Bix ’n’ Bing

~ Release by Bix Beiderbecke & Bing Crosby with the Paul Whiteman Orchestra (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Changes
producer:
Leroy Shield
alto saxophone:
Jimmy Dorsey (on 1927-11-23), Chester Hazlett (on 1927-11-23), Nye Mayhew (on 1927-11-23), Hal McLean (on 1927-11-23) and Charles Strickfaden (on 1927-11-23)
banjo:
Mike Pingitore (on 1927-11-23)
baritone saxophone:
Charles Strickfaden (on 1927-11-23)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1927-11-23)
double bass:
Steve Brown (1920s jazz bassist) (on 1927-11-23)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1927-11-23)
piano:
Harry Perrella (on 1927-11-23)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1927-11-23) and Wilbur Hall (on 1927-11-23)
trumpet:
Henry Busse (on 1927-11-23) and Charlie Margulis (on 1927-11-23)
tuba:
Mike Trafficante (on 1927-11-23)
violin:
Kurt Dieterle (on 1927-11-23), Matty Malneck (on 1927-11-23), Mario Perry (on 1927-11-23) and Mischa Russell (violinist) (on 1927-11-23)
baritone vocals:
Bing Crosby (on 1927-11-23)
tenor vocals:
Harry Barris (on 1927-11-23), Al Rinker (on 1927-11-23) and Austin “Skin” Young (on 1927-11-23)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1927-11-23), Charles Gaylord (on 1927-11-23) and The Rhythm Boys (vocal group including Bing Crosby, 1927-1930) (on 1927-11-23)
orchestra:
Paul Whiteman and His Orchestra (on 1927-11-23)
conductor:
Paul Whiteman (on 1927-11-23)
arranger:
Bill Challis
recorded at:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, United States (on 1927-11-23)
recording of:
Changes (on 1927-11-23)
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Leo Feist, Inc. (in 1927)
2:58
2(What Are You Waiting for) Mary
producer:
Leroy Shield
alto saxophone:
Jimmy Dorsey (on 1927-11-25), Chester Hazlett (on 1927-11-25) and Hal McLean (on 1927-11-25)
banjo:
Mike Pingitore (on 1927-11-25)
baritone saxophone:
Charles Strickfaden (on 1927-11-25)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1925-11-25, on 1927-11-25)
double bass:
Steve Brown (1920s jazz bassist) (on 1927-11-25)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1927-11-25)
piano:
Harry Perrella (on 1927-11-25)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1927-11-25)
trombone:
Tommy Dorsey (Swing trombone player & band leader) (on 1927-11-25) and Wilbur Hall (on 1927-11-25)
trumpet:
Henry Busse (on 1927-11-25) and Charlie Margulis (on 1927-11-25)
tuba:
Mike Trafficante (on 1927-11-25)
violin:
Kurt Dieterle (on 1927-11-25), Matty Malneck (on 1927-11-25), Mario Perry (on 1927-11-25) and Mischa Russell (violinist) (on 1927-11-25)
baritone vocals:
Bing Crosby (on 1925-11-25, on 1927-11-25)
orchestra:
Paul Whiteman and His Orchestra (on 1927-11-25)
conductor:
Paul Whiteman (on 1927-11-25)
arranger:
Matty Malneck
recorded at:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, United States (on 1925-11-25, on 1927-11-25)
recording of:
Mary (What Are You Waiting For?) (on 1927-11-25)
lyricist and composer:
Walter Donaldson
2:50
3There Ain’t No Sweet Man That’s Worth the Salt of My Tears
alto saxophone:
Rube Crozier (on 1928-02-08), Jimmy Dorsey (on 1928-02-08), Chester Hazlett (on 1928-02-08) and Hal McLean (on 1928-02-08)
banjo:
Mike Pingitore (on 1928-02-08)
baritone saxophone:
Charles Strickfaden (on 1928-02-08)
bassoon and flute:
Rube Crozier (on 1928-02-08)
clarinet:
Jimmy Dorsey (on 1928-02-08), Hal McLean (on 1928-02-08) and Charles Strickfaden (on 1928-02-08)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1928-02-08, on 1928-02-28)
double bass:
Steve Brown (1920s jazz bassist) (on 1928-02-08)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1928-02-08)
