| # | Title | Rating | Length |
|---|
| 1 | Just in Time | | 2:54 |
| 2 | Like Someone in Love | | 3:53 |
| 3 | Willow Weep for Me | | 4:23 |
| 4 | Lullaby of Broadway- assistant engineer:
- Judy Kirschner
- engineer:
- Peter Doell and Leslie Ann Jones
- producer:
- John Oddo
- mixer:
- Leslie Ann Jones
- alto saxophone:
- Brad Leali (from 1997-11 until 1998-06)
- bass:
- James Leary (from 1997-11 until 1998-06)
- drums (drum set):
- Butch Miles (from 1997-11 until 1998-06)
- guitar:
- Will Matthews (from 1997-11 until 1998-06)
- reeds:
- Kenny Hing (from 1997-11 until 1998-06) and John Williams (from 1997-11 until 1998-06)
- solo baritone saxophone:
- John Williams (from 1997-11 until 1998-06)
- tenor saxophone:
- Gary Foster (from 1997-11 until 1998-06)
- trombone:
- Clarence Banks (from 1997-11 until 1998-06), Bill Hughes (from 1997-11 until 1998-06), David Keim (from 1997-11 until 1998-06) and Alvin Walker II (from 1997-11 until 1998-06)
- trumpet:
- Scotty Barnhart (from 1997-11 until 1998-06), Shawn Edmonds (from 1997-11 until 1998-06), Bob Ojeda (from 1997-11 until 1998-06) and Mike Williams (from 1997-11 until 1998-06)
- woodwind:
- John Kelson (from 1997-11 until 1998-06) and Doug Miller (from 1997-11 until 1998-06)
- vocals:
- Rosemary Clooney (from 1997-11 until 1998-06)
- conductor:
- Grover Mitchell (from 1997-11 until 1998-06)
- recorded at:
- Skywalker Sound in Nicasio, California, United States (from 1997-11 until 1998-06)
- recording of:
- Lullaby of Broadway (from 1997-11 until 1998-06)
- lyricist:
- Al Dubin
- composer:
- Harry Warren (in 1935)
- publisher:
- Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- The 8th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 8)
- part of:
- 42nd Street
| | 3:20 |
| 5 | Old Devil Moon | | 4:02 |
| 6 | Everything Happens to Me | | 4:46 |
| 7 | I Want to Be a Sideman | | 4:06 |
| 8 | In the Wee Small Hours of the Morning- assistant engineer:
- Judy Kirschner
- engineer:
- Peter Doell and Leslie Ann Jones
- producer:
- John Oddo
- mixer:
- Leslie Ann Jones
- alto saxophone:
- Brad Leali (from 1997-11 until 1998-06)
- bass:
- James Leary (from 1997-11 until 1998-06)
- drums (drum set):
- Butch Miles (from 1997-11 until 1998-06)
- guitar:
- Will Matthews (from 1997-11 until 1998-06)
- reeds:
- Kenny Hing (from 1997-11 until 1998-06) and John Williams (from 1997-11 until 1998-06)
- solo tenor saxophone:
- Kenny Hing (from 1997-11 until 1998-06)
- solo trumpet:
- Shawn Edmonds (from 1997-11 until 1998-06)
- tenor saxophone:
- Gary Foster (from 1997-11 until 1998-06)
- trombone:
- Clarence Banks (from 1997-11 until 1998-06), Bill Hughes (from 1997-11 until 1998-06), David Keim (from 1997-11 until 1998-06) and Alvin Walker II (from 1997-11 until 1998-06)
- trumpet:
- Scotty Barnhart (from 1997-11 until 1998-06), Shawn Edmonds (from 1997-11 until 1998-06), Bob Ojeda (from 1997-11 until 1998-06) and Mike Williams (from 1997-11 until 1998-06)
- woodwind:
- John Kelson (from 1997-11 until 1998-06) and Doug Miller (from 1997-11 until 1998-06)
- vocals:
- Rosemary Clooney (from 1997-11 until 1998-06)
- conductor:
- Grover Mitchell (from 1997-11 until 1998-06)
- recorded at:
- Skywalker Sound in Nicasio, California, United States (from 1997-11 until 1998-06)
- recording of:
- In the Wee Small Hours of the Morning (from 1997-11 until 1998-06)
- lyricist:
- Bob Hilliard
- composer:
- David Mann
- publisher:
- Better Half Music Company, Bourne Co. , Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc.
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , ヤマハミュージックEH(CM) and 日音 Synch事業部
- part of:
- The Real Book
| | 3:56 |
| 9 | How About You- assistant engineer:
- Judy Kirschner
- engineer:
- Peter Doell and Leslie Ann Jones
- producer:
- John Oddo
- mixer:
- Leslie Ann Jones
- alto saxophone:
- Brad Leali (from 1997-11 until 1998-06)
- bass:
- James Leary (from 1997-11 until 1998-06)
- drums (drum set):
- Butch Miles (from 1997-11 until 1998-06)
- guitar:
- Will Matthews (from 1997-11 until 1998-06)
- reeds:
- Kenny Hing (from 1997-11 until 1998-06) and John Williams (from 1997-11 until 1998-06)
- solo tenor saxophone:
- Kenny Hing (from 1997-11 until 1998-06)
- tenor saxophone:
- Gary Foster (from 1997-11 until 1998-06)
- trombone:
- Clarence Banks (from 1997-11 until 1998-06), Bill Hughes (from 1997-11 until 1998-06), David Keim (from 1997-11 until 1998-06) and Alvin Walker II (from 1997-11 until 1998-06)
- trumpet:
- Scotty Barnhart (from 1997-11 until 1998-06), Shawn Edmonds (from 1997-11 until 1998-06), Bob Ojeda (from 1997-11 until 1998-06) and Mike Williams (from 1997-11 until 1998-06)
- woodwind:
- John Kelson (from 1997-11 until 1998-06) and Doug Miller (from 1997-11 until 1998-06)
- guest vocals:
- Barry Manilow (from 1997-11 until 1998-06)
- vocals:
- Rosemary Clooney (from 1997-11 until 1998-06)
- conductor:
- Grover Mitchell (from 1997-11 until 1998-06)
- recorded at:
- Skywalker Sound in Nicasio, California, United States (from 1997-11 until 1998-06)
- recording of:
- How About You? (from 1997-11 until 1998-06)
- lyricist:
- Ralph Freed
- composer:
- Burton Lane
- publisher:
- CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
- part of:
- The 15th Academy Award for Best Original Song (number: 2)
| 4 | 3:05 |
| 10 | The Man That Got Away | | 5:53 |
| 11 | Seems Like Old Times | | 2:40 |
| 12 | Guess I’ll Hang My Tears Out to Dry | | 4:21 |
| 13 | It Just Happened to Happen to Me | | 2:54 |
| 14 | I Got Rhythm | 3 | 4:10 |
| 15 | Gypsy in My Soul | | 3:42 |
| 16 | If Swing Goes I Go Too | | 3:54 |
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