The Complete Columbia Recordings 1949–1953

~ Release by Sarah Vaughan (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleRatingLength
1Black Coffee
lead vocals:
Sarah Vaughan (on 1949-01-20)
orchestra:
Joe Lipman & His Orchestra (on 1949-01-20)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
recording of:
Black Coffee (1948 song) (on 1949-01-20)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
5?:??
2Bianca
cover recording of:
Bianca (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer)
part of:
Kiss Me, Kate (musical)
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3As You Desire Me
cover recording of:
As You Desire Me
lyricist and composer:
Allie Wrubel (US composer and songwriter)
publisher:
Essex Music, Inc. and Words & Music, Inc. (US work publisher)
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4While You Are Gone?:??
5Tonight I Shall Sleep
recording of:
Tonight I Shall Sleep (With a Smile on My Face)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Gordon (US songwriter)
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6That Lucky Old Sun?:??
7Give Me a Song?:??
8Make Believe
cover recording of:
Make Believe (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
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9You Taught Me to Love Again
cover recording of:
You Taught Me to Love Again
lyricist:
Charles Carpenter
composer:
Tommy Dorsey (Swing trombone player & band leader) and William Henri Woode
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10Just Friends
vocals:
Sarah Vaughan (on 1949-07-07)
cover recording of:
Just Friends (on 1949-07-07)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
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11Lonely Girl
cover recording of:
Lonely Girl
writer:
Bobby Troup
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12You Say You Care
cover recording of:
You Say You Care (Gentlemen Prefer Blondes)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jule Styne
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
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13Fool’s Paradise
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14I Cried for You?:??
15You’re Mine, You
cover recording of:
You’re Mine, You
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
?:??
16I’m Crazy to Love You
recording of:
I’m Crazy to Love You
writer:
Larry Marino, Kay Werner (Songwriter, along with her sister Sue) and Sue Werner (Songwriter, along with her sister Kay)
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17Summertime
vocals:
Sarah Vaughan (on 1949-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1949-12-21)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
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18The Nearness of You
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
vocals:
Sarah Vaughan
cover recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
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19Our Very Own
cover recording of:
Our Very Own
lyricist:
Jack Elliott (1914-1972 US film songwriter mostly Westerns, aka Jack Ellott)
composer:
Victor Young (American composer, arranger, violinist & conductor)
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20Don’t Be Afraid
recording of:
Don’t Be Afraid
writer:
Lionel Newman
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21Ain’t Misbehavin’
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
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22Goodnight My Love
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell & His All Stars (on 1950-05-18)
cover recording of:
Goodnight, My Love (1936) (on 1950-05-18)
lyricist:
Harry Revel (British-born American composer)
composer:
Mack Gordon
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23Can’t Get Out of This Mood
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
solo clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
solo tenor saxophone:
Budd Johnson (on 1950-05-18)
solo trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
recording of:
Can’t Get Out of This Mood (on 1950-05-18)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
cover recording of:
Can’t Get Out of This Mood
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
?:??
24It Might as Well Be Spring
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1950-05-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 18)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair
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CD 2
#TitleRatingLength
1Mean to Me
bass:
Billy Taylor Jr. (jazz bassist)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor)
drums (drum set):
J.C. Heard
electric guitar:
Mundell Lowe
piano:
Jimmy Jones (jazz pianist, active years 1936-1975)
solo tenor saxophone:
Budd Johnson
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
trombone:
Bennie Green (jazz trombonist)
vocals:
Sarah Vaughan
cover recording of:
Mean to Me
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
?:??
2Come Rain or Come Shine
recorded in:
New York, New York, United States
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo electric guitar:
Mundell Lowe
solo tenor saxophone:
Budd Johnson
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Come Rain or Come Shine (on 1950-05-19)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
?:??
3Nice Work If You Can Get It
recorded in:
New York, New York, United States (on 1950-05-19)
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
George Treadwell & His All Stars and with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
?:??