piano:
Roy Bargy (pianist) (on 1928-02-08) and Tom Satterfield (pianist) (on 1928-02-08)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1928-02-08)
trombone:
Boyce Cullen (trombonist) (on 1928-02-08), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-08), Wilbur Hall (on 1928-02-08) and Bill Rank (on 1928-02-08)
trumpet:
Henry Busse (on 1928-02-08) and Charlie Margulis (on 1928-02-08)
tuba:
Mike Trafficante (on 1928-02-08)
violin:
John Bowman (US jazz violin player) (on 1928-02-08), Kurt Dieterle (on 1928-02-08), Charles Gaylord (on 1928-02-08), Matty Malneck (on 1928-02-08), Mario Perry (on 1928-02-08) and Mischa Russell (violinist) (on 1928-02-08)
baritone vocals:
Bing Crosby (on 1928-02-08, on 1928-02-28)
tenor vocals:
Harry Barris (on 1928-02-08), Al Rinker (on 1928-02-08) and Austin “Skin” Young (on 1928-02-08)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-08) and Charles Gaylord (on 1928-02-08)
orchestra:
Paul Whiteman and His Orchestra (on 1928-02-08, on 1928-02-28)
conductor:
Paul Whiteman (on 1928-02-08)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-02-08, on 1928-02-28)
cover recording of:
There Ain’t No Sweet Man That’s Worth the Salt of My Tears (on 1928-02-08)
lyricist and composer:
Fred Fisher
publisher:
Sony/ATV Tunes LLC
3:32
4Sunshine
alto saxophone:
Rube Crozier (on 1928-02-13), Jimmy Dorsey (on 1928-02-13), Chester Hazlett (on 1928-02-13), Jack Mayhew (on 1928-02-13) and Nye Mayhew (on 1928-02-13)
banjo:
Mike Pingitore (on 1928-02-13)
baritone saxophone:
Nye Mayhew (on 1928-02-13) and Charles Strickfaden (on 1928-02-13)
bassoon and flute:
Rube Crozier (on 1928-02-13)
clarinet:
Jimmy Dorsey (on 1928-02-13), Izzy Friedman (on 1928-02-13), Jack Mayhew (on 1928-02-13) and Charles Strickfaden (on 1928-02-13)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1928-02-13) and Bob Mayhew (on 1928-02-13)
double bass:
Steve Brown (1920s jazz bassist) (on 1928-02-13)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1928-02-13)
guitar:
Wilbur Hall (on 1928-02-13)
piano:
Roy Bargy (pianist) (on 1928-02-13), Harry Perrella (on 1928-02-13) and Tom Satterfield (pianist) (on 1928-02-13)
saxophone [c melody saxophone]:
Frankie Trumbauer (on 1928-02-13)
trombone:
Boyce Cullen (trombonist) (on 1928-02-13), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-13) and Bill Rank (on 1928-02-13)
trumpet:
Henry Busse (on 1928-02-13) and Charlie Margulis (on 1928-02-13)
tuba:
Mike Trafficante (on 1928-02-13)
violin:
John Bowman (US jazz violin player) (on 1928-02-13), Kurt Dieterle (on 1928-02-13), Charles Gaylord (on 1928-02-13), Matty Malneck (on 1928-02-13), Mario Perry (on 1928-02-13) and Mischa Russell (violinist) (on 1928-02-13)
baritone vocals:
Bing Crosby (on 1928-02-13)
tenor vocals:
Al Rinker (on 1928-02-13) and Austin “Skin” Young (on 1928-02-13)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-02-13) and Charles Gaylord (on 1928-02-13)
orchestra:
Paul Whiteman and His Orchestra (on 1928-02-13)
conductor:
Paul Whiteman (on 1928-02-13)
recorded at:
Liederkranz Hall in New York, New York, United States (on 1928-02-13)
recording of:
Sunshine (on 1928-02-13)
lyricist and composer:
Irving Berlin
3:01
5Mississippi Mud
vocals:
The Rhythm Boys (vocal group including Bing Crosby, 1927-1930)
recording of:
Mississippi Mud (on 1928-02-18)
writer:
Harry Barris (in 1927) and James Cavanaugh (in 1927)
3:31
6High Water
recording of:
High Water (on 1928-02-28)
lyricist and composer:
J. Keirn Brennan and Marsh McCardy (songwriter)
3:59
7From Monday On
recording of:
From Monday On
writer:
Harry Barris and Bing Crosby
3:07
8Lovable
alto saxophone:
