40

~ Release by Les Arts Florissants, William Christie, Paul Agnew (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Les Arts florissants, Divertissement en cinq scènes, H. 487: Ouverture
choir vocals:
Les Arts Florissants (French baroque ensemble)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Les Arts Florissants, H. 487 : Ouverture
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les Arts Florissants, H. 487
Marc‐Antoine Charpentier2:34
2Atys, Tragédie en musique en cinq actes: Ouverture
engineer:
Alain Duchemin
producer:
Michel Bernard (engineer / producer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1987-01)
conductor:
William Christie (harpsichordist and conductor) (in 1987-01)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (in 1987-01)
recording of:
Atys: Prologue. Ouverture (in 1987-01)
composer:
Jean‐Baptiste Lully (composer) (from 1675 until 1676-01-10)
librettist:
Philippe Quinault
part of:
Atys: Prologue
Jean‐Baptiste Lully1:53
3Prélude. Le Sommeil: Dormons, dormons tous III, 2
engineer:
Alain Duchemin
producer:
Michel Bernard (engineer / producer)
bass vocals:
Bernard Deletré (bass-baritone) (in 1987-01)
tenor vocals:
Jean-Paul Fouchécourt (tenor) (in 1987-01), Michel Laplénie (tenor, and conductor of the baroque choral Ensemble Sagittarius) (in 1987-01) and Gilles Ragon (tenor) (in 1987-01)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1987-01)
conductor:
William Christie (harpsichordist and conductor) (in 1987-01)
recording of:
Atys: Acte III, Scène IV. Prélude - "Dormons, dormons tous" (Le Sommeil, Morphée, Phobétor, Phantase) (in 1987-01)
composer:
Jean‐Baptiste Lully (composer) (from 1675 until 1676-01-10)
librettist:
Philippe Quinault
part of:
Atys: Acte III
Jean‐Baptiste Lully7:35
4Castor et Pollux, Tragédie en musique en cinq actes: Troupe de Spartiates: Que tout gémisse I, 1
recording engineer and producer:
Jean‐Martial Golaz
choir vocals:
Les Arts Florissants (French baroque ensemble) (in 1992-09)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1992-09)
conductor:
William Christie (harpsichordist and conductor) (in 1992-09)
recording of:
Castor et Pollux, Tragédie en musique en cinq actes: Troupe de Spartiates: Que tout gémisse I, 1 (in 1992-09)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Castor et Pollux: Acte I
Jean‐Philippe Rameau3:33
5Télaïre: Tristes apprêts, pâles flambeaux I, 3
recording engineer and producer:
Jean‐Martial Golaz
soprano vocals:
Agnès Mellon (soprano) (in 1992-09)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1992-09)
conductor:
William Christie (harpsichordist and conductor) (in 1992-09)
partial recording of:
Castor et Pollux: Acte I (in 1992-09)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era) (from 1737 until 1754)
librettist:
Pierre-Joseph Bernard
part of:
Castor et Pollux
recording of:
Télaïre: Tristes apprêts, pâles flambeaux I, 3 (in 1992-09)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Castor et Pollux: Acte I
partial recording of:
Télaïre: Tristes apprêts, pâles flambeaux I, 3
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Castor et Pollux: Acte I
Jean‐Philippe Rameau5:56
6Anacréon, Opéra-Ballet: Anacréon: Quel bruit? Quelle clarté? Sc. 2
recording engineer:
Claude Armand
producer:
Michel Bernard (engineer / producer) and Robina G. Young (producer)
mixer:
Bruno Niewdanski
baritone vocals:
René Schirrer (bass-baritone) (in 1981-12)
choir vocals:
Les Arts Florissants (French baroque ensemble) (in 1981-12)
countertenor vocals:
Dominique Visse (countertenor) (in 1981-12)
soprano vocals:
Jill Feldman (soprano) (in 1981-12)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1981-12)
conductor:
William Christie (harpsichordist and conductor) (in 1981-12)
partial recording of:
Anacréon (1757 version) (in 1981-12)
premiered in:
Paris, Île-de-France, France (on 1757-05-31)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era) (in 1757)
librettist:
Pierre-Joseph Bernard
part of:
Catalogue thématique des oeuvres musicales de Jean-Philippe Rameau (number: RCT 58)
recording of:
Anacréon, Opéra-Ballet: Anacréon: Quel bruit? Quelle clarté? Sc. 2
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Anacréon (1757 version)
Jean‐Philippe Rameau5:56
7Les Indes galantes, Opéra-ballet en quatre entrées: Zaïre: Amour, quand du destin III, 3
assistant recording engineer:
