| # | Title | Artist | Rating | Length |
|---|
| 1 | She's a Lady | Tom Jones | 4 | 2:52 |
| 2 | Knock Three Times | Dawn | 5 | 2:56 |
| 3 | Draggin' the Line | Tommy James | 5 | 2:49 |
| 4 | Sunshine | Jonathan Edwards | | 2:16 |
| 5 | That's the Way I've Always Heard It Should Be | Carly Simon | 3.65 | 4:17 |
| 6 | Sweet City Woman | Stampeders | | 3:25 |
| 7 | Signs | Five Man Electrical Band | 5 | 4:03 |
| 8 | Don't Pull Your Love | Hamilton, Joe Frank & Reynolds | | 2:41 |
| 9 | Never Can Say Goodbye | The Jackson 5 | 4.5 | 2:58 |
| 10 | Just My Imagination (Running Away with Me) | The Temptations | 5 | 3:47 |
| 11 | How Can You Mend a Broken Heart- recording engineer:
- Bryan Stott (in 1971-01)
- producer:
- Bee Gees and Robert Stigwood
- conductor:
- Bill Shepherd
- arranger:
- Bill Shepherd
- phonographic copyright (℗) by:
- Barry Gibb (in 1971), Maurice Gibb (in 1971) and Robin Gibb (in 1971)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1971)
- recorded at:
- IBC Studios in London , England, United Kingdom
- recording of:
- How Can You Mend a Broken Heart (in 1971-01)
- written in:
- Kensington, Kensington and Chelsea, London , England, United Kingdom
- writer:
- Barry Gibb and Robin Gibb
- publisher:
- BMG Music, Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Songs of Universal, Inc., Universal Music Careers, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Bee Gees | 4.25 | 3:59 |
| 12 | Want Ads | Honey Cone | | 2:46 |
| 13 | An Old Fashioned Love Song | Three Dog Night | 4.5 | 3:20 |
| 14 | One Toke Over the Line | Brewer and Shipley | 5 | 3:21 |
| 15 | The Night They Drove Old Dixie Down | Joan Baez | 5 | 3:23 |
| 16 | Put Your Hand in the Hand | Ocean | 3 | 2:55 |
| 17 | Indian Reservation (The Lament of the Cherokee Reservation Indian) | Raiders | 4.5 | 2:55 |
| 18 | Temptation Eyes | The Grass Roots | | 2:36 |
| 19 | Spanish Harlem- recording engineer:
- Ron Albert (on 1971-02-16) and Chuck Kirkpatrick (on 1971-02-16)
- engineer:
- Ron Albert and Chuck Kirkpatrick
- producer:
- Tom Dowd, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1971-02-16)
- drums (drum set):
- Bernard Purdie (on 1971-02-16)
- electric piano and organ:
- Donny Hathaway (on 1971-02-16)
- guitar:
- Cornell Dupree (on 1971-02-16)
- piano:
- Aretha Franklin (on 1971-02-16)
- background vocals:
- Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and The Sweethearts of Soul (on 1971-02-16)
- vocals:
- Aretha Franklin (on 1971-02-16)
- flute arranger, horn arranger, strings arranger and background vocals arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1971) and WEA International Inc. (in 1971)
- recorded at:
- Criteria Studios in Miami, Florida, United States (on 1971-02-16)
- cover recording of:
- Spanish Harlem (on 1971-02-16)
- lyricist:
- Jerry Leiber
- composer:
- Phil Spector
- publisher:
- ABKCO Music, Inc. , Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
| Aretha Franklin | 2 | 3:30 |
| 20 | Baby I'm-a Want You | Bread | 4 | 2:22 |
| 21 | If I Were Your Woman | Gladys Knight and the Pips | 3.5 | 3:12 |
| 22 | Have You Seen Her | The Chi‐Lites | 4.5 | 5:09 |
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