Chester Hazlett (on 1928-03-15) and Charles Strickfaden (on 1928-03-15)
banjo:
Mike Pingitore (on 1928-03-15)
baritone saxophone:
Charles Strickfaden (on 1928-03-15)
bass saxophone:
Min Leibrook (on 1928-03-15)
cello and piano:
Tom Satterfield (pianist) (on 1928-03-15)
clarinet:
Izzy Friedman (on 1928-03-15)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1928-03-15)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1928-03-15)
saxophone [C-melody saxophone]:
Frankie Trumbauer (on 1928-03-15)
trombone:
Bill Rank (on 1928-03-15)
trumpet:
Henry Busse (on 1928-03-15) and Charlie Margulis (on 1928-03-15)
violin:
Matty Malneck (on 1928-03-15)
vocals:
Bing Crosby (on 1928-03-15)
recording of:
Lovable (on 1928-03-15)
lyricist and composer:
Ralph Holmes (songwriter), Seymour Simons and Richard A. Whiting
3:01
9My Pet
vocals:
The Rhythm Boys (vocal group including Bing Crosby, 1927-1930)
recording of:
My Pet (on 1928-04-22)
lyricist:
Jack Yellen
composer:
Milton Ager
2:55
10Louisianna
alto saxophone and flute:
Hal McLean (on 1928-04-23)
banjo:
Mike Pingitore (on 1928-04-23)
bass saxophone:
Min Leibrook (on 1928-04-23)
clarinet:
Izzy Friedman (on 1928-04-23)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1928-04-23)
double bass:
Mike Trafficante (on 1928-04-23)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1928-04-23)
piano:
Roy Bargy (pianist) (on 1928-04-23) and Lennie Hayton (on 1928-04-23)
saxophone [C-melody saxophone]:
Frankie Trumbauer (on 1928-04-23)
trombone:
Boyce Cullen (trombonist) (on 1928-04-23), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-04-23), Wilbur Hall (on 1928-04-23) and Bill Rank (on 1928-04-23)
trumpet:
Henry Busse (on 1928-04-23), Charlie Margulis (on 1928-04-23) and Eddie Pinder (jazz trumpeter) (on 1928-04-23)
violin:
John Bowman (US jazz violin player) (on 1928-04-23), Kurt Dieterle (on 1928-04-23), Charles Gaylord (on 1928-04-23), Matty Malneck (on 1928-04-23), Mario Perry (on 1928-04-23) and Mischa Russell (violinist) (on 1928-04-23)
vocals:
Bing Crosby (on 1928-04-23), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-04-23), Charles Gaylord (on 1928-04-23) and Austin “Skin” Young (on 1928-04-23)
recording of:
Louisiana (on 1928-04-23)
writer:
J.C. Johnson and Bob Schafer
composer:
Andy Razaf
3:00
11Do I Hear You Saying “I Love You”?
recording of:
Do I Hear You Saying “I Love You”? (from “Present Arms”) (on 1928-04-24)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
3:00
12You Took Advantage of Me
alto saxophone and flute:
Hal McLean (on 1928-04-25)
banjo:
Mike Pingitore (on 1928-04-25)
bass saxophone:
Min Leibrook (on 1928-04-25)
clarinet:
Izzy Friedman (on 1928-04-25)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1928-04-25)
double bass:
Mike Trafficante (on 1928-04-25)
drums (drum set):
Harold McDonald (drummer active in the 1920’s) (on 1928-04-25)
piano:
Roy Bargy (pianist) (on 1928-04-25) and Lennie Hayton (on 1928-04-25)
trombone:
Boyce Cullen (trombonist) (on 1928-04-25), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-04-25), Wilbur Hall (on 1928-04-25) and Bill Rank (on 1928-04-25)
trumpet:
Henry Busse (on 1928-04-25), Charlie Margulis (on 1928-04-25) and Eddie Pinder (jazz trumpeter) (on 1928-04-25)
violin:
John Bowman (US jazz violin player) (on 1928-04-25), Kurt Dieterle (on 1928-04-25), Charles Gaylord (on 1928-04-25), Matty Malneck (on 1928-04-25), Mario Perry (on 1928-04-25) and Mischa Russell (violinist) (on 1928-04-25)
vocals:
Bing Crosby (on 1928-04-25), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1928-04-25), Charles Gaylord (on 1928-04-25) and Austin “Skin” Young (on 1928-04-25)
recording of:
