| balance engineered |
|---|
| Adagio From "Cinderella" | | Leonard Elschenbroich, Petr Limonov | 5:31 |
| Cello Sonata in C, op. 119: I. Andante grave | | Leonard Elschenbroich, Alexei Grynyuk | 12:40 |
| Cello Sonata in C, op. 119: II. Moderato - | | Leonard Elschenbroich, Alexei Grynyuk | 5:19 |
| Cello Sonata in C, op. 119: III. Allegro, ma non troppo | | Leonard Elschenbroich, Alexei Grynyuk | 8:31 |
| March From "The Love for Three Oranges" | | Leonard Elschenbroich, Petr Limonov | 1:37 |
| Novelette op. 27 no. 25 | | Leonard Elschenbroich, Petr Limonov | 2:29 |
| Waltz From "The Stone Flower" | | Leonard Elschenbroich, Petr Limonov | 2:51 |
| edited |
|---|
| 2000-02 – 2000-05 | Csárdás | | Nigel Kennedy, Kroke | 4:50 |
| 6 Lieder, op. 48: Dereinst, Gedanke mein | | Thomas Hampson, Geoffrey Parsons | 2:50 |
| 6 Lieder, op. 48: Die verschwiegene Nachtigall | | Thomas Hampson, Geoffrey Parsons | 3:40 |
| 6 Lieder, op. 48: Ein Traum | | Thomas Hampson, Geoffrey Parsons | 2:34 |
| 6 Lieder, op. 48: Gruß | | Thomas Hampson, Geoffrey Parsons | 1:13 |
| 6 Lieder, op. 48: Lauf der Welt | | Thomas Hampson, Geoffrey Parsons | 1:42 |
| 6 Lieder, op. 48: Zur Rosenzeit | | Thomas Hampson, Geoffrey Parsons | 2:58 |
| 1812 Overture, op. 49 (original version with chorus) | | Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano | 16:27 |
| A Coward No Longer | | James Horner | 13:49 |
| A Hard Day's Night | | Manuel Barrueco | 2:51 |
| A Tender Shoot | | Choir of King’s College, Cambridge, Stephen Cleobury | 1:42 |
| A Virgin Most Pure | | Choir of King’s College, Cambridge, Stephen Cleobury | 2:54 |
| Abends am Strand, op. 45 no. 3 | | Ian Bostridge, Julius Drake | 3:12 |
| Aberlady | | Nicola Benedetti | 3:49 |
| Adagio From "Cinderella" | | Leonard Elschenbroich, Petr Limonov | 5:31 |
| Adam lay ybounden | | Choir of King’s College, Cambridge, Stephen Cleobury | 1:05 |
| Aida: Prelude, Act I | | Filarmonica della Scala, Riccardo Chailly | 3:42 |
| Air (Suite no. 3 in D) | | Sarah Chang, Berliner Philharmoniker, Plácido Domingo | 4:39 |
| Airwaves | | George Fenton | 2:20 |
| Akoako o te rangi | | Kiri Te Kanawa | 3:30 |
| All Bells in Paradise | | Choir of King’s College, Cambridge, Stephen Cleobury | 4:45 |
| Alzira: Sinfonia | | Filarmonica della Scala, Riccardo Chailly | 6:09 |
| An den Mond, D 193 | | Ian Bostridge, Julius Drake | 3:02 |
| An die ferne Geliebte op. 98 | | Thomas Hampson, Geoffrey Parsons | 14:31 |
| An die Musik, D 547 | | Ian Bostridge, Julius Drake | 2:42 |
| An Silvia, D 891 | | Ian Bostridge, Julius Drake | 2:45 |
| Ara ka Titiro | | Kiri Te Kanawa | 3:51 |
| Auf dem Wasser zu singen, D 774 | | Ian Bostridge, Julius Drake | 3:28 |
| Béatrice et Bénédict: Acte I, no. 7. "Ah! je vail l'aimer" | | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 2:39 |
| Belsazar, op. 57 | | Ian Bostridge, Julius Drake | 4:40 |
| Benvenuto Cellini: Acte I, 2e tableau, no. 7 "Une heure encore …" | | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 1:51 |
| Benvenuto Cellini: Acte I, 2e tableau, no. 7 « La gloire était ma seule idole » | | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 4:10 |
| Benvenuto Cellini: Acte II, 4e tableau, no. 25 "Seul pour lutter …" | | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 3:18 |
| Benvenuto Cellini: Acte II, 4e tableau, no. 25 "Sur les monts les plus sauvages" | | Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy | 5:20 |
| Bidding Prayer, Lord’s Prayer and Blessing | | Choir of King’s College, Cambridge, Stephen Cleobury | 3:26 |
| Bounty Hunters | | George Fenton | 3:35 |
| Carmina Burana: Blanziflor et Helena: Ave formosissima | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 1:51 |
| Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera | | Simon Halsey, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 2:41 |
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 2:23 |
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 2:32 |
| Carmina Burana: I. Primo Vere: Ecce gratum | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 2:34 |
