Super ’70s

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
writer:
Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Rightsong Music Inc. and Unichappell Music, Inc.
Rod Stewart4.255:01
2Bennie and the Jets
engineer:
David Hentschel
producer:
Gus Dudgeon
acoustic guitar and electric guitar:
Davey Johnstone
bass guitar:
Dee Murray
drums (drum set):
Nigel Olsson
organ and piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 371)
recording of:
Bennie and the Jets (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John3.754:59
3Love Will Keep Us Together
recording engineer and mixer:
Dennis Dragon
associate producer:
Toni Tennille
producer:
The Captain
celesta, clavinet, electric bass guitar [Fender], Hammond organ, keyboard [Clavietta], Minimoog [Mini-moog], piano, synthesizer [Arp String Ensemble], synthesizer [Odyssey], wind chime and Wurlitzer electric piano:
The Captain
congas, drums (drum set) and percussion:
Hal Blaine (U.S. Studio drummer and percussionist)
violin:
Kenneth Yerke
background vocals:
Melissa Tennille and Toni Tennille
strings arranger:
Kenneth Yerke
arranger:
The Captain
phonographic copyright (℗) by:
A&M Records, Inc. (in 1975)
produced for:
Moonlight and Magnolia Productions
cover recording of:
Love Will Keep Us Together
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. and Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:21
4Turn the Beat Around
recording of:
Turn the Beat Around
writer:
Gerald Jackson (American pianist and singer with group Touch of Class) and Pete Jackson (US disco producer)
Vicki Sue Robinson53:47
5Show Me the Way
producer:
Peter Frampton
bass guitar:
Stanley Sheldon (bass player)
drums (drum set) [drums]:
John Siomos
grand piano, organ and Rhodes piano:
Bob Mayo (US session keyboardist & guitarist)
guitar:
Peter Frampton and Bob Mayo (US session keyboardist & guitarist)
talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) and Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographic copyright (℗) by:
A&M Records (in 1976)
live recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
Peter Frampton3.84:33
6That's The Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975, in 1976)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music
KC and the Sunshine Band4.23:02
7You're No Good
recording engineer:
Val Garay and David Hassinger
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set), electric piano and percussion and solo electric guitar:
Andrew Gold
electric guitar:
Ed Black
background vocals:
Clydie King and Shirley Matthews (Canadian pop singer)
strings arranger:
Gregory Rose
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 38)
cover recording of:
You’re No Good (from 1974-06 until 1974-09)
lyricist and composer:
Clint Ballard, Jr.
publisher:
Beardog Publishing and Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt53:45
8Don't Bring Me Down
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass guitar:
Kelly Groucutt (from 1979-03 until 1979-04)
clarinet and electric piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1979-03 until 1979-04)
electric guitar and lead vocals:
Jeff Lynne (from 1979-03 until 1979-04)
piano and synthesizer:
Jeff Lynne (from 1979-03 until 1979-04) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
choir vocals:
Kelly Groucutt (from 1979-03 until 1979-04) and Jeff Lynne (from 1979-03 until 1979-04)
conductor:
Louis Clark (from 1979-03 until 1979-04)
strings arranger and choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1979) and Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
recorded at:
Musicland Studios (Munich) in München, Bayern, Germany (from 1979-03 until 1979-04)
recording of:
Don’t Bring Me Down (from 1979-03 until 1979-04)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Jet Music Inc. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Electric Light Orchestra4.454:03
9Let's Get It On
producer:
Marvin Gaye and Ed Townsend
percussion:
Emil Richards
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
remix of:
Let’s Get It On (album version) by Marvin Gaye
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 46)
recording of:
Let’s Get It On
writer:
Marvin Gaye and Ed Townsend
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye44:53
10Best Of My Love
producer:
Al McKay
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recording of:
Best of My Love
writer:
Al McKay and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:41
11I’ll Take You There
edit of:
I’ll Take You There by The Staple Singers
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 186) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 276)
recording of:
I’ll Take You There
lyricist and composer:
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers53:15
12Le Freak
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 26)
recording of:
Le Freak
writer:
Bernard Edwards and Nile Rodgers
publisher:
Sony Songs Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4:18
13Jackie Blue
producer:
David Anderle and Glyn Johns
recording of:
Jackie Blue
writer:
Steve Cash and Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
The Ozark Mountain Daredevils4:10
14I Can See Clearly Now
producer:
Johnny Nash
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
recording of:
I Can See Clearly Now (in 1972)
lyricist and composer:
Johnny Nash
publisher:
Cayman Music, CP Masters B V, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Johnny Nash4.22:44
15Theme from "Shaft"
edit of:
Theme From Shaft by Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 44)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:16
16Two Out Of Three Ain't Bad
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 30)
recording of:
Two Out of Three Ain’t Bad
lyricist and composer:
Jim Steinman
Meat Loaf3:58
▼ CD 2
#TitleArtistRatingLength
1My Sharona
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger (in The Knack)
The Knack4:54
2YMCA
executive producer:
Henri Belolo
producer:
Jacques Morali
recording of:
Y.M.C.A.
lyricist:
Victor Edward Willis
composer:
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") and Zomba Music Publishing Ltd.
