The Swoon Collection II (limited bonus disc edition)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Griselda: "Per la gloria d'adorarvi"
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Griselda: Atto II. "Per la gloria d'adorarvi" (in 1973-07)
lyricist:
Paolo Antonio Rolli (until 1722)
composer:
Giovanni Battista Bononcini (composer, 1670-1747) (until 1722)
publisher:
G. Schirmer Inc.
part of:
Griselda
Giovanni Battista Bononcini4:34
2Sense and Sensibility: My Father's Favourite
recording engineer:
Paul Hulme
assistant engineer:
Jon Bailey (engineer), Ben Georgiades and Steve Orchard (producer and engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Roy Prendergast
piano:
Tony Hymas
orchestra:
Orchester Robert Ziegler
conductor:
Robert Ziegler (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Sense and Sensibility: My Father’s Favourite
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
composer:
Patrick Doyle (Scottish score composer)
part of:
Sense and Sensibility
Patrick Doyle5:31
3Valse Frontenac
accordion:
Billy McComiskey (accordion)
bass:
Paul Wheaton (bass)
fiddle:
Alasdair Fraser (fiddler)
flute:
Chris Norman (Canadian flutist and composer)
guitar:
Robin Bullock (guitarist)
[traditional]5:39
4Deo gratias
recording engineer and editor:
Markus Heiland
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Huelgas Ensemble (Belgian early music ensemble) (from 1994-09-09 until 1994-09-10)
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (from 1994-09-09 until 1994-09-10)
recorded at:
St. Barbara Church in Ghent, Oost-Vlaanderen, Flanders, Belgium (from 1994-09-09 until 1994-09-10)
recording of:
Deo gratia à 36 (from 1994-09-09 until 1994-09-10)
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
Johannes Ockeghem6:01
5Thaïs: Méditation
producer:
James Mallinson (producer)
violin:
Nigel Kennedy (violinist) (in 1983-12)
orchestra:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
conductor:
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) and The Decca Record Company Limited (for copyrights use only!) (in 1992)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
composer:
Jules Massenet (French Romantic composer) (, in 1894)
part of:
Thaïs: Acte II
Jules Massenet5:43
6The Battlers: "Love Me Sweet"
soprano vocals:
Jane Edwards (Australian soprano)
orchestra:
Tall Poppies Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
recording of:
Love Me Sweet (from "The Battlers" soundtrack)
composer:
Carl Vine (composer) (in 1993)
Carl Vine3:32
7Intermezzo, op. 118 no. 2
recording engineer:
Ron Craig (engineer/editor) (from 1995-11 until 1998-02)
producer:
Andrew McKeich (producer) (from 1995-11 until 1998-02) and Natalie Shea (alto / producer) (from 1995-11 until 1998-02)
piano:
Roger Woodward (pianist) (from 1995-11 until 1998-02)
recorded at:
Ron Craig’s Acoustic Studio in Mittagong, New South Wales, Australia (from 1995-11 until 1998-02)
recording of:
6 Klavierstücke, op. 118: Nr. 2. Intermezzo in A-Dur. Andante teneramente (from 1995-11 until 1998-02)
composer:
Johannes Brahms (German composer)
part of:
6 Klavierstücke, op. 118
Johannes Brahms6:57
8Goldfish Through Summer Rain
harp:
Marshall McGuire (harpist)
shakuhachi:
Riley Lee (shakuhachi player)
recording of:
Goldfish Through Summer Rain
composer:
Anne Boyd (in 1978)
Anne Boyd3:10
9Much Ado About Nothing, op. 11: Garden Scene
recorded in:
London (Greater London), England, United Kingdom
producer:
Raymond Few (Ray Few, producer)
violin:
Josef Sakonov
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
recording of:
Much Ado about Nothing, op. 11: III. Scene in the Garden: Molto espressivo (broad, but not too slow)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor)
part of:
Much Ado about Nothing, op. 11 (suite for violin [or cello] and piano)
Erich Wolfgang Korngold4:38
10We Praise Thee
choir vocals:
St. Petersburg Chamber Choir
conductor:
Nikolai Korniev (chorus master)
recording of:
Tebe poem "We praise thee"
composer:
Павел Григорьевич Чесноков
Pavel Chesnokov53:38
11Concerto for Oboe in D minor: Adagio
oboe:
Pierre Pierlot (oboist) (in 1969-06)
orchestra:
I Solisti Veneti (in 1969-06)
conductor:
Claudio Scimone (conductor) (in 1969-06)
recorded at:
Villa Simes in Piazzola sul Brenta, Padova, Veneto, Italy (in 1969-06)
recording of:
Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio (in 1969-06)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto for Oboe in D minor, op. 9 no. 2
Tomaso Giovanni Albinoni6:04
12The Lass of Patie's Mill
guitar:
Joel Brown (Guitarist) and Edward Flower (Arranger, guitarist)
[traditional]4:30
13Jocelyn: "Angels Guard Thee"
tenor vocals:
Kenneth McKellar (tenor)
orchestra:
Peter Knight & His Orchestra
conductor:
Peter Knight (British arranger, conductor and composer)
recording of:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile”
composer:
Benjamin Godard (French violinist and composer, 1849-1895) (on 1888-02-25)
librettist:
Victor Capoul and Paul-Armand Silvestre
part of:
Jocelyn, op. 100: Acte II
Benjamin Godard5:02
14Bovaglie's Plaid
fiddle:
Alasdair Fraser (fiddler)
synthesizer:
Paul Machlis
recording of:
Bovaglie’s Plaid
composer:
James Scott Skinner
James Scott Skinner3:55
15Magnificat cum Alleluia
recording engineer:
Johnny Campbell (technical) (in 1989) and Tadhg Kelleher (in 1989)
producer:
Mícheál Ó Súilleabháin (pianist and composer)
shruti box [surpeti]:
Nóirín Ní Riain (in 1989)
vocals:
Nóirín Ní Riain
arranger:
Nóirín Ní Riain and Mícheál Ó Súilleabháin (pianist and composer)
recorded at:
Honan Chapel in Cork, County Cork, Munster, Ireland (in 1989)
[traditional]4:03
16Prelude in E-flat minor
engineer:
Arthur Lilley (engineer)
producer:
Raymond Few (Ray Few, producer)
orchestra:
Česká filharmonie (Czech Philharmonic; formerly Czech Philharmonic Orchestra) (from 1972-09-07 until 1972-09-08)
conductor:
Leopold Stokowski (conductor) (from 1972-09-07 until 1972-09-08)
arranger:
Leopold Stokowski (conductor)
recorded at:
Rudolfinum (House of Artists) in Praha, Czechia (from 1972-09-07 until 1972-09-08)
live recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (orch. Stokowski) (from 1972-09-07 until 1972-09-08)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
orchestration of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 8 in E-flat minor, BWV 853: Prelude
Johann Sebastian Bach5:15
▶ CD 2