| Daphnis et Chloé, Suite no. 2 | | | | Suite | | | |
| Daphnis et Chloé, Suite no. 2: I. Lever du jour | | | | | | | |
| Daphnis et Chloé, Suite no. 2: II. Pantomime | | | | | | | |
| Daphnis et Chloé, Suite no. 2: III. Danse générale | | | | | | | |
| Edgar: Atto III. “D’ogni dolor questo è il più gran dolor” (Fidelia, Popolani, Soldati, Frank) | | - Coro dell’Accademia Nazionale di Santa Cecilia, Adriana Damato, Juan Pons, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi
- [unknown]
- Opera Orchestra of New York, Eve Queler
- Renata Scotto, Vicente Sardinero, Schola Cantorum, Opera Orchestra of New York, Eve Queler
- Chœur de Radio France, Dalibor Jenis, Júlia Várady, Orchestre national de France, Yoel Levi
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| Las Agachadas | | | | Song | | | |
| Les Choéphores, op. 24: V. Exhortation | | | | | | | |
| Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" | | - Münchener Bach‐Chor, Solistengemeinschaft der Bachwoche Ansbach, Münchener Bach‐Orchester, Karl Richter
- Monteverdi Choir, Sir John Eliot Gardiner, English Baroque Soloists
- Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 54 more)
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| Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" | | | | | | | |
| Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" | | | | | | | |
| Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" | | | | | | | |
| Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" | | | | | | | |
| Noneto, W191 | | | | | | | |
| Quarteto simbólico, W181: I. Allegro con moto | | | | | | | |
| Quarteto simbólico, W181: II. Andantino | | | | | | | |
| Quarteto simbólico, W181: III. Allegro deciso | | | | | | | |
| Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') | | | | | | | |
| Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') | | - New York Philharmonic, Leonard Bernstein
- Martha Lipton, Boys’ Choir of the Church of the Transfiguration, Women’s Chorus of the Schola Cantorum, New York Philharmonic, Leonard Bernstein
- Gerhard Schmidt‐Gaden, Wolfgang Schubert, Chor des Bayerischen Rundfunks, Marjorie Thomas, Tölzer Knabenchor, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- Simon Halsey, City of Birmingham Symphony Orchestra Chorus, Birgit Remmert, City of Birmingham Symphony Orchestra, Sir Simon Rattle
- (show 92 more)
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| Symphony no. 4, S. 4: I. Prelude. Maestoso | | - Boston Symphony Orchestra, Seiji Ozawa
- The Cleveland Orchestra Chorus, The Cleveland Orchestra, Christoph von Dohnányi
- Hugh Ross, Members of the Schola Cantorum of New York, American Symphony Orchestra, David Katz, José Serebrier, Leopold Stokowski
- Chicago Symphony Orchestra, Chicago Symphony Chorus, Michael Tilson Thomas
- (show 7 more)
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| Symphony no. 4, S. 4: II. Comedy. Allegretto | | | | | | | |
| Symphony no. 4, S. 4: III. Fugue. Andante moderato (con moto) | | | | | | | |
| Symphony no. 4, S. 4: IV. Finale. Very slowly – Largo maestoso | | - Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
- The Cleveland Orchestra Chorus, The Cleveland Orchestra, Christoph von Dohnányi
- Hugh Ross, Members of the Schola Cantorum of New York, American Symphony Orchestra, David Katz, José Serebrier, Leopold Stokowski
- Chicago Symphony Orchestra, Chicago Symphony Chorus, Michael Tilson Thomas
- (show 7 more)
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| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Tu septiformis munere (7 Soli, Chor, Knaben Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) | | | | | | | |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) | | | | | | | |
| The Miraculous Mandarin, BB 82, Sz. 73, op. 19 | | | | Ballet | | | 5 |
| Three Russian Folk Songs for Chorus and Orchestra, op. 41: I. Across the River | | | | | | | |
| Three Russian Folk Songs for Chorus and Orchestra, op. 41: II. O Vanya, You Bold Fellow | | | | | | | |
| Three Russian Folk Songs for Chorus and Orchestra, op. 41: III. Powder and Paint | | | | | | | |
| Threni: De Elegia Prima | | | | | | | |
| Threni: De Elegia Quinta | | | | | | | |
| Threni: De Elegia Tertia | | | | | | | |
| Threni: Incipit | | | | | | | |