You Took Advantage of Me (on 1928-04-25)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
2:55
13’Taint So, Honey, ’Taint So
alto saxophone:
Rube Crozier (on 1928-06-10) and Chester Hazlett (on 1928-06-10)
banjo:
Mike Pingitore (on 1928-06-10)
baritone saxophone:
Red Mayer (on 1928-06-10) and Charles Strickfaden (on 1928-06-10)
bass clarinet:
Chester Hazlett (on 1928-06-10)
bassoon:
Rube Crozier (on 1928-06-10)
clarinet:
Irving Friedman (on 1928-06-10) and Red Mayer (on 1928-06-10)
cor anglais:
Charles Strickfaden (on 1928-06-10)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1928-06-10)
double bass:
Mike Trafficante (on 1928-06-10)
drums (drum set):
George Marsh (drums) (on 1928-06-10)
piano:
Roy Bargy (pianist) (on 1928-06-10)
saxophone [C-melody sax]:
Frank Trumbauer (on 1928-06-10)
tenor saxophone:
Irving Friedman (on 1928-06-10), Red Mayer (on 1928-06-10) and Charles Strickfaden (on 1928-06-10)
trombone:
Boyce Cullen (trombonist) (on 1928-06-10) and Bill Rank (on 1928-06-10)
trumpet:
Charles Margulis (on 1928-06-10) and Eddie Pinder (jazz trumpeter) (on 1928-06-10)
tuba:
Min Leibrook (on 1928-06-10)
violin:
Kurt Dieterle (on 1928-06-10), Matty Malneck (on 1928-06-10), Mario Perry (on 1928-06-10) and Mischa Russell (violinist) (on 1928-06-10)
vocals:
Bing Crosby (on 1928-06-10)
orchestra:
Paul Whiteman and His Orchestra (on 1928-06-10)
recording of:
’Taint So, Honey, ’Taint So (on 1928-06-10)
lyricist and composer:
Willard Robison
2:49
14That’s My Weakness Now
orchestra:
Paul Whiteman Orchestra
recording of:
That’s My Weakness Now (on 1928-06-17)
writer:
Bud Green (in 1928) and Sam H. Stept (in 1928)
3:01
15Because My Baby Don’t Mean “Maybe” Now
orchestra:
Paul Whiteman Orchestra
recording of:
Because My Baby Don’t Mean Maybe Now (on 1928-06-18)
lyricist and composer:
Walter Donaldson
2:59
16I’m in the Seventh Heaven
recording of:
I'm in the Seventh Heaven (from "Say It With Songs")
writer:
Lew Brown, Buddy DeSylva, Ray Henderson and Al Jolson
3:14
17Reaching for Someone (and Not Finding Anyone There)
banjo:
Mike Pingitore (on 1929-05-03)
bass saxophone:
Min Leibrook (on 1929-05-03)
clarinet:
Izzy Friedman (on 1929-05-03)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1929-05-03)
double bass:
Mike Trafficante (on 1929-05-03)
piano:
Roy Bargy (pianist) (on 1929-05-03) and Lennie Hayton (on 1929-05-03)
reeds:
Bernard Daly (on 1929-05-03), Chester Hazlett (on 1929-05-03) and Charles Strickfaden (on 1929-05-03)
saxophone [C-melody saxophone]:
Frankie Trumbauer (on 1929-05-03)
trombone:
Boyce Cullen (trombonist) (on 1929-05-03), Jack Fulton (US jazz trombonist, composer & vocalist) (on 1929-05-03), Wilbur Hall (on 1929-05-03) and Bill Rank (on 1929-05-03)
trumpet:
Harry Goldfield (on 1929-05-03) and Charlie Margulis (on 1929-05-03)
violin:
Kurt Dieterle (on 1929-05-03), Charles Gaylord (on 1929-05-03), Matty Malneck (on 1929-05-03), Mario Perry (on 1929-05-03) and Mischa Russell (violinist) (on 1929-05-03)
vocals:
Bing Crosby (on 1929-05-03)
recording of:
Reaching for Someone (And Not Finding Anyone There) (on 1929-05-03)
writer:
Walter Donaldson and Edgar Leslie
3:21
18On, Miss Hannah
cornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer)
vocals:
Bing Crosby
orchestra:
Paul Whiteman and His Orchestra
recording of:
Oh Miss Hannah (on 1929-05-04)
writer:
Jessie L. Deppen (songwriter) and Thekla Hollingsworth (songwriter)
3:27
19Your Mother and Mine
recording of:
Your Mother and Mine (from “The Hollywood Review of 1929”)
writer:
Gus Edwards and Joe Goodwin
3:08
20Waiting at the End of the Road
recording of:
Waiting at the End of the Road (from "Hallelujah")
lyricist and composer:
Irving Berlin
2:54