The Best Love Album in the World… Ever!

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Paint My Love
executive producer:
Jens Hofman
producer:
Michael Learns to Rock
mixer:
Mads Nilsson
performer:
Michael Learns to Rock
arranger:
Michael Learns to Rock
recording of:
Paint My Love
composer:
Jascha Richter
Michael Learns to Rock3:47
2Nothing’s Gonna Change My Love for You
cover recording of:
Nothing’s Gonna Change My Love for You
lyricist:
Gerald Goffin and Michael Masser
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music, Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Glenn Medeiros3:47
3Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:51
4Right Here Waiting
engineer and mixer:
David Cole (American recording engineer and producer)
producer:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) and Richard Marx
guitar:
Bruce Gaitsch (american guitarist, producer, engineer and arranger)
keyboard:
Jeffery (C. J.) Vanston
lead vocals:
Richard Marx
arranger:
Jeffery CJ Vanston and Richard Marx
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
music videos:
Right Here Waiting by Richard Marx
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (american guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部
Richard Marx3.754:22
5All Out of Love
engineer:
William Wittman
producer:
Robie Porter
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
lead vocals:
Russell Hitchcock
arranger:
Air Supply and Robie Porter
phonographic copyright (℗) by:
Wizard Records Pty. Ltd. (holding company - file no releases here!) (in 1980)
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia and Studios 301 (Byron Bay) in Byron Bay, New South Wales, Australia
mixed at:
Larrabee Sound Studios (Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
recording of:
All Out of Love
writer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Graham Russell (Air Supply)
publisher:
DJDMP, Inc., Nottsongs and Universal Music Careers
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Air Supply4:53
6Jessie
engineer:
Simon Smart
producer:
Rod Argent and Peter Van Hooke
recording of:
Jessie (Joshua Kadison song)
lyricist and composer:
Joshua Kadison (US singer-songwriter, pianist & writer)
Joshua Kadison5:17
7Damn I Wish I Was Your Lover
mixer:
David Leonard (US producer and engineer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1992)
recording of:
Damn I Wish I Was Your Lover
lyricist and composer:
Sophie B. Hawkins
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Broken Plate Music Inc. (in 1992) and The Night Rainbow Music (publisher) (in 1992)
Sophie B. Hawkins4.755:22
8Just Another Day
recording of:
Just Another Day
writer:
Miguel A. Morejón and Jon Secada
Jon Secada45:24
9Over My Shoulder
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
recorded at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom
recording of:
Over My Shoulder
writer:
Paul Carrack and Mike Rutherford
Mike + the Mechanics3.23:34
10Josephine
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
recording of:
Josephine
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea3.54:30
11Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Bang Records (US disco) (in 1968)
UB403.83:01
12Do You Really Want to Hurt Me?
engineer and producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
membranophone and percussion:
Jon Moss
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Culture Club3.954:22
13It Must Be Love
cover recording of:
It Must Be Love
lyricist and composer:
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:18
14Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1983)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Dub Notes Music (publisher) (in 1984), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division, Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.43:59
15Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2)
Diana Ross & Lionel Richie3.54:25
16Suddenly
producer:
Keith Diamond
mixer:
Keith Diamond and Bryan “Chuck” New
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
recording of:
Suddenly
writer:
Keith Diamond and Billy Ocean
Billy Ocean4.53:51
17Would I Lie to Do
performer:
Charles & Eddie
recording of:
Would I Lie to You?
writer:
Michael Leeson (songwriter) and Peter Vale (writer/arranger)
publisher:
BMG VM Music Ltd. (from 2013-05-16 to present)
Charles & Eddie4.254:37
▶ CD 2