Gershwin 100

~ Release by Matt Catingub (see all versions of this release, 1 available)

Annotation

instrumental arrangements, alto sax, and piano (except perhaps for 9, 12) by Matt Catingub

Annotation last modified on 2014-01-21 07:30 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Blues for Mr. G.
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
5:16
2I Got Rhythm
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
I Got Rhythm (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:04
3They Can't Take That Away From Me
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
5:20
4Soon
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
vocals:
Matt Catingub (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
vocals arranger:
Earl Brown (composer and arranger)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
Soon (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
New World Music Corp. (in 1929)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
2:30
5I've Got a Crush on You
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
vocals:
Rosemary Clooney (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
I’ve Got a Crush on You (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
4:54
6Summertime
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (from 1997-09-08 until 1997-09-11)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:16
7Your Eyes! Your Smile!
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
3:53
8Fascinating Rhythm
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
vocals:
Matt Catingub (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
vocals arranger:
Earl Brown (composer and arranger)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
Fascinating Rhythm (for piano solo) (from 1997-09-08 until 1997-09-11)
composer:
George Gershwin (composer) (in 1924)
arranger:
George Gershwin (composer)
arrangement of:
Fascinatin’ Rhythm
part of:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
3:30
9Home Blues
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Michael Feinstein (from 1997-09-08 until 1997-09-11) and Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
vocals:
Michael Feinstein (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
recording of:
Home Blues (theme in "An American in Paris") (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin (in 1929) and Gus Kahn (in 1929)
composer:
George Gershwin (composer) (in 1928)
5:49
10But Not for Me
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
But Not for Me (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
5:33
11Lady Be Good
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
guitar:
John Pizzarelli (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
vocals:
John Pizzarelli (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
vocals arranger:
Earl Brown (composer and arranger)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
Lady, Be Good (full musical) (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
librettist:
Guy Bolton and Fred Thompson (English librettist)
4:18
12Slap That Bass
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Michael Feinstein (from 1997-09-08 until 1997-09-11) and Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
vocals:
Michael Feinstein (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
Slap That Bass (from “Shall We Dance”) (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:08
13How Long Has This Been Goin' On?
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
4:51
14The Man I Love
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
drums (drum set):
Louie Bellson (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
instrumental recording of:
The Man I Love (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
4:47
15There's a Boat That's Leavin' Soon for New York
recording engineer:
Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11)
assistant engineer:
Stephanie Glyden and Stephanie Gylden (engineer)
engineer and mixer:
Leslie Ann Jones (recording engineer)
producer:
Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff
assistant mixer:
Bob Levy
bass:
Kevin Axt (from 1997-09-08 until 1997-09-11)
percussion:
Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11)
piano:
Tom Garvin (from 1997-09-08 until 1997-09-11)
saxophone:
Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (American Woodwind player) (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11)
trombone:
Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11)
trumpet:
Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11)
vocals:
Matt Catingub (from 1997-09-08 until 1997-09-11)
arranger:
Matt Catingub
vocals arranger:
Earl Brown (composer and arranger)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11)
mixed at:
Skywalker Sound in Nicasio, California, United States
cover recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (from 1997-09-08 until 1997-09-11)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
3:39

Credits

Release

executive producer:John Burk
alto saxophone and piano:Matt Catingub (from 1997-09-08 until 1997-09-11)
vocals:Matt Catingub (from 1997-09-08 until 1997-09-11)