Don Giovanni

~ Release by Mozart; Eberhard Wächter, Joan Sutherland, Luigi Alva, Gottlob Frick, Elisabeth Schwarzkopf, Giuseppe Taddei, Piero Cappuccilli, Graziella Sciutti, Philharmonia Orchestra & Chorus, Carlo Maria Giulini (see all versions of this release, 10 available)

Tracklist

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▼ CD 1
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1Don Giovanni, K. 527: Sinfonia
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Ouvertura (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart6:16
2Don Giovanni, K. 527: Atto I, Scena I. Introduzione "Notte e giorno faticar" (Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:40
3Don Giovanni, K. 527: Atto I, Scena I. Introduzione "Non sperar, se non m'uccidi" (Donna Anna, Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:22
4Don Giovanni, K. 527: Atto I, Scena I. Introduzione "Lasciala, indegno!" (Commendatore, Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:02
5Don Giovanni, K. 527: Atto I, Scena I. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Leporello, ove sei?” (Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:28
6Don Giovanni, K. 527: Atto I, Scena I. Recitativo "Ah! Del padre in periglio"
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:35
7Don Giovanni, K. 527: Atto I, Scena I. Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:02
8Don Giovanni, K. 527: Atto I, Scena II. Recitativo "Orsù, spicciam presto" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:15
9Don Giovanni, K. 527: Atto I, Scena II. Aria "Ah, chi mi dice mai"
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:25
10Don Giovanni, K. 527: Atto I, Scena II. Recitativo "Chi è là?" (Donna Elvira, Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:28
11Don Giovanni, K. 527: Atto I, Scena II. Aria "Madamina, il catalogo è questo" (Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:28
12Don Giovanni, K. 527: Atto I, Scena II. Recitativo "In questa forma" (Donna Elvira)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “In questa forma dunque” (Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:28
13Don Giovanni, K. 527: Atto I, Scena III. Coro "Giovinette, che fate all'amore" (Zerlina, Coro, Masetto)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:30
14Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Manco male è partita" (Don Giovanni, Leporello, Zerlina, Masetto)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:01
15Don Giovanni, K. 527: Atto I, Scena III. Aria "Ho capito, signor, sì!" (Masetto)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:38
16Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Alfin siam liberati"
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:35
17Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Don Giovanni]:
Eberhard Wächter (baritone) (from 1959-10-07 until 1959-11-24)
soprano vocals [Zerlina]:
Graziella Sciutti (soprano) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:13
18Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Fermati, scellerato!" (Donna Elvira, Zerlina, Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:37
19Don Giovanni, K. 527: Atto I, Scena III. Aria "Ah! fuggi il traditor" (Donna Elvira)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Donna Elvira]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:18
20Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Mi par ch'oggi il demonio si diverta"
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:52
21Don Giovanni, K. 527: Atto I, Scena III. Quartetto "Non ti fidar, o misera" (Don Giovanni, Don Ottavio, Donna Anna, Donna Elvira)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:58
22Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Povera sventurata!" (Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo "Povera sventurata!" (Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:18
23Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:49
24Don Giovanni, K. 527: Atto I, Scena III. Aria "Or sai chi l'onore" (Donna Anna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:51
25Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Come mai creder deggio"
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:24
26Don Giovanni, K. 527: Atto I, Scena III. Aria "Dalla sua pace" (Don Ottavio)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:22
27Don Giovanni, K. 527: Atto I, Scena III. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:21
28Don Giovanni, K. 527: Atto I, Scena III. Aria "Finch'han dal vino" (Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:22
▼ CD 2
#TitleArtistRatingLength
1Don Giovanni, K. 527: Atto I, Scena IV. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:00
2Don Giovanni, K. 527: Atto I, Scena IV. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Zerlina]:
Graziella Sciutti (soprano) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:47
3Don Giovanni, K. 527: Atto I, Scena IV. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:34
4Don Giovanni, K. 527: Atto I, Scena IV. "Presto, presto, pria ch'ei venga"
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:49
5Don Giovanni, K. 527: Atto I, Scena IV. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:30
6Don Giovanni, K. 527: Atto I, Scena IV. No. 13 Finale "Bisogna aver coraggio" (Donna Anna, Donna Elivira, Don Ottavio, Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:08
7Don Giovanni, K. 527: Atto I, Scena IV. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:21
8Don Giovanni, K. 527: Atto I, Scena V. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:19
9Don Giovanni, K. 527: Atto I, Scena V. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:13
10Don Giovanni, K. 527: Atto I, Scena V. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:33
11Don Giovanni, K. 527: Atto I, Scena V. No. 13 Finale "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto I. “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:09
12Don Giovanni, K. 527: Atto II, Scena I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:06
13Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:35
14Don Giovanni, K. 527: Atto II, Scena I. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:51
15Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Amico che ti par?" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:47
16Don Giovanni, K. 527: Atto II, Scena I. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Don Giovanni]:
Eberhard Wächter (baritone) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:51
17Don Giovanni, K. 527: Atto II, Scena I. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:06
18Don Giovanni, K. 527: Atto II, Scena I. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:13
19Don Giovanni, K. 527: Atto II, Scena I. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) / Atto II, Scena VI. Recitativo "Ahi ahi! la testa mia" (Masetto, Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:39
20Don Giovanni, K. 527: Atto II, Scena I. No. 18 Aria "Vedrai, carino" (Zerlina)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:15
21Don Giovanni, K. 527: Atto II, Scena II. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:21
22Don Giovanni, K. 527: Atto II, Scena II. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:24
23Don Giovanni, K. 527: Atto II, Scena II. Quintetto "Mille torbidi pensieri" (Donna Elvira, Donna Anna, Leporello, Masetto, Don Ottavio)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
partial recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:24
24Don Giovanni, K. 527: Atto II, Scena II. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:19
25Don Giovanni, K. 527: Atto II, Scena II. No. 20 Aria "Ah pietà, signori miei" (Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:52
26Don Giovanni, K. 527: Atto II, Scena II. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:30
27Don Giovanni, K. 527: Atto II, Scena II. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Don Ottavio]:
Luigi Alva (tenor) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:38
28Don Giovanni, K. 527: Atto II, Scena II. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) [540c/1]
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart1:48
29Don Giovanni, K. 527: Atto II, Scena II. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2]
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart3:46
▼ CD 3
#TitleArtistRatingLength
1Don Giovanni, K. 527: Atto II, Scena III. "Ah, ah, ah, questa è buona..." (Don Giovanni, Leporello, Statue)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:38
2Don Giovanni, K. 527: Atto II, Scena III. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:37
3Don Giovanni, K. 527: Atto II, Scena IV. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:37
4Don Giovanni, K. 527: Atto II, Scena IV. Recitativo "Crudele? Ah no, mio bene!" (Donna Anna)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:51
5Don Giovanni, K. 527: Atto II, Scena IV. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Donna Anna]:
Joan Sutherland (soprano) (from 1959-10-07 until 1959-11-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:01
6Don Giovanni, K. 527: Atto II, Scena IV. Recitativo "Ah, si segua il suo passo" (Don Ottavio)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, si segua il suo passo” (Don Ottavio) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:13
7Don Giovanni, K. 527: Atto II, Scena V. Finale "Già la mensa è preparata" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:36
8Don Giovanni, K. 527: Atto II, Scena V. Finale "L'ultima prova dell'amor mio" (Donna Elvira, Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:15
9Don Giovanni, K. 527: Atto II, Scena V. Finale "Che grido è questo mai?" (Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. “Che grido è questo mai” … “Ah signor per carità” (Donna Elvira, Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer) and Giuseppe Verdi (Italian opera composer)
librettist:
Lorenzo Da Ponte and Temistocle Solera
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:15
10Don Giovanni, K. 527: Atto II, Scena V. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
partial recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:20
11Don Giovanni, K. 527: Atto II, Scena V. Finale "Da qual tremore insolito" (Don Giovanni, Chorus, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
partial recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:06
12Don Giovanni, K. 527: Atto II, Scena V. Epilogo "Ah, dov'è il perfido?" (Tutti)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:40
13Don Giovanni, K. 527: Atto II, Scena V. Epilogo "Or che tutti, o mio tesoro" (Tutti)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. “Or che tutti, o mio tesoro” … “Resti dunque quel birbon” (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:23
14Don Giovanni, K. 527: Atto II, Scena V. Epilogo "Resti dunque quel birbon" (Zerlina, Masetto, Leporello)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
partial recording of:
Don Giovanni: Atto II. “Or che tutti, o mio tesoro” … “Resti dunque quel birbon” (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:34
15Don Giovanni, K. 527: Atto II, Scena V. Epilogo "Questo è il fin" (Tutti)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24)
conductor:
Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) (from 1959-10-07 until 1959-11-24)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:39