| Carmina Burana: I. Primo Vere: Omnia Sol temperat | | Christian Gerhaher, Berliner Philharmoniker, Simon Rattle | 2:19 |
| Carmina Burana: I. Primo Vere: Veris leta facies | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 3:54 |
| Carmina Burana: II. In Taberna: Ego sum abbas | | Christian Gerhaher, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 1:32 |
| Carmina Burana: II. In Taberna: Estuans interius | | Christian Gerhaher, Berliner Philharmoniker, Simon Rattle | 2:16 |
| Carmina Burana: II. In Taberna: In taberna quando sumus | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 3:03 |
| Carmina Burana: II. In Taberna: Olim lacus colueram | | Lawrence Brownlee, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 3:12 |
| Carmina Burana: III. Cour d’amours: Amor volat undique | | Sally Matthews, Knaben des Staats‐ und Domchors Berlin, Berliner Philharmoniker, Simon Rattle | 3:34 |
| Carmina Burana: III. Cour d’amours: Circa mea pectora | | Christian Gerhaher, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 2:01 |
| Carmina Burana: III. Cour d’amours: Dies, nox et omnia | | Christian Gerhaher, Berliner Philharmoniker, Simon Rattle | 2:30 |
| Carmina Burana: III. Cour d’amours: Dulcissime | | Sally Matthews, Berliner Philharmoniker, Simon Rattle | 0:46 |
| Carmina Burana: III. Cour d’amours: In trutina | | Sally Matthews, Berliner Philharmoniker, Simon Rattle | 2:20 |
| Carmina Burana: III. Cour d’amours: Si puer cum puellula | | Christian Gerhaher, Berliner Philharmoniker, Simon Rattle | 0:56 |
| Carmina Burana: III. Cour d’amours: Stetit puella | | Sally Matthews, Berliner Philharmoniker, Simon Rattle | 2:01 |
| Carmina Burana: III. Cour d’amours: Tempus est iocundum | | Christian Gerhaher, Sally Matthews, Knaben des Staats‐ und Domchors Berlin, Berliner Philharmoniker, Simon Rattle | 2:27 |
| Carmina Burana: III. Cour d’amours: Veni, veni, venias | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 0:58 |
| Carmina Burana: Uf Dem Anger: Chramer, gip die varwe mir | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 3:02 |
| Carmina Burana: Uf Dem Anger: Floret silva | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 3:19 |
| Carmina Burana: Uf Dem Anger: Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 4:29 |
| Carmina Burana: Uf Dem Anger: Tanz | | Berliner Philharmoniker, Simon Rattle | 1:44 |
| Carmina Burana: Uf Dem Anger: Were diu werlt alle min | | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | 0:53 |
| Celebration | | Paul McCartney | 6:25 |
| Cello Sonata in C, op. 119: I. Andante grave | | Leonard Elschenbroich, Alexei Grynyuk | 12:40 |
| Cello Sonata in C, op. 119: II. Moderato - | | Leonard Elschenbroich, Alexei Grynyuk | 5:19 |
| Cello Sonata in C, op. 119: III. Allegro, ma non troppo | | Leonard Elschenbroich, Alexei Grynyuk | 8:31 |
| Christmas Carol | | Choir of King’s College, Cambridge, Stephen Cleobury | 4:54 |
| Christmas Eve | | Choir of King’s College, Cambridge, Stephen Cleobury | 6:00 |
| Collect and Blessing | | Choir of King’s College, Cambridge, Stephen Cleobury | 1:16 |
| Concert Fantasy on Carmen, op. 25: I. Moderato | | Sarah Chang, Berliner Philharmoniker, Plácido Domingo | 2:09 |
| Concert Fantasy on Carmen, op. 25: II. Lento assai | | Sarah Chang, Berliner Philharmoniker, Plácido Domingo | 2:28 |
| Concert Fantasy on Carmen, op. 25: III. Allegro moderato | | Sarah Chang, Berliner Philharmoniker, Plácido Domingo | 1:53 |
| Concert Fantasy on Carmen, op. 25: Introduction: Allegro moderato | | Sarah Chang, Berliner Philharmoniker, Plácido Domingo | 2:54 |
| Concert Fantasy on Carmen, op. 25: IV. Moderato | | Sarah Chang, Berliner Philharmoniker, Plácido Domingo | 2:33 |
| Concerto for Piano, Violin and Cello in C, op. 56 “Triple”: I. Allegro | | Elizabeth Sombart, Duncan Riddell, Richard Harwood, Royal Philharmonic Orchestra, Pierre Vallet | 17:45 |
| Concerto for Piano, Violin and Cello in C, op. 56 “Triple”: II. Largo | | Elizabeth Sombart, Duncan Riddell, Richard Harwood, Royal Philharmonic Orchestra, Pierre Vallet | 4:22 |