4East of the Sun
cover recording of:
East of the Sun (and West of the Moon)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
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5I Love the Guy
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6Thinking of You
cover recording of:
Thinking of You
lyricist:
Bert Kalmar (in 1929)
composer:
Harry Ruby (in 1929)
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7Perdido
cover recording of:
Perdido (with lyrics)
lyricist:
Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
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8Whippa‐Whippa‐Woo?:??
9I’ll Know
recording of:
I’ll Know (from “Guys and Dolls”)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
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10De Gas Pipe She’s Leakin’ Joe?:??
11Ave Maria
?:??
12City Called Heaven
?:??
13Deep Purple
cover recording of:
Deep Purple
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
?:??
14These Things I Offer You?:??
15Vanity
bass:
George Duvivier
guitar:
Mundell Lowe
vocals:
Sarah Vaughan
recorded at:
RKO-Pathe Studio in New York, New York, United States (on 1961-07-18)
cover recording of:
Vanity
lyricist:
Bernard Bierman and Jack Manus (lyricist)
composer:
Guy Wood
?:??
16My Reverie
vocals:
Sarah Vaughan (on 1963-03-11)
conductor:
Marty Manning (on 1963-03-11)
arranger:
Marty Manning
recorded at:
Bell Sound Studios in New York, New York, United States (on 1963-03-11)
cover recording of:
My Reverie (Debussy’s “Reverie”) (arr. Greeley) (on 1963-03-11)
composer:
Claude Debussy (composer) (in 1890)
arranger:
Larry Clinton and George Greeley
arrangement of:
Rêverie, L. 68, CD 76 (for piano)
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17Out of Breath
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18After Hours
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19Just a Moment More
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20Pinky?:??
21I Ran All the Way Home?:??
22A Miracle Happened
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CD 3
#TitleRatingLength
1Street of Dreams
cover recording of:
Pieces of Dreams
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label)
part of:
The 43rd Academy Award for Best Original Song (number: 2)
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2Time to Go
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3Corner to Corner
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4If Someone Had Told Me
cover recording of:
If Someone Had Told Me
writer:
Peter de Rose and Charles Tobias (Tin Pan Alley songwriter)
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5Say You’ll Wait for Me
?:??
6Sinner or Saint
?:??
7My Tormented Heart
?:??
8Mighty Lonesome Feeling
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9It’s All in the Mind?:??
10I Confess
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11Lover’s Quarrel
cover recording of:
A Lover’s Quarrel
writer:
Vic McAlpin and Newt Richardson
?:??
12Time
?:??
13Linger Awhile
cover recording of:
Linger a While
lyricist:
Harry Owens
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
?:??
14Spring Will Be a Little Late
recorded in:
New York, New York, United States (on 1953-01-05)
vocals:
Sarah Vaughan (on 1953-01-05)
recording of:
Spring Will Be a Little Late This Year (on 1953-01-05)
lyricist and composer:
Frank Loesser
?:??
15A Blues Serenade
cover recording of:
A Blues Serenade (Henry King's Theme Song)
lyricist:
Mitchell Parish
composer:
Frank Signorelli
?:??
16Ooh, Watcha Doin’ to Me?:??
17Lover Man
cover recording of:
Lover Man (on 1945-05-11)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
?:??
18I’m Scared
recording of:
I’m Scared
writer:
Raymond Leveen and Lou Singer (pianist)
?:??
19You Go to My Head
vocals:
Sarah Vaughan
cover recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
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20I Could Make You Love Me
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21It Might as Well Be Spring
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1950-05-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 18)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair
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22We’re Trough?:??
23Ev’ry Day
recording of:
Ev’ry Day
writer:
Sammy Fain and Irving Kahal
?:??
24I Love You
vocals:
Billy Eckstine (on 1949-12-22) and Sarah Vaughan (on 1949-12-22)
orchestra:
Orchestra conducted by Joe Lipman (on 1949-12-22)
cover recording of:
I Love You (Mexican Hayride musical) (on 1949-12-22)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
cover recording of:
I Love You (Mexican Hayride musical) (in 1957)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
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25Dedicated to You?:??
26You’re All I Need
cover recording of:
You’re Mine, You
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
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