V8 Supercars: No Special Effects: A Full Tank of Rock 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Black Fingernails, Red WineEskimo Joe34:06
2Save the Day
assistant recording engineer and assistant engineer:
Matt Voight
recording engineer and engineer:
Lindsay Gravina (engineer & guitarist)
producer:
Lindsay Gravina (engineer & guitarist) and The Living End (Australian punk band)
mixer:
Jerry Finn
recorded at:
Sing Sing Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
mixed at:
Conway Studios in Hollywood, Los Angeles, California, United States
recording of:
Save the Day
writer:
Chris Cheney (The Living End frontman)
The Living End2.652:57
3Pump It
drum machine programming:
will.i.am (American rapper and producer)
engineer:
Tal Herzberg, Jason "Ill-Aroma" Villaroman and will.i.am (American rapper and producer)
producer:
will.i.am (American rapper and producer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass and Moog:
will.i.am (American rapper and producer)
guitar:
George Pajon, Jr.
vocals:
apl.de.ap, Fergie (American singer), Taboo (member of Black Eyed Peas) and will.i.am (American rapper and producer)
samples:
Misirlou Twist by Dick Dale and His Del‐Tones
recording of:
Pump It
writer:
apl.de.ap, Fergie (American singer), Thomas van Musser, Nicholas Roubanis (Greek American musician) and will.i.am (American rapper and producer)
is based on:
Miserlou
The Black Eyed Peas3.93:35
4Dakota
engineer:
Jim Lowe (sound engineer)
producer and mixer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) and Jim Lowe (sound engineer)
recording of:
Dakota
lyricist and composer:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:58
5Hey Jealousy
assistant engineer:
James Senter (James "Left Of" Senter, Engineer)
engineer and mixer:
John Hampton (engineer, producer)
producer:
Gin Blossoms and John Hampton (engineer, producer)
acoustic guitar:
Robin Wilson (US, guitars/vocals for Gin Blossoms and Gas Giants)
bass:
Bill Leen
drums (drum set) [drums] and percussion:
Phillip Rhodes (drummer of Gin Blossoms)
guitar:
Doug Hopkins (Gin Blossoms) and Jesse Valenzuela
mandolin:
Jesse Valenzuela
vocals:
Jesse Valenzuela and Robin Wilson (US, guitars/vocals for Gin Blossoms and Gas Giants)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (in 1992)
mixed at:
Ardent Studios in Memphis, Tennessee, United States
music videos:
Hey Jealousy by Gin Blossoms
part of:
Indie 88: Top 500 Indie Rock Songs (number: 440)
recording of:
Hey Jealousy
writer:
Doug Hopkins (Gin Blossoms)
publisher:
East Jesus Music and WB Music Corp. (1929–2019)
Gin Blossoms43:55
6If You Could Only See
recording of:
If You Could Only See
lyricist and composer:
Emerson Hart
Tonic3.34:24
7Zombie
assistant engineer and assistant producer:
Julie Gardiner (engineer)
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar and electric guitar:
Noel Hogan and Dolores O’Riordan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
keyboard and lead vocals:
Dolores O’Riordan
background vocals:
Noel Hogan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US) (in 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1993-11 until 1994-08)
mixed at:
The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 234)
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
publisher:
Island Music Ltd.
The Cranberries4.355:07
8Tomorrow
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
recorded at and engineered at:
Triple J Studios in Sydney, New South Wales, Australia
produced at:
Triple J Studios in Sydney, New South Wales, Australia
live recording of:
Tomorrow
lyricist:
Daniel Johns
composer:
Ben Gillies and Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Australia Pty Ltd. and Tinia Flab Music
Silverchair4.14:26
9All You Zombies
recording engineer:
John Agnello (engineer & producer) and William Wittman
assistant engineer:
Carol Cafiero and Dan Nash
producer:
Rick Chertoff
mixer:
William Wittman
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
All You Zombies
writer:
Eric Bazilian and Rob Hyman
The Hooters55:56
10Pretty Vegas
recording engineer:
Richard Flack (producer/engineer)
mixer:
Serban Ghenea
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Pretty Vegas
lyricist:
Marty Casey, J. D. Fortune and Jordis Unga
composer:
Andrew Farriss
INXS3.353:25
11The Boys Are Back in Town
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham and Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.254:27
12Ironic
recording engineer:
Glen Ballard and Ted Blaisdell
producer:
Glen Ballard
mixer:
Chris Fogel (engineer)
bass:
Lance Morrison
drums (drum set) and percussion:
Rob Ladd
guitar:
Glen Ballard and Basil Fung
organ:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
vocals:
Alanis Morissette
music videos:
Ironic by Alanis Morissette
recording of:
Ironic
lyricist:
Alanis Morissette
composer:
Glen Ballard and Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music and Vanhurst Place Music
part of:
Jagged Little Pill (the musical)
Alanis Morissette3.93:46
13Suffragette City
recording of:
Suffragette City
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Chrysalis Music Group Inc., Mainman Saag (New York), Tintoretto Music, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works), 渡辺音楽出版 CM事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
David Bowie3:26
14Shimmer
recorded at:
KNDD (alternative rock radio station) in Seattle, Washington, United States
recording of:
Shimmer
lyricist and composer:
Carl Bell
Fuel2.753:35
15O Yeah
recording of:
O Yeah
writer:
Justin Burford
is based on:
Where Is My Mind?
End of Fashion3:01
16Always the Sun
engineer:
Owen Morris
producer:
Mike Kemp (UK recording engineer) and The Stranglers
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
music videos:
Always the Sun by The Stranglers
recording of:
Always the Sun
writer:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
CBS Songs Ltd., Complete Music Ltd., EMI April Music Inc., EMI Music Publishing Limited (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers44:04
17Road to Nowhere
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guest accordion:
Jimmy MacDonell
guest saxophone:
Lenny Pickett
guest washboard:
Andrew Cader
guitar:
David Byrne (Talking Heads)
guitar and keyboard:
Jerry Harrison (Talking Heads)
background vocals:
Jerry Harrison (Talking Heads) and Tina Weymouth
guest background vocals:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
vocals:
David Byrne (Talking Heads)
arranger:
Byrne (Talking Heads), Frantz, Harrison (Talking Heads) and Weymouth
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, New York, United States
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher) and Index Music, Inc.
Talking Heads4.24:19
18Meant to Live
recording engineer:
John Fields (“Strawberry” – producer)
producer:
John Fields (“Strawberry” – producer) and Switchfoot
mixer:
Chris Lord‐Alge
performer:
Switchfoot
recording of:
Meant to Live
writer:
Jon Foreman and Tim Foreman
publisher:
Meadowgreen Music Company, Penny Farthing Music and Reservoir Media Music
Switchfoot43:22
19Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64)
recording of:
Call Me (in 1980-01)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc. and Sony/ATV Melody
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.253:29
20Slide in Next to Me
Red Riders33:09
CD 2

Credits

Release

ASIN:US: B000SO7IU8 [info]