| Concerto for Piano, Violin and Cello in C, op. 56 “Triple”: III. Rondo alla polacca | | Elizabeth Sombart, Duncan Riddell, Richard Harwood, Royal Philharmonic Orchestra, Pierre Vallet | 13:08 |
| Concerto in A major, HWV 296: I. Largo e staccato | | Bob van Asperen, Orchestra of the Age of Enlightenment | 4:28 |
| Concerto in A major, HWV 296: II. Ad libitum | | Bob van Asperen, Orchestra of the Age of Enlightenment | 0:52 |
| Concerto in A major, HWV 296: III. Andante | | Bob van Asperen, Orchestra of the Age of Enlightenment | 4:14 |
| Concerto in A major, HWV 296: IV. Grave ad libitum | | Bob van Asperen, Orchestra of the Age of Enlightenment | 0:49 |
| Concerto in A major, HWV 296: V. Allegro | | Bob van Asperen, Orchestra of the Age of Enlightenment | 6:10 |
| Concerto in A major, op. 7 no. 2, HWV 307: I. Ouverture | | Bob van Asperen, Orchestra of the Age of Enlightenment | 2:32 |
| Concerto in A major, op. 7 no. 2, HWV 307: II. A tempo ordinario | | Bob van Asperen, Orchestra of the Age of Enlightenment | 4:27 |
| Concerto in A major, op. 7 no. 2, HWV 307: III. Ad libitum | | Bob van Asperen, Orchestra of the Age of Enlightenment | 3:29 |
| Concerto in A major, op. 7 no. 2, HWV 307: IV. Allegro | | Bob van Asperen, Orchestra of the Age of Enlightenment | 4:06 |
| Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante | | Bob van Asperen, Orchestra of the Age of Enlightenment | 10:12 |
| Concerto in B-flat major, op. 7 no. 1, HWV 306: II. Largo e piano | | Bob van Asperen, Orchestra of the Age of Enlightenment | 2:52 |
| Concerto in B-flat major, op. 7 no. 1, HWV 306: III. Fuga | | Bob van Asperen, Orchestra of the Age of Enlightenment | 2:30 |
| Concerto in B-flat major, op. 7 no. 1, HWV 306: IV. Adagio ad libitum | | Bob van Asperen, Orchestra of the Age of Enlightenment | 2:26 |
| Concerto in B-flat major, op. 7 no. 1, HWV 306: V. Bourrée | | Bob van Asperen, Orchestra of the Age of Enlightenment | 2:38 |
| Concerto in B-flat major, op. 7 no. 3, HWV 308: I. Andante | | Bob van Asperen, Orchestra of the Age of Enlightenment | 4:51 |
| Concerto in B-flat major, op. 7 no. 3, HWV 308: II. Adagio e Fuga ad libitum | | Bob van Asperen, Orchestra of the Age of Enlightenment | 5:29 |
| Concerto in B-flat major, op. 7 no. 3, HWV 308: III. Spiritoso | | Bob van Asperen, Orchestra of the Age of Enlightenment | 4:29 |
| Concerto in B-flat major, op. 7 no. 3, HWV 308: IV. Menuet I & II | | Bob van Asperen, Orchestra of the Age of Enlightenment | 3:36 |
| Concerto in B-flat major, op. 7 no. 6, HWV 311: I. Pomposo | | Bob van Asperen, Orchestra of the Age of Enlightenment | 3:22 |
| Concerto in B-flat major, op. 7 no. 6, HWV 311: II. Ad libitum | | Bob van Asperen, Orchestra of the Age of Enlightenment | 2:38 |
| Concerto in B-flat major, op. 7 no. 6, HWV 311: III. Air | | Bob van Asperen, Orchestra of the Age of Enlightenment | 3:51 |
| Concerto in D minor, HWV 304: I. Andante | | Bob van Asperen, Orchestra of the Age of Enlightenment | 4:43 |
| Concerto in D minor, HWV 304: II. Organo ad libitum: Adagio e Fuga | | Bob van Asperen, Orchestra of the Age of Enlightenment | 3:05 |
| Concerto in D minor, HWV 304: III. Allegro | | Bob van Asperen, Orchestra of the Age of Enlightenment | 4:17 |
| See all 594 relationships |
| engineered |
|---|
| Andante et Rondo, op. 25: I. Andante | | Franz Doppler | 4:31 |
| Andante et Rondo, op. 25: II. Rondo | | Franz Doppler | 4:43 |
| At the Ball, op. 38 no. 3 | | Elena Kelessidi, Malcolm Martineau | 2:09 |
| Chanson d'amour, op. 20 | | Franz Doppler | 11:26 |
| Concerto in B Minor, RV 580: I. Allegro (arr. for Guitar & Baroque Ensemble by Michael Lewin) | | Antonio Vivaldi | 3:53 |
| Concerto in B Minor, RV 580: III. Allegro (arr. for Guitar by Michael Lewin) | | Antonio Vivaldi | 3:22 |
| Concerto in D Minor: II. Adagio (arr. for Guitar & Baroque Ensemble by Michael Lewin) | | Alessandro Marcello | 3:42 |
| Concerto No. 2 in G Minor, RV 439 “La Notte”: VI. Allegro (arr. for Guitar & Baroque Ensemble by Michael Lewin) | | Antonio Vivaldi | 2:17 |
| Daisies, op. 38 no. 3 | | Elena Kelessidi, Malcolm Martineau | 2:42 |
| Do Not Tempt Me | | Elena Kelessidi, Malcolm Martineau | 2:41 |
