| # | Title | Artist | Rating | Length |
|---|
| 1 | Forever Young | Alphaville | 4.55 | 3:44 |
| 2 | Arthur's Theme- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 54)
| Christopher Cross | 5 | 3:51 |
| 3 | Still I'm Sad | The Yardbirds | | 2:58 |
| 4 | Something's Gotten Hold of My Heart | Gene Pitney | | 3:36 |
| 5 | (Sittin' on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1968)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 4.5 | 2:42 |
| 6 | I Never Loved a Man | Aretha Franklin | 4 | 2:42 |
| 7 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. and WEA International Inc. (in 1961)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131)
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music and Unichappell Music
| Ben E. King | 4.6 | 2:59 |
| 8 | Never Can Say Goodbye | Isaac Hayes | | 3:36 |
| 9 | Best Thing That Ever Happened to Me | Gladys Knight & the Pips | 4 | 3:46 |
| 10 | Under the Boardwalk | The Drifters | | 2:40 |
| 11 | All I Have to Do Is Dream | The Everly Brothers | | 2:18 |
| 12 | Dream Lover | Bobby Darin | | 2:31 |
| 13 | Needles and Pins | The Searchers | | 2:12 |
| 14 | Whiter Shade of Pale | Procol Harum | 4.1 | 3:59 |
| 15 | The First Cut Is the Deepest | P.P. Arnold | | 3:14 |
| 16 | Wiith a Little Help From My Friends | Joe Cocker | | 5:02 |
| 17 | Darlin' Be Home Soon | The Lovin’ Spoonful | | 3:32 |
| 18 | Ruby Tuesday | Melanie | 4.35 | 4:34 |
| 19 | Silence Is Golden | The Tremeloes | 3.5 | 3:07 |
| 20 | Happy Together | The Turtles | 4.55 | 2:53 |
| 21 | She's Not There | The Zombies | | 2:22 |
| 22 | When a Man Loves a Woman- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-02-17)
- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd. , Atlantic Recording Corporation (in 1966) and WEA International Inc. (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 54)
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.3 | 2:59 |
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