Credits

Release

manufactured in:Holland, Kingdom of the Netherlands
printed in:Holland, Kingdom of the Netherlands
remastering:Andrew Walter (engineer) (in 1997)
chorus master:Roberto Benaglio (conductor) (from 1959-10-07 until 1959-11-24)
choir vocals:Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-10-07 until 1959-11-24)
copyrighted (©) by:EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1992)
phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
remastered at:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997)
remastered versions:Don Giovanni by Mozart (classical composer); Eberhard Wächter (baritone), Joan Sutherland (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Giuseppe Taddei (baritone), Luigi Alva (tenor), Piero Cappuccilli (baritone), Graziella Sciutti (soprano), Gottlob Frick (operatic bass), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) & Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Carlo Maria Giulini (conductor) (in 2002)
Don Giovanni by Mozart (classical composer); Eberhard Wächter (baritone), Joan Sutherland (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Giuseppe Taddei (baritone), Luigi Alva (tenor), Piero Cappuccilli (baritone), Graziella Sciutti (soprano), Gottlob Frick (operatic bass), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) & Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Carlo Maria Giulini (conductor) (in 2002)
Don Giovanni by Mozart (classical composer); Eberhard Wächter (baritone), Joan Sutherland (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Graziella Sciutti (soprano), Giuseppe Taddei (baritone), Luigi Alva (tenor), Gottlob Frick (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Carlo Maria Giulini (conductor) (in 2002)
Discogs:https://www.discogs.com/release/8330050 [info]
ASIN:UK: B000002RXD [info]
US: B000002RXD [info]