| Duettino américain, op. 37 | | Franz Doppler | 7:22 |
| Fantasie | | Sylvius Leopold Weiss | 2:20 |
| Fantasie pastorale hongroise, op. 26 | | Franz Doppler | 12:43 |
| Fantasie sur des motifs hongrois | | Franz Doppler & Karl Doppler | 10:48 |
| Fire in My Veins | | Elena Kelessidi, Malcolm Martineau | 1:15 |
| Had Only I Known, op. 47 no. 1 | | Elena Kelessidi, Malcolm Martineau | 4:31 |
| I Still Love Him | | Elena Kelessidi, Malcolm Martineau | 2:09 |
| I Touched a Flower, op. 49 no. 1 | | Elena Kelessidi, Malcolm Martineau | 1:39 |
| I Wait for You!, op. 14 no. 1 | | Elena Kelessidi, Malcolm Martineau | 1:45 |
| In My Garden at Night, op. 38 no. 1 | | Elena Kelessidi, Malcolm Martineau | 1:49 |
| In the Quiet Night, op. 40 no. 3 | | Elena Kelessidi, Malcolm Martineau | 1:45 |
| Les Barricades mystérieuses (arr. for Guitar) | | François Couperin | 3:44 |
| Lilacs, op. 21 no. 5 | | Elena Kelessidi, Malcolm Martineau | 1:49 |
| Lullaby, op. 16 no. 1 | | Elena Kelessidi, Malcolm Martineau | 3:46 |
| Oh, Do Not Sing to Me, op. 4 no. 4 | | Elena Kelessidi, Malcolm Martineau | 4:27 |
| Partita No. 2 in D Major, BWV 1004: Chaconne (arr. for Guitar) | | Johann Sebastian Bach | 15:11 |
| Passacaglia | | Sylvius Leopold Weiss | 3:37 |
| Quintet No. 4 in D Major, G 448: IV. Fandango (arr. for Guitar & Baroque Ensemble by Michael Lewin) | | Luigi Boccherini | 3:50 |
| Rigoletto fantasie, op. 38 | | Franz Doppler & Karl Doppler | 10:19 |
| So Soon Forgotten | | Elena Kelessidi, Malcolm Martineau | 3:02 |
| Sonata in D Minor, K. 32 (arr. for Guitar by Michael Lewin) | | Domenico Scarlatti | 2:53 |
| Sonata in F Minor, K. 466 (arr. for Guitar by Michael Lewin) | | Domenico Scarlatti | 5:13 |
| Sonata no. 1 in G minor: I. Grave: Lento assai | | James Ehnes | 5:01 |
| Sonata no. 1 in G minor: II. Fugato: Molto moderato | | James Ehnes | 4:40 |
| Sonata no. 1 in G minor: III. Allegretto poco scherzoso: Amabile | | James Ehnes | 4:37 |
| Sonata no. 1 in G minor: IV. Finale con brio: Allegro fermo | | James Ehnes | 2:35 |
| Sonata no. 2 in A minor: I. Obession: Prélude – Poco vivace | | James Ehnes | 2:24 |
| Sonata no. 2 in A minor: II. Malinconia: Poco lento | | James Ehnes | 3:02 |
| Sonata no. 2 in A minor: III. Danse des ombres: Sarabande | | James Ehnes | 4:18 |
| Sonata no. 2 in A minor: IV. Les Furies: Allegro furioso | | James Ehnes | 2:37 |
| Sonata no. 3 in D minor: Ballades: Lento molto sostenuto – Allegro in tempo giusto e con bravura | | James Ehnes | 7:32 |
| Sonata no. 4 in E minor: I. Allemande: Lento maestoso | | James Ehnes | 5:34 |
| Sonata no. 4 in E minor: II. Sarabande: Quasi lento | | James Ehnes | 3:26 |
| Sonata no. 4 in E minor: III. Finale: Presto ma non troppo | | James Ehnes | 3:14 |
| Sonata no. 5 in G: I. L’Aurore: Lento assai | | James Ehnes | 4:48 |
| Sonata no. 5 in G: II. Danse rustique: Allegro giocoso molto moderato | | James Ehnes | 5:05 |
| Sonata no. 6 in E: Allegro giusto non troppo vivo | | James Ehnes | 6:52 |
| Spiegel im Spiegel | | Liam Dunachie, Viktoria Mullova | 9:25 |
| Suite in B‐Flat Major, HWV 434: IV. Menuet (arr. for Guitar by Michael Lewin) | | George Frideric Handel | 4:08 |
| Tell Me Why | | Elena Kelessidi, Malcolm Martineau | 2:13 |
| The Arts and the Hours (arr. for Guitar by Michael Lewin) | | Jean‐Philippe Rameau | 5:16 |
| The Bride's Lament, op. 47 no. 7 | | Elena Kelessidi, Malcolm Martineau | 6:01 |
| The Fountain of Bakhchisarai | | Elena Kelessidi, Malcolm Martineau | 3:54 |
| The Nightingale and the Rose, op. 2 no. 2 | | Elena Kelessidi, Malcolm Martineau | 2:45 |
| The Soldier's Wife, op. 8 no. 4 | | Elena Kelessidi, Malcolm Martineau | 2:13 |
| The Wind, op. 43 no. 2 | | Elena Kelessidi, Malcolm Martineau | 1:42 |
| To a Lyre | | Elena Kelessidi, Malcolm Martineau | 3:28 |
| Trio for Piano and 2 Flutes in G, op. 119: I. Allegro moderato | | Friedrich Kuhlau | 8:37 |
| Trio for Piano and 2 Flutes in G, op. 119: II. Adagio patetico | | Friedrich Kuhlau | 3:52 |
| Trio for Piano and 2 Flutes in G, op. 119: III. Rondo: Allegro | | Friedrich Kuhlau | 5:22 |