Franck Jaffrès
recording engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
mixer:
Claire Luhan and Jean-François Pontefract (engineer)
soprano vocals:
Sandrine Piau (soprano) (in 1991-01)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1991-01)
conductor:
William Christie (harpsichordist and conductor) (in 1991-01)
recording of:
Les Indes galantes: Acte III "Les Fleurs" (in 1991-01)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
librettist:
Louis Fuzelier
part of:
Les Indes galantes
recording of:
Les Indes galantes, Opéra-ballet en quatre entrées: Zaïre: Amour, quand du destin III, 3
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Indes galantes: Acte III "Les Fleurs"
Jean‐Philippe Rameau4:21
8David et Jonathas, Tragédie biblique en cinq actes, H. 490: Oú suis-je? Qu'ai-je fait? Prologue, I
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
David et Jonathas, Tragédie biblique en cinq actes, H. 490: Oú suis-je? Qu'ai-je fait? Prologue, I
composer:
Marc‐Antoine Charpentier (composer)
part of:
David et Jonathas, H. 490
Marc‐Antoine Charpentier2:29
9David: Ciel! Quel triste combat en ces lieux me rappelle? I, 3
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
David: Ciel! Quel triste combat en ces lieux me rappelle? I, 3
composer:
Marc‐Antoine Charpentier (composer)
part of:
David et Jonathas, H. 490
Marc‐Antoine Charpentier7:17
10Le Malade imaginaire, Comédie-ballet en trois actes, H 495: Premier intermède: Notte e di v'amo e v'adoro
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Le Malade Imaginaire : premier intermède
composer:
Marc‐Antoine Charpentier (composer)
part of:
Le Malade imaginaire, H. 495
Marc‐Antoine Charpentier4:42
11Pygmalion, Opéra-ballet en un acte: Fatal Amour, cruel vainqueur sc 1-3
recording engineer and producer:
Jean‐Martial Golaz
soprano vocals:
Agnès Mellon (soprano) and Donatienne Michel-Dansac (French soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
partial recording of:
Pygmalion (in 1991-05)
premiered in:
Paris, Île-de-France, France (on 1748-08-27)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era) (in 1748)
librettist:
Ballot de Sovot
part of:
Catalogue thématique des oeuvres musicales de Jean-Philippe Rameau (number: RCT 52)
recording of:
Pygmalion: Scène I. Fatal Amour, cruel vainqueur
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pygmalion
Jean‐Philippe Rameau11:58
12Idoménée, Tragédie en musique en cinq actes: Venez, Gloire, Fierté I, 9
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Idoménée, Tragédie en musique en cinq actes: Venez, Gloire, Fierté I, 9
composer:
André Campra (composer)
part of:
Idoménée
André Campra4:17
13Chœur de peuples qui font naufrage: Ô Dieux! ô justes Dieux! II, 1
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Chœur de peuples qui font naufrage: Ô Dieux! ô justes Dieux! II, 1
composer:
André Campra (composer)
André Campra2:40
14Orfeo: Lasciate Averno III, 10
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Orfeo: Lasciate Averno III, 10
composer:
Luigi Rossi (baroque composer)
part of:
Orfeo
Luigi Rossi6:45
15Dardanus: Hâtons-nous courons à la gloire IV 4
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dardanus, RCT 35 : Acte IV, Scène 3. "Hâtons-nous; courons à la gloire"
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Dardanus, RCT 35 : Acte IV
Jean‐Philippe Rameau2:20
16La Vénitienne: Livrons-nous au sommeil II, 2
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
La Vénitienne: Air “Livrons-nous au sommeil” (II,2)
composer:
Antoine Dauvergne
part of:
La vénitienne, comédie-ballet
Antoine Dauvergne3:07
17Jephté: Marche du son des tambourins, Chœur: Ô jour heureux II, 6
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Jephté: Marche du son des tambourins, Chœur: Ô jour heureux II, 6
composer:
Michel Pignolet de Montéclair
part of:
Jephté
Michel Pignolet de Montéclair2:08
▼ CD 2
#TitleArtistRatingLength
1Te Deum, H. 146: Prélude
choir vocals:
Les Arts Florissants (French baroque ensemble) (in 1988-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1988-10)
conductor:
William Christie (harpsichordist and conductor) (in 1988-10)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France (in 1988-10)
recording of:
Te Deum, H. 146: Prélude (in 1988-10)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:55
2Messiah, HWV 56: Hallelujah!
