Handel Edition

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Water Music
▶ CD 2: Music for the Royal Fireworks; Sinfonias
▶ CD 3: Concerti grossi Op. 3
▶ CD 4: Concerti grossi Op. 6 Nos. 1-4
▶ CD 5: Concerti grossi Op. 6 Nos. 5-8
▶ CD 6: Concerti grossi Op. 6 Nos. 9-12
▶ CD 7: Concerti a due cori
▶ CD 8: Organ Concertos I
▶ CD 9: Organ Concertos II; Harp Concerto
▶ CD 10: Organ Concertos III
▶ CD 11: Organ Concertos IV
▶ CD 12: Organ Concertos V
▶ CD 13: Oboe Concertos; Suite in G minor (ed.); Overture to Otho
▶ CD 14: Flute Sonatas
▶ CD 15: Violin and Oboe Sonatas
▶ CD 16: Trio Sonatas I - Op. 2
▶ CD 17: Trio Sonatas II - Op. 5
▶ CD 18: Trio Sonatas III
▶ CD 19: Recorder Sonatas
▶ CD 20: Suites de pièces pour le clavecin I
▶ CD 21: Suites de pièces pour le clavecin II
▶ CD 22: Suites de pièces pour le clavecin III
▶ CD 23: Suites de pièces pour le clavecin IV
▶ CD 24: Harpsichord Music I
▶ CD 25: Harpsichord Music II
▶ CD 26: Harpsichord Music III
▶ CD 27: Harpsichord Music IV
▶ CD 28: Romantic Organ Transcriptions
▶ CD 29: Nine German Arias
▶ CD 30: Cantatas for soprano solo I
▶ CD 31: Cantatas for soprano solo II
▶ CD 32: Cantatas for soprano solo III; Cantata "Arresta il passo" for two sopranos
▶ CD 33: Cantatas for soprano solo IV
▶ CD 34: Cantatas for soprano solo V
▶ CD 35: Italian Duets
▶ CD 36: The Alchemist; Apollo e Dafne
▶ CD 37: Aci, Galatea e Polifemo (beginning)
▶ CD 38: Aci, Galatea e Polifemo (conclusion)
▶ CD 39: Alexander's Feast (beginning)
▶ CD 40: Alexander's Feast (conclusion); Ode for the Birthday of Queen Anne
▶ CD 41: Coronation Anthems
▶ CD 42: Dettingen Te Deum
▶ CD 43: Friedensode; Utrechter Te Deum
▶ CD 44: Ode for St. Cecilia's Day
▶ CD 45: Messiah (beginning)
▶ CD 46: Messiah (conclusion)
▶ CD 47: La Resurrezione (beginning)
▶ CD 48: La Resurrezione (conclusion)
▶ CD 49: Jephtha (beginning)
▶ CD 50: Jephtha (continuation)
▶ CD 51: Jephtha (conclusion)
▶ CD 52: Israel in Egypt (beginning)
▶ CD 53: Israel in Egypt (conclusion)
▶ CD 54: Judas Maccabaeus (beginning)
▶ CD 55: Judas Maccabaeus (conclusion)
▶ CD 56: Samson (beginning)
▼ CD 57: Samson (conclusion)
#TitleRatingLength
1Samson, HWV 57: 22. Act 2 "To fleeting pleasures make your court" [Dalila]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Air. To Fleeting Pleasures Make Your Court (Delilah)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act II
2:32
2Samson, HWV 57: 23. Act 2 "Ne'er think of that! I know thy warbling charms" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Recitative, Duet and Recitative. Ne’er Think of That! (Samson/Delilah). Traitor to Love! (Delilah/Samson). She’s Gone! (Micah/Samson)
part of:
Samson, HWV 57: Act II
3:16
3Samson, HWV 57: 24. Act 2 "Favour'd of heaven is he, who finds one true" [Samson]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Recitative and Chorus. Favoured of Heaven Is He (Samson). To Man God’s Universal Law
part of:
Samson, HWV 57: Act II
3:06
4Samson, HWV 57: 25. Act 2 "No words of peace, no voice enchanting fear" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Recitative. No Words of Peace (Micah/Harapha/Samson)
part of:
Samson, HWV 57: Act II
1:47
5Samson, HWV 57: 26. Act 2 "Honour and arms scorn such a foe" [Harapha]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Air. Honour and Arms Scorn Such a Foe (Harapha)
part of:
Samson, HWV 57: Act II
4:33
6Samson, HWV 57: 27. Act 2 "Cam'st thou for this, vain boaster?" [Samson, Harapha]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Recitative and Duet. Cam’st Thou for This, Vain Boaster? (Samson/Harapha). Go, Baffled Coward, Go (Samson/Harapha)
part of:
Samson, HWV 57: Act II
3:05
7Samson, HWV 57: 28. Act 2 "Here lies the proof" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 2: Recitative and Chorus. Here Lies the Proof (Micah). Hear, Jacob’s God, Jehovah
part of:
Samson, HWV 57: Act II
3:43
8Samson, HWV 57: 29. Act 2 "Dagon, arise! attend thy sacred feast!" [Harapha]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II, no. 66. "To song and dance we give the day"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Samson, HWV 57: Act II
2:19
9Samson, HWV 57: 30. Act 2 "Fix'd in his everlasting seat" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act II, no. 67. "Fix'd in His everlasting seat"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Samson, HWV 57: Act II
3:48
10Samson, HWV 57: 31. Act 3 "More trouble is behind" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 3: Recitative and Air. More Trouble Is Behind (Micah/Harapha/Samson). Presuming Slave, to Move Their Wrath (Harapha)
part of:
Samson, HWV 57: Act III
4:13
11Samson, HWV 57: 32. Act 3 "Reflect then, Samson, matters now are strain'd" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 3: Recitative and Chorus. Reflect Then (Micah/Harapha/Samson). With Thunder Arm’d, Great God, Arise!