| Trio Sonata in C Major, RV 82: II. Larghetto (arr. for Guitar & Baroque Ensemble by Michael Lewin) | | Antonio Vivaldi | 3:52 |
| Young Boy and Girl | | Elena Kelessidi, Malcolm Martineau | 1:05 |
| mixed |
|---|
| Adagio From "Cinderella" | | Leonard Elschenbroich, Petr Limonov | 5:31 |
| Cello Sonata in C, op. 119: I. Andante grave | | Leonard Elschenbroich, Alexei Grynyuk | 12:40 |
| Cello Sonata in C, op. 119: II. Moderato - | | Leonard Elschenbroich, Alexei Grynyuk | 5:19 |
| Cello Sonata in C, op. 119: III. Allegro, ma non troppo | | Leonard Elschenbroich, Alexei Grynyuk | 8:31 |
| March From "The Love for Three Oranges" | | Leonard Elschenbroich, Petr Limonov | 1:37 |
| Novelette op. 27 no. 25 | | Leonard Elschenbroich, Petr Limonov | 2:29 |
| Waltz From "The Stone Flower" | | Leonard Elschenbroich, Petr Limonov | 2:51 |
| produced |
|---|
| 2000-02 – 2000-05 | Csárdás | assistant | Nigel Kennedy, Kroke | 4:50 |
| 3 Pièces pour grand orgue: III. Pièce héroïque, FWV 37 | | Stephen Cleobury | 8:53 |
| 7 Variations on “Bei Männern, welche Liebe fühlen” from Mozart’s “Die Zauberflöte”, WoO 46 | | Shai Wosner, Ralph Kirshbaum | 9:34 |
| 9 epigrams, No. 1: Lento | | Natalie Clein, Julius Drake | 1:14 |
| 9 epigrams, No. 2 | | Natalie Clein, Julius Drake | 1:19 |
| 9 epigrams, No. 3 | | Natalie Clein, Julius Drake | 1:22 |
| 9 epigrams, No. 4: Moderato | | Natalie Clein, Julius Drake | 0:59 |
| 9 epigrams, No. 5: Allegretto | | Natalie Clein, Julius Drake | 0:44 |
| 9 epigrams, No. 6: Andantino | | Natalie Clein, Julius Drake | 1:11 |
| 9 epigrams, No. 7: Con moto | | Natalie Clein, Julius Drake | 1:36 |
| 9 epigrams, No. 8 | | Natalie Clein, Julius Drake | 2:57 |
| 9 epigrams, No. 9 | | Natalie Clein, Julius Drake | 1:34 |
| 10 Compositions for Organ, Vol. 2: X. Resurgam | | Stephen Cleobury | 8:22 |
| 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “Die Zauberflöte”, op. 66 | | Shai Wosner, Ralph Kirshbaum | 9:55 |
| 12 Variations on “See the Conqu’ring Hero Comes” from Handel’s “Judas Maccabaeus”, WoO 45 | | Shai Wosner, Ralph Kirshbaum | 12:14 |
| A Spotless Rose | | Choir of King’s College, Cambridge | 3:17 |
| A Tender Shoot | | Choir of King’s College, Cambridge, Stephen Cleobury | 1:42 |
| A Virgin Most Pure | | Choir of King’s College, Cambridge, Stephen Cleobury | 2:54 |
| Adagio | | Natalie Clein, Julius Drake | 8:45 |
| Adagio From "Cinderella" | | Leonard Elschenbroich, Petr Limonov | 5:31 |
| Adam lay ybounden | | Choir of King’s College, Cambridge | 1:08 |
| Adam lay ybounden | | Choir of King’s College, Cambridge, Stephen Cleobury | 1:05 |
| All Bells in Paradise | | Choir of King’s College, Cambridge, Stephen Cleobury | 4:45 |
| All Bells in Paradise | | Choir of King’s College, Cambridge | 4:34 |
| Allegro appassionato, op. 43 | | Natalie Clein, BBC Scottish Symphony Orchestra, Andrew Manze | 3:57 |
| Alleluyas | | Stephen Cleobury | 5:19 |
| An Edlitam, S333 | | Allan Clayton, Julius Drake | 2:22 |
| Andante et Rondo, op. 25: I. Andante | | Franz Doppler | 4:31 |
| Andante et Rondo, op. 25: II. Rondo | | Franz Doppler | 4:43 |
| Angels From the Realms of Glory | | Choir of King’s College, Cambridge | 3:43 |
| At the Ball, op. 38 no. 3 | | Elena Kelessidi, Malcolm Martineau | 2:09 |
| Away in a Manger | | Choir of King’s College, Cambridge | 2:29 |
| Bidding Prayer, Lord’s Prayer and Blessing | | Choir of King’s College, Cambridge, Stephen Cleobury | 3:26 |
| Cello Concerto no. 1 in A minor, op. 33: Allegretto con moto - | | Natalie Clein, BBC Scottish Symphony Orchestra, Andrew Manze | 5:01 |
| Cello Concerto no. 1 in A minor, op. 33: Allegro non troppo | | Natalie Clein, BBC Scottish Symphony Orchestra, Andrew Manze | 5:52 |
| Cello Concerto no. 1 in A minor, op. 33: Tempo primo | | Natalie Clein, BBC Scottish Symphony Orchestra, Andrew Manze | 8:53 |
| Cello Concerto no. 2 in D minor, op. 119: Allegro moderato e maestoso - Andante sostenuto | | Natalie Clein, BBC Scottish Symphony Orchestra, Andrew Manze | 11:27 |
| Cello Concerto no. 2 in D minor, op. 119: Allegro non troppo - Cadenza - Tempo 1 - Molto allegro | | Natalie Clein, BBC Scottish Symphony Orchestra, Andrew Manze | 6:25 |
