Don Giovanni

~ Release by Mozart; Sherrill Milnes, Peter Schreier, Anna Tomowa‐Sintow, Karl Böhm (see all versions of this release, 1 available)

Annotation

Live recording from the 1977 Salzburg Festival.
3 disc set.
Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm conductor.
Don Giovanni (Sherrill Milnes), Il Commendatore (John Macurdy), Donna Anna (Anna Tomowa-Sintow), Don Ottavio (Peter Schreier), Donna Elvira (Teresa Zylis-Gara), Leporello (Walter Berry), Masetto (Dale Duesing), Zerlina (Edith Mathis).

Live recording from the 1977 Salzburg Festival.
3 disc set.
Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm conductor.
Don Giovanni (Sherrill Milnes), Il Commendatore (John Macurdy), Donna Anna (Anna Tomowa-Sintow), Don Ottavio (Peter Schreier), Donna Elvira (Teresa Zylis-Gara), Leporello (Walter Berry), Masetto (Dale Duesing), Zerlina (Edith Mathis).

Live recording from the 1977 Salzburg Festival.
3 disc set.
Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm conductor.
Don Giovanni (Sherrill Milnes), Il Commendatore (John Macurdy), Donna Anna (Anna Tomowa-Sintow), Don Ottavio (Peter Schreier), Donna Elvira (Teresa Zylis-Gara), Leporello (Walter Berry), Masetto (Dale Duesing), Zerlina (Edith Mathis).

Annotation last modified on 2010-11-26 00:03 UTC.

Tracklist

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CD 1
#TitleArtistRatingLength
1Don Giovanni: Ouvertura
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Ouvertura (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart6:18
2Don Giovanni: N. 1 Introduzione: Notte e giorno faticar
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass vocals [Il Commendatore]:
John Macurdy (operatic bass) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:02
3Don Giovanni: Recitativo: Leporello, ove sei?
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Leporello, ove sei?” (Don Giovanni, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:31
4Don Giovanni: Recitativo: Ah! Del padre in periglio
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:12
5Don Giovanni: N. 2 Recitativo accompagnato e Duetto: Ma qual mai s'offre, o Dei
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:52
6Don Giovanni: Fuggi, crudele, fuggi
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:31
7Don Giovanni: Recitativo: Orsù, spicciati presto
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:33
8Don Giovanni: N. 3 Aria: Ah! Chi mi dice mai
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:46
9Don Giovanni: Recitativo: Chi è là? - Stelle! Che vedo!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:59
10Don Giovanni: N. 4 Aria: Madamina, il catalogo è questo
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:35
11Don Giovanni: N. 5 Coro: Giovinette, che fate all'amore
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
choir vocals:
Chor der Wiener Staatsoper (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:34
12Don Giovanni: Recitativo: Manco male è partita
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:17
13Don Giovanni: N. 6 Aria: Ho capito, signor sì
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:38
14Don Giovanni: Recitativo: Alfin siam liberati
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:01
15Don Giovanni: N. 7 Duettino: Là ci darem la mano
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Don Giovanni]:
Sherrill Milnes (baritone) (in 1978)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
soprano vocals [Zerlina]:
Edith Mathis (soprano) (from 1977-07 until 1977-08, in 1978)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08, in 1978)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08, in 1978)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1978)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:41
16Don Giovanni: Recitativo: Fermati, scellerato!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:47
17Don Giovanni: N. 8 Aria: Ah, fuggiil traditor
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
18Don Giovanni: Recitativo: Mi par ch'oggi il demonio si diverta
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:12
19Don Giovanni: N. 9 Quartetto: Non ti fidar, o misera
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:27
20Don Giovanni: Recitativo: Povera Sventurata!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo "Povera sventurata!" (Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:25
21Don Giovanni: N. 10 Recitativo accompagnato ed Aria: Don Ottavio, son morta!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:23
22Don Giovanni: Or sai chi l'onore
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:14
23Don Giovanni: N. 10a Aria [KV 540a]: Dalla sua pace
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:54
24Don Giovanni: Recitativo: Io deggio ad ogni patto
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:36
25Don Giovanni: N. 11 Aria: Fin ch'han dal vino
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:45
CD 2
#TitleArtistRatingLength
1Don Giovanni: Recitativo: Masetto, senti un po'!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
2Don Giovanni: N. 12 Aria: Batti, batti, o bel Masetto
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:59
3Don Giovanni: Recitativo: Guarda un po' come seppe
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:34
4Don Giovanni: N. 13 Finale I: Presto, presto, pria ch´ei venga
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:02
5Don Giovanni: Tra quest'arbori celata
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:37
6Don Giovanni: Bisogna aver coraggio
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:52
7Don Giovanni: Riposate, vezzose ragazze!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart11:12
8Don Giovanni: N. 14 Duetto: Eh via, buffone, non mi seccar
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:08
9Don Giovanni: Recitativo: Leporello! - Signore
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:46
10Don Giovanni: N. 15 Terzetto: Ah! Taci, ingiusto core
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:18
11Don Giovanni: Recitativo: Amico, che ti par?
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:04
12Don Giovanni: N. 16 Canzonetta: Deh, vieni alla finestra
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:07
13Don Giovanni: Recitativo: V'è gente alla finestra!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:08
14Don Giovanni: N. 17 Aria: Metà di voi qua vadano
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:58
15Don Giovanni: Recitativo: Zitto! Lascia ch'io senta
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:52
16Don Giovanni: Recitativo: Ahi! Ahi! La testa mia!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Ahi ahi! la testa mia” (Masetto, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:43
17Don Giovanni: N. 18 Aria: Vedrai, carino
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:12
18Don Giovanni: Recitativo: Di molte faci il lume
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:31
19Don Giovanni: N. 19 Sestetto: Sola, sola, in buio loco
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart8:25
CD 3
#TitleArtistRatingLength
1Don Giovanni: Recitativo: Dunque quello sei tu
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:21
2Don Giovanni: N. 20 Aria: Ah, pietà, signori miei
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:44
3Don Giovanni: Recitativo: Ferma, perfido, ferma!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:44
4Don Giovanni: N. 21a Aria: Il mio tesoro intanto
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:02
5Don Giovanni: N. 21b Recitativo accompagnato ed Aria [KV 540c]: In quali eccessi, o Numi
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart2:05
6Don Giovanni: Mi tradì quell'alma ingrata
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart4:37
7Don Giovanni: Recitativo: Ah, ah, ah, ah, questa è buona!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass vocals [Il Commendatore]:
John Macurdy (operatic bass) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:28
8Don Giovanni: N. 22 Duetto: O statua gentilissima
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:40
9Don Giovanni: Recitativo: Calmatevi, idol mio
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:53
10Don Giovanni: N. 23 Recitativo accompagnato e Rondo: Crudele! Ah no, mio bene!
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:55
11Don Giovanni: Non mi dir, bell'idol mio
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:38
12Don Giovanni: N. 24 Finale II: Già la mensa è preparata
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:01
13Don Giovanni: L'ultima prova dell'amor mio
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:50
14Don Giovanni: Don Giovanni, a cenar teco m'invitasti
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass vocals [Il Commendatore]:
John Macurdy (operatic bass) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
choir vocals:
Chor der Wiener Staatsoper (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart8:12
15Don Giovanni: Ah! Dov´è il perfido
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass-baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:29