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:25
3The Ways of Zion do Mourn, HWV 264: IV. She put on righteousness. Chorus
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
The Ways of Zion do Mourn, HWV 264: IV. Chorus "She put on righteousness"
composer:
George Frideric Handel (German‐British baroque composer)
part of:
The Ways of Zion Do Mourn, HWV 264
George Frideric Handel2:56
4Le Reniement de saint Pierre, H. 424
choir vocals:
Les Arts Florissants (French baroque ensemble)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Le reniement de St Pierre H.424 "Cum caenasset Jesus et dedisset discipulis"
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 424)
Marc‐Antoine Charpentier12:47
5Antiennes O de l'Avent, H. 37: Premier O: O Sapientia
choir vocals:
Les Arts Florissants (French baroque ensemble)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Premier 'O' H. 37 "O Sapientia"
composer:
Marc‐Antoine Charpentier (composer)
part of:
Les œuvres de Marc-Antoine Charpentier: Catalogue Raisonné (number: 37)
part of:
Antiennes O de l'Avent, H. 36-43
Marc‐Antoine Charpentier2:47
6Un Peccator pentito "Spargete sospiri"
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Un Peccator pentito "Spargete sospiri"
composer:
Luigi Rossi (baroque composer)
Luigi Rossi7:52
7Selva morale e spirituale: Chi vol che m'innamori a 3 voci a due violini
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1986-07)
conductor:
William Christie (harpsichordist and conductor) (in 1986-07)
recorded at:
Christuskirche - Église protestante allemande à Paris in Paris, Île-de-France, France (in 1986-07)
recording of:
Selva morale e spirituale: Chi vol che m'innamori, SV 256 (in 1986-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 256)
part of:
Selva morale e spirituale
Claudio Monteverdi7:49
8Selva morale e spirituale: O ciechi ciechi a 5 voci et doi violini
conductor:
William Christie (harpsichordist and conductor) (in 1986-07)
performer:
Les Arts Florissants (French baroque ensemble) (in 1986-07)
recorded at:
Christuskirche - Église protestante allemande à Paris in Paris, Île-de-France, France (in 1986-07)
recording of:
Selva morale e spirituale: O ciechi ciechi, SV 252 (in 1986-07)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 252)
part of:
Selva morale e spirituale
Claudio Monteverdi3:52
9Salve Regina
mezzo-soprano vocals:
Marie Boyer (mezzo)
soprano vocals:
Arlette Steyer and Monique Zanetti (French soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Salve Regina
composer:
Jean‐Baptiste Lully (composer)
Jean‐Baptiste Lully8:07
10Il Trionfo del Tempo e del Disinganno, HWV 46a: Lascia la spina, cogli la rosa
engineer:
Nick Mierisch (Australian classical music sound engineer)
producer and editor:
Haig Burnell
soprano vocals:
Lucía Martín-Cartón (soprano) (from 2015-03-09 until 2015-03-10)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2015-03-09 until 2015-03-10)
conductor:
William Christie (harpsichordist and conductor) (from 2015-03-09 until 2015-03-10)
recorded at:
Melbourne Recital Centre in Melbourne, Victoria, Australia (from 2015-03-09 until 2015-03-10)
partial recording of:
Il trionfo del Tempo e del Disinganno, HWV 46a (from 2015-03-09 until 2015-03-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1707)
librettist:
Benedetto Pamphili (in 1707)
part of:
Händel-Werke-Verzeichnis (number: HWV 46a)
recording of:
Il trionfo del Tempo e del Disinganno, HWV 46a: Lascia la spina, cogli la rosa
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Il trionfo del Tempo e del Disinganno, HWV 46a
George Frideric Handel6:15
11Cantique quatrième "Sur le bonheur des justes & sur le malheur des resprouvez": Heureux, qui de la sagesse
soprano vocals:
Véronique Gens (soprano) and Noémi Rime (Soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Cantique sur le bonheur des justes, S. 127: "Heureux, que de la sagesse"
composer:
Michel‐Richard de Lalande (composer)
part of:
Cantique sur le bonheur des justes, S. 127
Michel‐Richard de Lalande2:08
12Te Deum, S. 32: Simphonie
choir vocals:
Les Arts Florissants (French baroque ensemble)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Te Deum: I. Simphonie
composer:
Michel‐Richard de Lalande (composer)
part of:
Te Deum, S.32
Michel‐Richard de Lalande1:03
13Te Deum laudamus
choir vocals:
Les Arts Florissants (French baroque ensemble)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Te Deum: II. Te Deum laudamus
composer:
Michel‐Richard de Lalande (composer)
part of:
Te Deum, S.32
Michel‐Richard de Lalande1:35
14Mass in B minor / Messe en si mineur, BWV 232: Benedictus
tenor vocals:
Paul Agnew (tenor / conductor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:09
15Miserere mei Deus, SdB. 53 pour une voix de dessus et basse continue
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Miserere mei Deus, SdB. 53 pour une voix de dessus et basse continue
composer:
Sébastien de Brossard
Sébastien de Brossard13:16
▼ CD 3
#TitleArtistRatingLength
1Zefiro torna, e di soavi accenti SV 251 (Libro nono)
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Scherzi Musicali (1632): Zefire torna e di soavi accenti (Ciaccona), SV 251
lyricist:
Ottavio Rinuccini (Italian Renaissance/Baroque poet and opera librettist)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 251)
part of:
Scherzi Musicali (1632) SV 246-251
Claudio Monteverdi5:37
2Lamento de la Ninfa SV 163 (Libro ottavo)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor / conductor)
recording of:
Lamento della ninfa, SV 163
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 163)
part of:
Ottavo Libro de’ Madrigali: Canti Amorosi
Claudio Monteverdi6:28
3Il Combattimento di Tancredi e Clorinda SV 153 (Libro ottavo)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor / conductor)
recording of:
Il combattimento di Tancredi e Clorinda, SV 153
lyricist:
Torquato Tasso
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 153)
is based on:
La Gerusalemme liberata
part of:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi19:32
4Lettera amorosa SV 141 (Libro settimo)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor / conductor)
recording of:
Se i languidi miei sguardi, SV 141
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 141)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi8:34
5Sestina, Lagrime d'amante al sepolcro dell'amata, SV 111 (Libro sesto): Prima parte: Incenerite spoglie
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Sestine: I. Incenerite spoglie
lyricist:
Scipione Agnelli
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Sestina, SV 111
Claudio Monteverdi2:36
6Non t'amo, o voce ingrata Madrigali a 5 voci (Libro tre)
baritone vocals:
Michel Laplénie (tenor, and conductor of the baroque choral Ensemble Sagittarius)
bass vocals:
Simon Grant (bass-baritone)
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Arlette Steyer
tenor vocals:
Jean-Paul Fouchécourt (tenor)
recording of:
Madrigals, Book 3: “Non t'amo, o voce ingrata”
composer:
Carlo Gesualdo (composer)
part of:
Madrigals, Book 3
Carlo Gesualdo3:38
7Le doux silence de nos bois
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Le doux silence de nos bois
lyricist:
Henriette de Coligny de La Suze
composer:
Honoré d'Ambruys
Honoré d'Ambruys4:17
8Le repos, l'ombre, le silence
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Le repos, l'ombre, le silence
composer:
Michel Lambert (French composer, 1610-1696)
Michel Lambert6:50
9Sans murmurer
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
Sans murmurer
composer:
Michel Lambert (French composer, 1610-1696)
Michel Lambert4:12
10La Mort de Didon pour soprano, violon, flûte et basse continue
orchestra:
Les Arts Florissants (French baroque ensemble)
recording of:
La Mort de Didon pour soprano, violon, flûte et basse continue
composer:
Michel Pignolet de Montéclair
Michel Pignolet de Montéclair14:21