| Cello Sonata in C, op. 119: I. Andante grave | | Leonard Elschenbroich, Alexei Grynyuk | 12:40 |
| Cello Sonata in C, op. 119: II. Moderato - | | Leonard Elschenbroich, Alexei Grynyuk | 5:19 |
| Cello Sonata in C, op. 119: III. Allegro, ma non troppo | | Leonard Elschenbroich, Alexei Grynyuk | 8:31 |
| Cello Sonata no. 1 in F major, op. 5/1: I. Adagio sostenuto – Allegro | | Shai Wosner, Ralph Kirshbaum | 17:48 |
| Cello Sonata no. 1 in F major, op. 5/1: II. Rondo: Allegro vivace | | Shai Wosner, Ralph Kirshbaum | 7:07 |
| Cello Sonata no. 2 in G minor, op. 5/2: I. Adagio sostenuto ed espressivo – Allegro molto, più tosto presto | | Shai Wosner, Ralph Kirshbaum | 16:13 |
| Cello Sonata no. 2 in G minor, op. 5/2: II. Rondo: Allegro | | Shai Wosner, Ralph Kirshbaum | 9:23 |
| Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto | | Shai Wosner, Ralph Kirshbaum | 12:48 |
| Cello Sonata no. 3 in A major, op. 69: II. Scherzo: Allegro molto | | Shai Wosner, Ralph Kirshbaum | 5:42 |
| Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile – Allegro vivace | | Shai Wosner, Ralph Kirshbaum | 8:53 |
| Cello Sonata no. 4 in C major, op. 102/1: I. Andante – Allegro vivace | | Shai Wosner, Ralph Kirshbaum | 7:51 |
| Cello Sonata no. 4 in C major, op. 102/1: II. Adagio – Tempo d’andante – Allegro vivace | | Shai Wosner, Ralph Kirshbaum | 7:28 |
| Cello Sonata no. 5 in D major, op. 102/2: I. Allegro con brio | | Shai Wosner, Ralph Kirshbaum | 6:40 |
| Cello Sonata no. 5 in D major, op. 102/2: II. Adagio con molto sentimento d’affetto | | Shai Wosner, Ralph Kirshbaum | 9:54 |
| Cello Sonata no. 5 in D major, op. 102/2: III. Allegro fugato | | Shai Wosner, Ralph Kirshbaum | 4:37 |
| Cello Sonata, H125: Adagio ma non troppo – Molto allegro e agitato – Adagio ma non troppo – Allegro moderato | | Natalie Clein, Christian Ihle Hadland | 11:12 |
| Cello Sonata, H125: Allegro ben moderato | | Natalie Clein, Christian Ihle Hadland | 9:52 |
| Chanson d'amour, op. 20 | | Franz Doppler | 11:26 |
| Chant | | Matthew Barley | 4:25 |
| Chorale Preludes: Christ, unser Herr, zum Jordan kam, BWV 684 | | Stephen Cleobury | 4:35 |
| Chorale Preludes: Kyrie. Gott heiliger Geist, BWV 671 | | Stephen Cleobury | 4:16 |
| Chorale Preludes: Wir glauben all an einen Gott, BWV 680 | | Stephen Cleobury | 3:33 |
| Chout, op. 21: Chout & Chouticha | | Hans Eijsackers, Jan Bastiaan Neven | 2:01 |
| Chout, op. 21: Chouticha | | Hans Eijsackers, Jan Bastiaan Neven | 1:02 |
| Chout, op. 21: Dance of Chout’s Daughters | | Hans Eijsackers, Jan Bastiaan Neven | 1:11 |
| Chout, op. 21: The Merchant’s Dream | | Hans Eijsackers, Jan Bastiaan Neven | 1:28 |
| Chout, op. 21: The Sad Merchant | | Hans Eijsackers, Jan Bastiaan Neven | 1:55 |
| Christmas Carol | | Choir of King’s College, Cambridge, Stephen Cleobury | 4:54 |
| Christmas Eve | | Choir of King’s College, Cambridge, Stephen Cleobury | 6:00 |
| Ciaccona, intermezzo e adagio: Adagio | | Natalie Clein | 5:34 |
| Ciaccona, intermezzo e adagio: Ciaccona: Con larghezza | | Natalie Clein | 8:00 |
| Ciaccona, intermezzo e adagio: Intermezzo: Allegro, con espressione drastica | | Natalie Clein | 2:44 |
| Collect and Blessing | | Choir of King’s College, Cambridge, Stephen Cleobury | 1:16 |
| Comment, disaient-ils, S 276 (second version) | | Julia Kleiter, Julius Drake | 1:51 |
| Comment, disaient-ils, S276 (first version) | | Allan Clayton, Julius Drake | 2:00 |
| Concert Étude, op. 49 | | Alison Balsom, Tom Poster | 3:17 |
| Concerto for Piano, Violin and Cello in C, op. 56 “Triple”: I. Allegro | | Elizabeth Sombart, Duncan Riddell, Richard Harwood, Royal Philharmonic Orchestra, Pierre Vallet | 17:45 |
| Concerto for Piano, Violin and Cello in C, op. 56 “Triple”: II. Largo | | Elizabeth Sombart, Duncan Riddell, Richard Harwood, Royal Philharmonic Orchestra, Pierre Vallet | 4:22 |
| Concerto for Piano, Violin and Cello in C, op. 56 “Triple”: III. Rondo alla polacca | | Elizabeth Sombart, Duncan Riddell, Richard Harwood, Royal Philharmonic Orchestra, Pierre Vallet | 13:08 |
