Ltd. and BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | 3.75 | 4:01 |
| 7 | Red Red Wine | UB40 | 3.8 | 3:02 |
| 8 | Come On Eileen | Dexys Midnight Runners | 4.25 | 4:05 |
| 9 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim "Watts" Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Huey Lewis Music and Kinda Blue Music
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- part of:
- Back to the Future: the Musical
| Huey Lewis & the News | 4 | 3:54 |
| 10 | White Wedding | Billy Idol | 4.8 | 4:12 |
| 11 | Easy Lover- producer:
- Phil Collins
- recording of:
- Easy Lover (in 1984)
- writer:
- Philip Bailey, Phil Collins and Nathan East
- publisher:
- Concord Music GmbH, Concord Sounds, Musik-Edition Discoton, Pun Music Inc., Universal Music Publishing GmbH, Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (in 1984), New East Music (in 1984), Philip Collins Ltd. (in 1984), Sir & Trini Music (in 1984) and Warner Chappell Music Ltd. (in 1984)
| Phil Collins & Philip Bailey | 5 | 4:44 |
| 12 | Temptation | Heaven 17 | 2.35 | 3:06 |
| 13 | Tainted Love | Soft Cell | 3.9 | 2:40 |
| 14 | Enola Gay | Orchestral Manoeuvres in the Dark | 3.65 | 3:31 |
| 15 | Sometimes | Erasure | 3 | 3:38 |
| 16 | Don’t You (Forget About Me) | Simple Minds | 4.3 | 4:21 |
| 17 | Invisible Touch- assistant engineer:
- Paul Gomersall
- engineer:
- Hugh Padgham
- producer:
- Genesis and Hugh Padgham
- bass and guitar:
- Mike Rutherford (from 1985-10 until 1986-02)
- bass synthesizer and keyboard:
- Tony Banks (from 1985-10 until 1986-02)
- drums (drum set), percussion and lead vocals:
- Phil Collins (from 1985-10 until 1986-02)
- phonographic copyright (℗) by:
- Charisma Records Ltd.
- recorded at and mixed at:
- The Farm in Surrey, England, United Kingdom (from 1985-10 until 1986-02)
- recording of:
- Invisible Touch (from 1985-10 until 1986-02)
- lyricist:
- Phil Collins
- composer:
- Tony Banks , Phil Collins and Mike Rutherford
- publisher:
- Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. and Philip Collins Ltd.
- written at:
- The Farm in Surrey, England, United Kingdom
| Genesis | 3.25 | 3:28 |
| 18 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott "Abada" Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 4 | 5:01 |
| 19 | Drive | The Cars | 4 | 3:55 |
| 20 | Wonderful Life | Black | 4.4 | 4:48 |
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