| arranged |
---|
| Art Thou With Me | | The Tabernacle Choir at Temple Square, Frank W. Asper, Alexander Schreiner, Richard P. Condie | 2:22 |
| Art Thou With Me (Bist du bei mir) | | Mormon Tabernacle Choir | 2:22 |
| Bist du bei mir, BWV 508 | | Philadelphia Orchestra, Eugene Ormandy | 3:40 |
| Choral de veilleur | | Philadelphia Orchestra, Eugene Ormandy | 4:00 |
| Elégie | | The Philadelphia Orchestra, Eugene Ormandy | 4:06 |
| Élégie | | The Philadelphia Orchestra, Eugene Ormandy | 4:08 |
| Kantate BWV 208 "Was mir behagt, ist die muntere Jagd": "Schafe können sicher weiden" | | Columbia Symphony Orchestra, Pau Casals | 4:37 |
| Kinderszenen, Op. 15: No. 7, Träumerei | | Philadelphia Orchestra, Eugene Ormandy | 3:16 |
| Kinderszenen, op. 15. No. 7, Träumerei | | The Philadelphia Orchestra, Eugene Ormandy | 3:12 |
| Menuett Nr. 2 G-dur, WoO 10, 2 | | The Philadelphia Orchestra, Eugene Ormandy | 2:54 |
| Petite Suite no. 2 (arr. T. Frost) : Aria, de la Cantale no. 82 « Ich habe genung » | | The Philadelphia Orchestra, Eugene Ormandy | 4:50 |
| Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite anglaise no. 3, BWV 808 | | The Philadelphia Orchestra, Eugene Ormandy | 3:41 |
| Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite française no. 5, BWV 816 | | The Philadelphia Orchestra, Eugene Ormandy | 1:21 |
| Petite Suite no. 2 (arr. T. Frost) : Gigue, de la Suite française no. 5, BWV 816 | | The Philadelphia Orchestra, Eugene Ormandy | 2:56 |
| Petite Suite no. 2 (arr. T. Frost) : Prélude, du clavier bien tempéré (Livre 1, no. 17, BWV 862) | | The Philadelphia Orchestra, Eugene Ormandy | 1:24 |
| Sheep May Safely Graze | | Columbia Symphony & Chorus, Pablo Casals | 4:34 |
| Streichquartett Nr. 1 D-dur, Op. 11: Andante cantabile | | The Philadelphia Orchestra, Eugene Ormandy | 6:39 |
| String Quartet no. 1 in D major, op. 11: II. Andante cantabile (arranged by Thomas Frost) | | The Philadelphia Orchestra, Eugene Ormandy | 6:40 |
| String Quartet no. 1, op. 11: Andante cantabile | | The Philadelphia Orchestra, Eugene Ormandy | 6:40 |
| Woodland Sketches, Op. 51: No. 1, To a Wild Rose | | Philadelphia Orchestra, Eugene Ormandy | 2:07 |
| Xerxes: Largo | | The Philadelphia Orchestra, Eugene Ormandy | 5:50 |
| produced |
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1963 | Etude, op. 25 no. 7 | | Vladimir Horowitz | 5:37 |
1964-04 | Requiem, op. 5: I. Requiem et Kyrie | | Temple University Chorus, The Philadelphia Orchestra, Eugene Ormandy | 10:38 |
1964-04 | Requiem, op. 5: II. Dies irae | | Temple University Chorus, The Philadelphia Orchestra, Eugene Ormandy | 11:17 |
1964-04 | Requiem, op. 5: III. Quid sum miser | | Temple University Chorus, The Philadelphia Orchestra, Eugene Ormandy | 2:45 |
1964-04 | Requiem, op. 5: IV. Rex tremendae | | Temple University Chorus, The Philadelphia Orchestra, Eugene Ormandy | 5:40 |
1964-04 | Requiem, op. 5: IX. Sanctus | | Temple University Chorus, Cesare Valletti, The Philadelphia Orchestra, Eugene Ormandy | 10:04 |
1964-04 | Requiem, op. 5: V. Quaerens me | | Temple University Chorus, Eugene Ormandy | 4:37 |
1964-04 | Requiem, op. 5: VI. Lacrymosa | | Temple University Chorus, The Philadelphia Orchestra, Eugene Ormandy | 10:48 |
1964-04 | Requiem, op. 5: VII. Offertorium | | Temple University Chorus, The Philadelphia Orchestra, Eugene Ormandy | 7:57 |
