# | Title | Rating | Length |
---|
1 | Opening | 3 | 1:22 |
2 | Conquest of Paradise | 4 | 4:48 |
3 | Monastery of La Rabida | | 3:39 |
4 | City of Isabel | 2.75 | 2:16 |
5 | Light and Shadow | | 3:47 |
6 | Deliverance | 3 | 3:29 |
7 | West Across the Ocean Sea | 3 | 2:53 |
8 | Eternity | | 2:00 |
9 | Hispanola | | 4:57 |
10 | Moxica and the Horse | 4 | 7:07 |
11 | Twenty Eighth Parallel | 5 | 5:14 |
12 | Pinta, Nina, Santa Maria (Into Eternity)- recording engineer and mixer:
- Philippe Colonna
- assistant producer:
- Frederick Rousseau
- producer:
- Vangelis
- classical guitar [Spanish guitar]:
- Bruno Manjarrés and Pepe Martinez
- flute:
- Didier Malherbe
- mandolin and violin:
- Francis Darizcuren
- choir vocals:
- English Chamber Choir
- vocals:
- Bruno Manjarrés, Pepe Martinez and Guy Protheroe
- conductor:
- Guy Protheroe
- performer:
- Vangelis
- arranger:
- Vangelis
- recorded at:
- CTS Studios in Wembley, Brent, London , England, United Kingdom (choir vocals) and Epsilon Laboratory in Paris, Île-de-France, France
- mixed at:
- Epsilon Laboratory in Paris, Île-de-France, France
- recording of:
- Pinta, Nina, Santa Maria (Into Eternity)
- composer:
- Vangelis
| 4 | 13:20 |