| # | Title | Artist | Rating | Length |
|---|
| 1 | Let’s Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 2 | 3:01 |
| 2 | Heaven Is a Place on Earth | Belinda Carlisle | 4.05 | 4:05 |
| 3 | China in Your Hand | T’Pau | 4 | 4:03 |
| 4 | Everything I Own | Boy George | 2.75 | 3:55 |
| 5 | Sledgehammer | Peter Gabriel | 3.75 | 4:55 |
| 6 | Rise | Public Image Ltd. | | 4:30 |
| 7 | Separate Lives- producer:
- Arif Mardin
- drums (drum set):
- Phil Collins
- guitar:
- Daryl Stuermer
- keyboard:
- Nick Glennie‐Smith
- lead vocals:
- Phil Collins and Marilyn Martin
- recording of:
- Separate Lives
- lyricist and composer:
- Stephen Bishop
- publisher:
- Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング, EMI Music Publishing Ltd. (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) and Warner Chappell Music Ltd. (in 1985)
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- cover recording of:
- Separate Lives
- lyricist and composer:
- Stephen Bishop
- publisher:
- Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング, EMI Music Publishing Ltd. (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) and Warner Chappell Music Ltd. (in 1985)
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
| Phil Collins & Marilyn Martin | 3.5 | 4:10 |
| 8 | Waterfront | Simple Minds | 4.35 | 4:49 |
| 9 | Karma Chameleon- engineer:
- Simon Frith, Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest harmonica:
- Judd Lander (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon
- writer:
- Mikey Craig , George O’Dowd, Roy Hay , Jon Moss and Phil Pickett
- publisher:
- EMI Virgin Music Ltd. and BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | | 4:12 |
| 10 | Mama | Genesis | | 6:07 |
| 11 | Temptation | Heaven 17 | 2.35 | 3:08 |
| 12 | Ghosts | Japan | | 3:48 |
| 13 | It Must Be Love | Madness | 4 | 3:18 |
| 14 | In the Air Tonight | Phil Collins | 4.4 | 5:28 |
| 15 | Love Action (I Believe in Love) | The Human League | 3 | 3:51 |
| 16 | Pretty Vacant- engineer:
- Bill Price
- producer:
- Bill Price and Chris Thomas
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom (in 1977-03)
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 34)
- live recording of:
- Pretty Vacant
- writer:
- Steve Jones , John Lydon , Glen Matlock and Paul Thomas Cook
- publisher:
- A Thousand Miles Long, Inc., Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd , Stephen Philip Jones, Warner/Chappell Music Ltd. and WB Music Corp.
| Sex Pistols | 3.7 | 3:16 |
| 17 | Love Is the Drug | Roxy Music | 4.2 | 4:08 |
| 18 | Tubular Bells (single edit) | Mike Oldfield | 4 | 4:15 |
| 19 | Happy Anniversary Virgin | Loudon Wainwright III | | 2:11 |
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