1964-04 | Requiem, op. 5: VIII. Hostias | | Temple University Chorus, The Philadelphia Orchestra, Eugene Ormandy | 3:02 |
1964-04 | Requiem, op. 5: X. Agnus dei | | Temple University Chorus, The Philadelphia Orchestra, Eugene Ormandy | 10:53 |
1964 – 1965 | Marche slave, Op. 31 | | Philadelphia Orchestra, Eugene Ormandy | 10:44 |
1964 – 1965 | Romeo & Juliet Overture - Fantasy | | Philadelphia Orchestra, Eugene Ormandy | 19:58 |
1964 – 1965 | Waltz from Eugen Onegin | | Philadelphia Orchestra, Eugene Ormandy | 6:41 |
| 'Dumky' Trio, Op. 90: Allegro (Dumka #5) | | Rudolf Firkušný, Yo‐Yo Ma, Itzhak Perlman, Seiji Ozawa | 3:51 |
| "Oberon" Overture | | Cleveland Orchestra, George Szell | 9:09 |
| "Sérénade mélancolique" in si bemolle minore, op. 26 | | Isaac Stern, Columbia Symphony Orchestra, Frank Brieff | 7:33 |
| “Ma Vlast” Symphonic Poem no.2: “Vltava” (“The Moldau”) | | The Cleveland Orchestra, George Szell | 12:50 |
| 6 Gesänge, op. 34: No. 2. Auf Flügeln des Gesanges | | Isaac Stern, Columbia Symphony Orchestra, Frank Brieff | 3:03 |
| 14 Romances, op. 34: No. 14 Vocalise | | Isaac Stern, Columbia Symphony Orchestra, Frank Brieff | 5:45 |
| Adagio for Strings. Molto adagio | | The Strings of the Philadelphia Orchestra, Eugene Ormandy | 8:16 |
| Adagio in B minor, K. 540 | | Vladimir Horowitz | 8:01 |
| Also sprach Zarathustra, op. 30: I. Einleitung | | The Philadelphia Orchestra, Eugene Ormandy | 1:46 |
| Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | | The Philadelphia Orchestra, Eugene Ormandy | 3:31 |
| Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | | The Philadelphia Orchestra, Eugene Ormandy | 1:58 |
| Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | | The Philadelphia Orchestra, Eugene Ormandy | 1:57 |
| Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied (1) | | The Philadelphia Orchestra, Eugene Ormandy | 1:06 |
| Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied (2) | | The Philadelphia Orchestra, Eugene Ormandy | 3:30 |
| Also sprach Zarathustra, op. 30: V. Das Grablied | | The Philadelphia Orchestra, Eugene Ormandy | 2:09 |
| Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | | The Philadelphia Orchestra, Eugene Ormandy | 4:19 |
| Also sprach Zarathustra, op. 30: VII. Der Genesende (1) | | The Philadelphia Orchestra, Eugene Ormandy | 1:38 |
| Also sprach Zarathustra, op. 30: VII. Der Genesende (2) | | The Philadelphia Orchestra, Eugene Ormandy | 3:29 |
| Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | | The Philadelphia Orchestra, Eugene Ormandy | 7:38 |
| American Songs: I Wonder as I Wander / Mary Had a Baby / Oh Mary, What You Gonna Name That Pretty Little Baby? / Who Was Mary? Mary Was Queen of Galilee / Sister Mary Had-A but One Child / Go Tell It on the Mountain | | Kathleen Battle, Frederica von Stade, American Boychoir, The Christmas Concert Choir, Wynton Marsalis, Orchestra of St. Luke’s, André Previn | 16:20 |
| And The Glory Of The Lord | | George Frideric Handel, Mormon Tabernacle Choir, Royal Philharmonic Orchestra & Richard P. Condie | 3:10 |
| Années de pèlerinage: Deuxième année "Italie": V. Sonetto 104 del Petrarca: Agitato assai - Adagio | | Vladimir Horowitz | 5:50 |
| Annen-Polka, op. 117 | | The Philadelphia Orchestra, Eugene Ormandy | 3:06 |
| Auf der Jagd, Polka schnell, op. 373 | | The Philadelphia Orchestra, Eugene Ormandy | 2:26 |
