A Tribute to Oscar Peterson: Live at the Town Hall

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Anything Goes
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Ray Brown (jazz bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
recording of:
Anything Goes
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Oscar Peterson5:23
2Reunion Blues
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Ray Brown (jazz bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Benny Green (jazz pianist) (on 1996-10-01) and Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
recording of:
Reunion Blues
composer:
Milt Jackson
Oscar Peterson6:37
3If Only You Knew
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Ray Brown (jazz bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Benny Green (jazz pianist) (on 1996-10-01) and Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
Oscar Peterson8:08
4Bags' Groove
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Ray Brown (jazz bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
vibraphone:
Milt Jackson (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
live recording of:
Bags’ Groove
composer:
Milt Jackson
Oscar Peterson7:25
5Willow Weep for Me
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Ray Brown (jazz bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
vibraphone:
Milt Jackson (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
Oscar Peterson6:45
6Mumbles
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Niels-Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
flugelhorn:
Clark Terry (American swing trumpeter) (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
vocals:
Clark Terry (American swing trumpeter) (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
recording of:
Mumbles (on 1996-10-01)
composer:
Clark Terry (American swing trumpeter)
Oscar Peterson4:16
7I Can't Face the Music
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Niels-Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
performer:
Shirley Horn (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
live recording of:
I Can’t Face the Music
lyricist:
Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist)
Oscar Peterson3:48
8Here's to Life
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
piano:
Shirley Horn (on 1996-10-01)
vocals:
Shirley Horn (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
live recording of:
Here’s to Life (on 1996-10-01)
lyricist:
Phyllis Molinary
composer:
Artie Butler
publisher:
Artie Butler Music (Podisuha Music Division) and Dominant Jeans Music
Shirley Horn5:10
9In a Mellow Tone
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Niels-Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
tenor saxophone:
Stanley Turrentine (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
live recording of:
In a Mellow Tone
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Oscar Peterson5:23
10My Foolish Heart
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Niels-Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
flugelhorn:
Roy Hargrove (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
live recording of:
My Foolish Heart
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Oscar Peterson5:27
11The Duke of Dubuque
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
vocals:
The Manhattan Transfer (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
The Manhattan Transfer2:17
12(Get Your Kicks on) Route 66
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Niels-Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
vocals:
The Manhattan Transfer (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
Oscar Peterson4:11
13Mack the Knife
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Niels-Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
trumpet:
Clark Terry (American swing trumpeter) (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York (Town Hall, New York City) in New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Oscar Peterson7:49