part of:
Samson, HWV 57: Act III
2:56
12Samson, HWV 57: 33. Act 3 "Be of good courage" [Samson, Micah, Harapha]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III, no. 77. "Be of Good Courage"
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
6:15
13Samson, HWV 57: 34. Act 3 "With might endued, above the sons of men" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 3: Recitative, Air and Chorus. With Might Endowed Above the Sons of Men (Micah). The Holy One of Israel Be Thy Guide (Micah). To Fame Immortal Go
part of:
Samson, HWV 57: Act III
3:04
14Samson, HWV 57: 35. Act 3 "Old Manoah, with youthful steps, makes haste to find his son" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 3: Recitative, Air and Chorus. Old Manoa, with Youthful Steps, Makes Haste (Mica/Manoah). Great Dagon Has Subdued Our Foe (Philistine Woman)
part of:
Samson, HWV 57: Act III
5:17
15Samson, HWV 57: 36. Act 3 "What noise of joy was that?" [Manoah, Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 3: Recitative and Air. What Noise of Joy Was That? (Manoah/Micah). How Willing My Paternal Love (Manoah)
part of:
Samson, HWV 57: Act III
3:51
16Samson, HWV 57: 37. Act 3 "Your hopes of his deliv'ry seem not vain" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 3: Recitative, Symphony, Recitative and Chorus. Your Hopes of His Deliv’ry Seem Not Vain (Micah/Manoah) Hear Us, Our God!
part of:
Samson, HWV 57: Act III
1:59
17Samson, HWV 57: 38. Act 3 "Noise call you this? an universal groan" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 3: Recitative. Noise Call You This? Micah/Manoah/Messenger
part of:
Samson, HWV 57: Act III
2:06
18Samson, HWV 57: 39. Act 3 "Ye sons of Israel, now lament" [Micah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 3: Air and Chorus. Ye Sons of Israel, Now Lament (Micah). Weep, Israel
part of:
Samson, HWV 57: Act III
3:52
19Samson, HWV 57: 40. Act 3 Dead March
harpsichord and organ:
Dr. Alexander Schreiner
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
recording of:
Samson, HWV 57, Pt. 3: Funeral March
part of:
Samson, HWV 57: Act III
2:15
20Samson, HWV 57: 41. Act 3 "The body comes" [Micah, Manoah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57, Pt. 3: Recitative and Chorus. The Body Comes (Micah). Glorious Hero, May Thy Grave Peace (Manoah). The Virgins Too (Israelite Woman). Bring the Laurels
part of:
Samson, HWV 57: Act III
6:39
21Samson, HWV 57: 42. Act 3 "Come, come! no time for lamentation" [Manoah]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III, no. 107. “Let the Bright Seraphim” (Israelite Woman)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
3:36
22Samson, HWV 57: 43. Act 3 "Let their celestial concerts all unite" [Chorus]
harpsichord and organ:
Dr. Alexander Schreiner
baritone vocals [Manoah]:
Roy Samuelsen (bass-baritone)
bass vocals [Harapha]:
Malcolm Smith (bass)
choir vocals:
University of Utah Symphonic Chorus
contralto vocals [Micah]:
Louise Parker (operatic contralto)
soprano vocals [Deliliah / Philistine Woman / Israelite Woman]:
Phyllis Curtin (soprano)
tenor vocals [A Messenger]:
Kenny Whitelock (tenor)
tenor vocals [Samson]:
Jan Peerce (operatic tenor)
orchestra:
Utah Symphony
conductor:
Maurice Abravanel (conductor)
chorus master:
Dr. Newell B. Weight
recording of:
Samson, HWV 57: Act III, no. 108. “Let Their Celestial Concerts All Unite”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Samson, HWV 57: Act III
2:44
▶ CD 58: Theodora (beginning)
▶ CD 59: Theodora (conclusion)
▶ CD 60: Saul (beginning)
▶ CD 61: Saul (conclusion)
▶ CD 62: Solomon (beginning)
▶ CD 63: Solomon (conclusion)
▶ CD 64: Semele (beginning)
▶ CD 65: Semele (conclusion)