| Ave Maria | | Isaac Stern, Columbia Symphony Orchestra, Milton Katims | 5:49 |
| Beautiful Dreamer | | Mormon Tabernacle Choir | 4:03 |
| Behold The Lamb Of God | | George Frideric Handel, Mormon Tabernacle Choir, Royal Philharmonic Orchestra & Richard P. Condie | 4:30 |
| Bei dir ist es traut | | Angelika Kirchschlager, Helmut Deutsch | 1:54 |
| Black Orpheus: Manhã de Carnaval | | Itzhak Perlman, Pittsburgh Symphony Orchestra, John Williams | 4:17 |
| Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro | | Alexander Schneider, John Mack, Ronald Richards, Peter Christ, Myron Bloom, Robert Johnson, Donald MacCourt, Rudolf Serkin, Marlboro Festival Orchestra, Pablo Casals | 4:24 |
| Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio – III. Allegro | | Alexander Schneider, John Mack, Ronald Richards, Peter Christ, Myron Bloom, Robert Johnson, Donald MacCourt, Rudolf Serkin, Marlboro Festival Orchestra, Pablo Casals | 8:48 |
| Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto – Trio I – Polacca – Trio II | | Alexander Schneider, John Mack, Ronald Richards, Peter Christ, Myron Bloom, Robert Johnson, Donald MacCourt, Rudolf Serkin, Marlboro Festival Orchestra, Pablo Casals | 8:28 |
| Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | | Robert Nagel, Alexander Schneider, Ornulf Gulbransen, John Mack, Leslie Parnas, Peter Serkin, Marlboro Festival Orchestra, Pablo Casals | 4:16 |
| Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | | Robert Nagel, Alexander Schneider, Ornulf Gulbransen, John Mack, Leslie Parnas, Peter Serkin, Marlboro Festival Orchestra, Pablo Casals | 4:37 |
| Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | | Robert Nagel, Alexander Schneider, Ornulf Gulbransen, John Mack, Leslie Parnas, Peter Serkin, Marlboro Festival Orchestra, Pablo Casals | 2:43 |
| Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | | Peter Serkin, Marlboro Festival Orchestra, Pablo Casals | 7:04 |
| Brandenburg Concerto no. 3 in G major, BWV 1048: Ia. Adagio | | Peter Serkin, Marlboro Festival Orchestra, Pablo Casals | 0:13 |
| Brandenburg Concerto no. 3 in G major, BWV 1048: II. Allegro | | Peter Serkin, Marlboro Festival Orchestra, Pablo Casals | 6:14 |
| Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro | | Alexander Schneider, Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals | 6:56 |
| Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro | | Johann Sebastian Bach | 6:56 |
| Brandenburg Concerto No. 4 in G major, BWV 1049: II. Andante | | Johann Sebastian Bach | 3:22 |
| Brandenburg Concerto No. 4 in G major, BWV 1049: II. Andante | | Alexander Schneider, Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals | 3:22 |
| Brandenburg Concerto No. 4 in G major, BWV 1049: III. Presto | | Alexander Schneider, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals | 4:39 |
| Brandenburg Concerto No. 4 in G major, BWV 1049: III. Presto | | Johann Sebastian Bach | 4:41 |
| Brandenburg Concerto No. 5 in D major, BWV 1050: I. Allegro | | Johann Sebastian Bach | 10:51 |
| Brandenburg Concerto No. 5 in D major, BWV 1050: I. Allegro | | Alexander Schneider, Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals | 10:51 |
| Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affettuoso | | Johann Sebastian Bach | 5:39 |
| Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affettuoso | | Alexander Schneider, Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals | 5:39 |
| Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro | | Johann Sebastian Bach | 5:35 |
| Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro | | Alexander Schneider, Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals | 5:31 |
| Brandenburg Concerto No. 6 in B-flat major, BWV 1051: I. Allegro | | Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals | 6:13 |
| Brandenburg Concerto No. 6 in B-flat major, BWV 1051: I. Allegro | | Johann Sebastian Bach | 6:27 |
| Brandenburg Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma tanto | | Johann Sebastian Bach | 5:00 |
| Brandenburg Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma tanto | | Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals | 4:50 |
| Brandenburg Concerto No. 6 in B-flat major, BWV 1051: III. Allegro | | Johann Sebastian Bach | 5:38 |
| Brandenburg Concerto No. 6 in B-flat major, BWV 1051: III. Allegro | | Peter Serkin, Rudolf Serkin, Marlboro Festival Orchestra, Pau Casals | 5:20 |
| Burleske in D Minor for Piano and Orchestra, Op. 11 | | Rudolf Serkin, The Philadelphia Orchestra, Eugene Ormandy | 19:19 |
| But Thanks Be To God | | George Frideric Handel, Mormon Tabernacle Choir, Royal Philharmonic Orchestra & Richard P. Condie | 2:13 |
| Cantata No.202 "Weichet Nur, Betrübte Schatten" (Wedding Cantata), BWV 202 5. Aria: Wenn Die Frühlingslüfte Streichen | | Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson | 2:38 |
| Canzonetta from Henry V | | Itzhak Perlman, Boston Pops Orchestra, John Williams | 3:30 |
| Capriccio Espagnol | | Philadelphia Orchestra / Eugene Ormandy | 16:14 |
| Capriccio Espagnol, OP. 34 - I. Alborada; II. Variations; III. Alborada; IV. Scene and Gypsy Song; V. Fandango of the Asturias | | The Philadelphia Orchestra, Eugene Ormandy | 16:13 |
| Capriccio Espagnol, Op. 34: I. Alborada: Vivo e strepitoso | | The Philadelphia Orchestra, Eugene Ormandy | 1:15 |
| Capriccio Espagnol, Op. 34: II. Variazioni: Andante con moto | | The Philadelphia Orchestra, Eugene Ormandy | 4:53 |
| Capriccio Espagnol, Op. 34: III. Alborada: Vivo e strepitoso | | The Philadelphia Orchestra, Eugene Ormandy | 1:21 |
| Capriccio Espagnol, Op. 34: IV. Scena e canto gitano: Allegretto | | The Philadelphia Orchestra, Eugene Ormandy | 5:12 |
| Capriccio Espagnol, Op. 34: V. Fandango asturiano | | The Philadelphia Orchestra, Eugene Ormandy | 3:32 |
| Carnival Overture, op. 92 | | The Cleveland Orchestra, George Szell | 9:20 |
| Carnival Overture, Op. 92 | | Cleveland Orchestra, George Szell | 9:24 |
| Casablanca: As Time Goes By | | Itzhak Perlman, Boston Pops Orchestra, John Williams | 4:21 |
| Cello Sonata in G minor, op. 19: III. Andante | | Vladimir Horowitz, Mstislav Rostropovich | 6:46 |
| Chanson perpétuelle, op. 37 | | Frederica von Stade, Ani Kavafian, Ida Kavafian, Laurence Lesser, Joe del Maria, Charles Wadsworth | 8:25 |
| Christmas Eve Suite: Polonaise | | The Philadelphia Orchestra, Eugene Ormandy | 4:26 |
| Christmas Songs | | American Boychoir, Kathleen Battle, The Christmas Concert Choir, Frederica von Stade, Wynton Marsalis Septet, Orchestra of St. Luke’s, André Previn | 10:57 |
| Cinema Paradiso: Love Theme | | Itzhak Perlman, Pittsburgh Symphony Orchestra, John Williams | 3:18 |
| Clair de lune | | Isaac Stern, Columbia Symphony Orchestra, Milton Katims | 4:44 |
| Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: I. Vivace | | Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | 3:14 |
| Concerto for 2 Violins, Strings and Continuo in D minor, BWV 1043: III. Allegro | | Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | 4:20 |
| Concerto for Clarinet in A major, K. 622: I. Allegro | | Robert Marcellus, The Cleveland Orchestra, George Szell | 12:26 |
| Concerto for Clarinet in A major, K. 622: II. Adagio | | Robert Marcellus, Cleveland Orchestra, George Szell | 7:45 |
| Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | | Robert Marcellus, Cleveland Orchestra, George Szell | 8:50 |
| Concerto for Horn and Orchestra no. 1 in E-flat major, op. 11: I. Allegro | | Myron Bloom, The Cleveland Orchestra, George Szell | 5:27 |
| Concerto for Horn and Orchestra no. 1 in E-flat major, op. 11: II. Andante | | Myron Bloom, The Cleveland Orchestra, George Szell | 5:31 |
| Concerto for Horn and Orchestra no. 1 in E-flat major, op. 11: III. Allegro | | Myron Bloom, The Cleveland Orchestra, George Szell | 5:01 |
| Concerto for Oboe, Violin, Strings and Continuo in C minor, BWV 1060: I. Allegro | | Allan Vogel, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | 4:31 |
| Concerto for Oboe, Violin, Strings and Continuo in C minor, BWV 1060: II. Adagio | | Allan Vogel, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | 5:20 |
| See all 853 relationships |
| produced |
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1985 | Complete Recordings on Deutsche Grammophon | additional | Владимир Самойлович Горовиц | |
1985 | The Studio Recordings: New York 1985 | additional | Liszt, Scarlatti, Schubert, Schumann, Scriabin; Vladimir Horowitz | |
2000 | Piano Concerto No. 3 / Solo Piano Works | | Rachmaninoff; Berlin Philharmonic Orchestra, James Levine, Arcadi Volodos | |
| Bach’s Greatest Hits, Vol. 1 | | Bach | |
| CBS Great Performances, Volume 18: Sonatas Moonlight / Pathetique / Appassionata | | Ludwig van Beethoven; Rudolf Serkin | |
| From Gershwin’s Time: The Original Sounds of George Gershwin 1920–1945 | executive and task: senior executive producer | George Gershwin | |
| Horowitz Plays Rachmaninoff: Sonata in B-flat minor, op. 36 / Prelude in G-sharp minor, op. 32 / Moment musical in B minor, op. 16 / Three Etudes-Tableaux: E-flat minor, op. 33 / C major, op. 33 / D major, op. 39 | | Rachmaninoff; Horowitz | |
| Milhaud: Les Choéphores / Roussel: Symphony no. 3 in G minor / Honegger: Rugby / Pacific 231 | executive | Milhaud, Roussel, Honegger; New York Philharmonic, Leonard Bernstein, Vera Zorina, McHenry Boatwright, Irene Jordan, Virginia Babikian, Schola Cantorum of New York | |
| Piano Concerto no. 23 K. 488 / Piano Sonata K. 333 | | Mozart; Vladimir Horowitz, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini | |
| Samuel Barber | executive | Samuel Barber; New York Philharmonic, Thomas Schippers | |
| Songs of Free Men | executive | Paul Robeson | |
| The Four Symphonies / Manfred Overture | executive | Robert Schumann; Cleveland Orchestra, George Szell | |
| arranged |
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| Art Thou With Me | | | |
| Marche in D major, BWV Anh. 122, H. 1/1 | | | |
| Menuet in G major, BWV Anh. 114 | | | |
| Musette in D major, BWV Anh. 126 | | | |
| Notenbüchlein für Anna Magdalena Bach, Kleine Suite | | | |