Count Plays Duke

~ Release by The Count Basie Orchestra (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Take the "A" Train
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Take the “A” Train (original instrumental version) (from 1998-06-03 until 1998-06-04)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
5:36
2It Don't Mean a Thing (If It Ain't Got That Swing)
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1998-06)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:05
3I Got It Bad and That Ain't Good
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
instrumental recording of:
I Got It Bad (and That Ain’t Good) (in 1998-06)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
6:15
4Let a Song Go Out of My Heart
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
instrumental recording of:
I Let a Song Go Out of My Heart (in 1998-06)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:24
5Just Squeeze Me (But Don't Tease Me)
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
instrumental recording of:
Just Squeeze Me (but Don’t Tease Me) (in 1998-06)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
4:40
6Do Nothin' Till You Hear From Me
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Do Nothin’ Till You Hear From Me (from 1998-06-03 until 1998-06-04)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
4:34
7The Star-Crossed Lovers
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
The Star-Crossed Lovers (in 1998-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
4:09
8Love You Madly
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Love You Madly (in 1998-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:57
9In a Sentimental Mood
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
instrumental recording of:
In a Sentimental Mood (in 1998-06)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
4:28
10Cottontail
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
instrumental recording of:
Cotton Tail (in 1998-06)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:13
11Paris Blues
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Paris Blues (in 1998-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:54
12Mood Indigo
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
instrumental recording of:
Mood Indigo (1930 jazz composition and song) (in 1998-06)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:15
13I'm Just a Lucky So and So
engineer:
Josiah Gluck
producer:
Douglas Evans and Allyn Ferguson
mixer:
Dayton “Bones” Howe
editor:
Douglas Evans
drums (drum set):
Butch Miles (from 1998-06-03 until 1998-06-04)
saxophone:
Kenny Hing (from 1998-06-03 until 1998-06-04)
trombone:
Clarence Banks (from 1998-06-03 until 1998-06-04)
conductor:
Grover Mitchell (trombone) (from 1998-06-03 until 1998-06-04)
arranger:
Allyn Ferguson
phonographic copyright (℗) by:
MAMA Foundation
recorded at:
Edison Recording Studio in New York, New York, United States (from 1998-06-03 until 1998-06-04)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
instrumental recording of:
I’m Just a Lucky So and So (in 1998-06)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
4:32

Credits

Release

ASIN:US: B00000AFTW [info]