| Concerto in B Minor, RV 580: I. Allegro (arr. for Guitar & Baroque Ensemble by Michael Lewin) | | Antonio Vivaldi | 3:53 |
| Concerto in B Minor, RV 580: III. Allegro (arr. for Guitar by Michael Lewin) | | Antonio Vivaldi | 3:22 |
| Concerto in D Minor: II. Adagio (arr. for Guitar & Baroque Ensemble by Michael Lewin) | | Alessandro Marcello | 3:42 |
| Concerto No. 2 in G Minor, RV 439 “La Notte”: VI. Allegro (arr. for Guitar & Baroque Ensemble by Michael Lewin) | | Antonio Vivaldi | 2:17 |
| Coventry Carol | | Choir of King’s College, Cambridge | 2:49 |
| Cradle Song | | Henk Neven, Hans Eijsackers, Jan Bastiaan Neven | 4:13 |
| Daisies, op. 38 no. 3 | | Elena Kelessidi, Malcolm Martineau | 2:42 |
| Das irdische Leben | | Christianne Stotijn, Julius Drake | 2:47 |
| Das Orgel-Büchlein: Heut triumphieret Gottes Sohn, BWV 630 | | Stephen Cleobury | 1:26 |
| Das Orgel-Büchlein: In dir ist Freude, BWV 615 | | Stephen Cleobury | 2:42 |
| Das Orgel-Büchlein: O Mensch, bewein dein Sünde groß, BWV 622 | | Stephen Cleobury | 5:14 |
| Der du von dem Himmel bist, S. 279 (first version) | | Angelika Kirchschlager, Julius Drake | 4:41 |
| Der du von dem Himmel bist, S. 279 (third version) | | Angelika Kirchschlager, Julius Drake | 4:03 |
| Der Schildwache Nachtlied | | Christianne Stotijn, Julius Drake | 6:25 |
| Des Antonius von Padua Fischpredigt | | Christianne Stotijn, Julius Drake | 4:32 |
| Det är en ros utsprungen | | Choir of King’s College, Cambridge, Stephen Cleobury | 4:00 |
| Die drei Zigeuner, S. 320 (first version) | | Angelika Kirchschlager, Julius Drake | 6:08 |
| Die Lorelei, S273 (fourth version) | | Allan Clayton, Julius Drake | 7:17 |
| Die Loreley, S 273 (first version) | | Julia Kleiter, Julius Drake | 5:52 |
| Die Macht der Musik, S 302 (second version) | | Julia Kleiter, Julius Drake | 10:16 |
| Die Zelle in Nonnenwerth, S 274 (first version) | | Julia Kleiter, Julius Drake | 4:38 |
| Die Zelle in Nonnenwerth, S274 (third version) | | Allan Clayton, Julius Drake | 5:01 |
| Ding! Dong! Merrily on High | | Choir of King’s College, Cambridge, Stephen Cleobury | 2:45 |
| See all 592 relationships |
| recording engineer for |
|---|
| 2020-11-30 – 2020-12-02 | 3 Old Vienna Dances: No. 2, Liebesleid | | Janine Jansen, Antonio Pappano | 3:50 |
| 2020-11-30 – 2020-12-02 | 3 Romances sans paroles, op. 7: II. Désespoir | | Janine Jansen, Antonio Pappano | 2:36 |
| 2020-11-30 – 2020-12-02 | 3 Romances, op. 22: I. Andante molto | | Janine Jansen, Antonio Pappano | 3:07 |
| 2020-11-30 – 2020-12-02 | 6 Pieces, op. 7: I. Love Song | | Janine Jansen, Antonio Pappano | 6:36 |
| 2020-11-30 – 2020-12-02 | Der Opernball: Midnight Bells | | Janine Jansen, Antonio Pappano | 3:15 |
| 2020-11-30 – 2020-12-02 | Eugene Onegin, op. 24, TH 5: Lensky’s Aria | | Janine Jansen, Antonio Pappano | 6:23 |
| 2020-11-30 – 2020-12-02 | Fantasiestücke, op. 73: I. Zart und mit Ausdruck | | Janine Jansen, Antonio Pappano | 3:05 |
| 2020-11-30 – 2020-12-02 | La vida breve: Danse Espagnole | | Janine Jansen, Antonio Pappano | 3:41 |
| 2020-11-30 – 2020-12-02 | Mythes, op. 30: I. La fontaine d’Aréthuse | | Janine Jansen, Antonio Pappano | 5:23 |
| 2020-11-30 – 2020-12-02 | Pièce en forme de Habanera, M. 51 | | Janine Jansen, Antonio Pappano | 3:03 |
| 2020-11-30 – 2020-12-02 | Roberta: Yesterdays | | Janine Jansen, Antonio Pappano | 2:24 |
| 2020-11-30 – 2020-12-02 | Sonata in G minor, op. 19: III. Andante | | Janine Jansen, Antonio Pappano | 5:50 |
| 2020-11-30 – 2020-12-02 | Sospiri, op. 70 | | Janine Jansen, Antonio Pappano | 4:25 |
| 2020-11-30 – 2020-12-02 | Souvenir d’un lieu cher, op. 42: III. Mélodie. Moderato con moto | | Janine Jansen, Antonio Pappano | 3:44 |
| 2020-11-30 – 2020-12-02 | Syncopation | | Janine Jansen, Antonio Pappano | 2:18 |
| Fragment of a Fantasia in C Minor for Piano and Violin, Fr 1782l (Jones Completion 1) | | Wolfgang Amadeus Mozart, completed by Timothy Jones | 9:32 |
| Fragment of a Sonata in A Major for Piano and Violin, Fr 1784b (Jones Completion 1) | | Wolfgang Amadeus Mozart, completed by Timothy Jones | 7:40 |