Village People4.153:43
3What A Fool Believes
additional engineer:
Loyd Clifft
engineer:
Donn Landee
producer:
Ted Templeman
additional congas and additional vocals:
Bobby LaKind (in 1978-08)
additional synthesizer:
Bill Payne (in 1978-08)
bass guitar:
Tiran Porter (in 1978-08)
drums (drum set):
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
guitar:
Jeff “Skunk” Baxter (in 1978-08) and Patrick Simmons (in 1978-08)
keyboard and lead vocals:
Michael McDonald (R&B & soul singer) (in 1978-08)
synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) and Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1978-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 343)
recording of:
What a Fool Believes (in 1978-08)
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and 日音 Synch事業部
The Doobie Brothers43:41
4I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.83:16
5Shambala
recording of:
Shambala
lyricist and composer:
Daniel Moore (producer, songwriter and vocalist)
Three Dog Night4.353:25
6Brick House
producer:
James Anthony Carmichael
recording of:
Brick House (original version)
lyricist:
William King (member of Commodores), Walter Orange and Lionel Richie
composer:
Ronald LaPread, Thomas McClary, Lionel Richie and Milan Williams
publisher:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Commodores3.83:32
7Hello It's Me
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren53:50
8December 1963 (Oh, What A Night)
recording engineer:
Steve Maslow
producer:
Bob Gaudio
mixer:
Val Garay
bass:
Don Ciccone
drums (drum set):
Gerry Polci
guitar:
John Paiva
keyboard:
Bob Gaudio and Lee Shapiro
piano:
Bob Gaudio
vocals:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci and John Paiva
brass [horns] arranger and strings arranger:
Lee Shapiro
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States
recording of:
December, 1963 (Oh, What a Night)
lyricist:
Bob Gaudio and Judy Parker
composer:
Bob Gaudio
publisher:
EMI Songs, Jobete Music Co., Inc. and Seasons Music Co.
The Four Seasons3.653:33
9Lady Marmalade
producer:
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1974)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 479)
cover recording of:
Lady Marmalade
writer:
Bob Crewe and Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Kenny Nolan Publishing and Pathe Publications (Far East) Limited
LaBelle3.353:56
10Can't Get Enough Of Your Love Babe
phonographic copyright (℗) by:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1974)
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White3:22
11I'm Not In Love
bass and guitar:
Graham Gouldman
effects [musical effects]:
Eric
electric piano and lead vocals:
Eric Stewart
Moog:
Kevin Godley
piano:
Lol Creme
synclavier [control desk]:
Eric, Graham, Kevin and Lol
background vocals:
Lol Creme, Kevin Godley and Graham Gouldman
edit of:
I’m Not in Love (album version) by 10cc
recording of:
I’m Not in Love (in 1975)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing (do not use as a release label!), Schubert Music Publishing, St. Anne's Music, St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1975)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
10cc43:46
12Stuck In The Middle With You
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd and PolyGram Music Publishing Ltd.
Stealers Wheel4.053:24
13Don't Leave Me This Way
producer:
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright
edit of:
Don’t Leave Me This Way by Thelma Houston
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 355)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston53:37
14Back Stabbers
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
performer:
MFSB (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Back Stabbers (in 1972)
writer:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden and John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.853:04
15Ramblin' Man
engineer:
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks and Buddy Thornton
producer:
The Allman Brothers Band and Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1972-10)
congas:
Jai Johanny Johanson (in 1972-10)
drums (drum set):
Jai Johanny Johanson (in 1972-10) and Butch Trucks (in 1972-10)
guitar:
Les Dudek (in 1972-10)
guitar [lead guitar] and lead vocals:
Dickey Betts (in 1972-10)
organ:
Gregg Allman (in 1972-10)
piano and background vocals:
Gregg Allman (in 1972-10) and Chuck Leavell (in 1972-10)
vocals:
Gregg Allman (in 1972-10)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
recorded at:
Capricorn Sound Studio in Macon, Georgia, United States (in 1972-10)
recording of:
Ramblin’ Man (in 1972-10)
lyricist and composer:
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc. and Warner Chappell Music, Inc.
The Allman Brothers Band4.54:47
16American Pie (Part 1)
recording of:
American Pie
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Publishing Ltd., Songs of Universal, Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Don McLean4:06