| Fragment of a Sonata in A Major for Piano and Violin, Fr 1784b (Jones Completion 4) | | Wolfgang Amadeus Mozart, completed by Timothy Jones | 7:35 |
| Fragment of a Sonata in B-Flat Major for Piano and Violin, Fr 1782c (Jones Completion 2) | | Wolfgang Amadeus Mozart, completed by Timothy Jones | 7:14 |
| Fragment of a Sonata in B-Flat Major for Piano and Violin, Fr 1782c (Jones Completion 3) | | Wolfgang Amadeus Mozart, completed by Timothy Jones | 6:49 |
| Fragment of a Sonata in G Major for Piano and Violin, Fr 1789f (Jones Completion 1) | | Wolfgang Amadeus Mozart, completed by Timothy Jones | 7:22 |
| Fragment of a Sonata in G Major for Piano and Violin, Fr 1789f (Jones Completion 2) | | Wolfgang Amadeus Mozart, completed by Timothy Jones | 8:39 |
| Introduction and Variations on a German national air in E major 'Der Schweizerbub', KkIVa/4 | | Nikolai Demidenko | 6:54 |
| Scherzo no. 1 in B minor, op. 20 | | Nikolai Demidenko | 10:31 |
| Scherzo no. 2 in B-flat minor, op. 31 | | Nikolai Demidenko | 10:14 |
| Scherzo no. 3 in C-sharp minor, op. 39 | | Nikolai Demidenko | 7:41 |
| Scherzo no. 4 in E major, op. 54 | | Nikolai Demidenko | 10:57 |
| Variations on 'Là ci darem la mano' from Mozart's Don Giovanni in B-flat major, op. 2 | | Nikolai Demidenko | 15:58 |
| vocals |
|---|
| Mozart’s Requiem: An Audio Documentary, Chapter 3: Reception | spoken vocals | Cliff Eisen read by Elin Manahan Thomas with additional dialogue from Kate Caro, Simon Kiln, Duncan Druce and Michael Finnissy | 34:25 |
| edited |
|---|
| Back to Titanic | | James Horner | |
| Berlioz Arias | | Berlioz; Roberto Alagna, Bertrand de Billy, Orchestra of the Royal Opera House, Covent Garden | |
| Kennedy plays Bach with the Berlin Philharmonic | | Johann Sebastian Bach; Nigel Kennedy, Berliner Philharmoniker | |
| Pärt: Symphony no. 3 / Fratres / Kancheli: Symphony no. 3 | | Arvo Pärt, Giya Kancheli; London Philharmonic Orchestra, Franz Welser‐Möst | |
| Piano Sonata no. 3 / Ballade no. 4 / Waltzes | | Chopin; Ingrid Fliter | |
| Serenade for Tenor, Horn and Strings / Les Illuminations / Nocturne | | Britten; Ian Bostridge, Radek Baborák, Berliner Philharmoniker, Simon Rattle | |
| Symphony no. 4 | | Bruckner; Simon Rattle, Berliner Philharmoniker | |
| The Lord of the Rings: The Fellowship of the Ring: Original Motion Picture Soundtrack | | Howard Shore | |
| The Lord of the Rings: The Fellowship of the Ring: The Complete Recordings | | Howard Shore | |
| The Lord of the Rings: The Fellowship of the Ring: The Complete Recordings | | Howard Shore | |
| The Lord of the Rings: The Return of the King: Original Motion Picture Soundtrack | | Howard Shore | |
| The Lord of the Rings: The Return of the King: The Complete Recordings | | Howard Shore | |
| The Lord of the Rings: The Two Towers: Original Motion Picture Soundtrack | | Howard Shore | |
| The Lord of the Rings: The Two Towers: The Complete Recordings | | Howard Shore | |
| The Mask of Zorro | | James Horner | |
| mastering |
|---|
| Around Britten | | Britten, Bryars, Tavener; Matthew Barley | |
| Bach and Beyond | | Gabriela Montero | |
| Ecce Cor Meum | | Paul McCartney; Academy of St. Martin‐in‐the‐Fields, Gavin Greenaway | |
| Shostakovich: Violin Concerto no. 1 / Prokofiev: Violin Concerto no. 1 | | Shostakovich, Prokofiev; Sarah Chang, Simon Rattle, Berliner Philharmoniker | |
| Sonatas for Solo Violin | | Ysaÿe; James Ehnes | |
| String Quartet no. 3 / Piano Quintet | | Shostakovich; Belcea Quartet, Piotr Anderszewski | |
| String Quartet no. 3 / Piano Quintet | | Shostakovich; Belcea Quartet, Piotr Anderszewski | |
| Violin Concertos | | Sibelius, Mendelssohn; Sarah Chang, Berliner Philharmoniker, Mariss Jansons | |
| produced |
|---|
| Howard, Kernis: Violin Concertos / Tovey: Stream of Limelight | | James Newton Howard, Aaron Jay Kernis, Bramwell Tovey; James Ehnes | |
| Howard, Kernis: Violin Concertos / Tovey: Stream of Limelight | | James Newton Howard, Aaron Jay Kernis, Bramwell Tovey; James Ehnes | |
| Kennedy plays Bach with the Berlin Philharmonic | assistant | Johann Sebastian Bach; Nigel Kennedy, Berliner Philharmoniker | |
