| # | Title | Rating | Length |
|---|
| 1 | Wouldn’t It Be Loverly? | | 6:23 |
| 2 | Just in Time | | 3:12 |
| 3 | He Was Too Good to Me- assistant recording engineer:
- Pier Alessandri , Richard Parsons and René Weis
- engineer:
- Alain Cluzeau
- producer:
- Shirley Horn and Joel E. Siegel
- assistant mixer:
- Suzanne Dyer
- mixer:
- David Baker
- bass:
- Charles Ables (on 1992-03-07)
- drums (drum set):
- Steve Williams (on 1992-03-07)
- piano:
- Shirley Horn (on 1992-03-07)
- vocals:
- Shirley Horn (on 1992-03-07)
- arranger:
- Shirley Horn
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1994)
- recorded at:
- Théâtre du Châtelet in Paris, Île-de-France, France (on 1992-03-07)
- mixed at:
- RPM Studios in New York, New York, United States
- live recording of:
- He Was Too Good to Me (on 1992-03-07)
- lyricist:
- Lorenz Hart (in 1930)
- composer:
- Richard Rodgers
- publisher:
- Warner Bros., Inc. , Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Simple Simon
| | 4:51 |
| 4 | Do It Again | | 8:16 |
| 5 | Old Country | | 5:37 |
| 6 | It’s Easy to Remember | | 6:39 |
| 7 | All Through the Night | | 2:32 |
| 8 | L.A. Break Down | | 6:47 |
| 9 | I Loves You Porgy / Here Comes de Honey Man- assistant recording engineer:
- Pier Alessandri , Richard Parsons and René Weis
- engineer:
- Alain Cluzeau
- producer:
- Shirley Horn and Joel E. Siegel
- assistant mixer:
- Suzanne Dyer
- mixer:
- David Baker
- bass:
- Charles Ables (on 1992-03-07)
- drums (drum set):
- Steve Williams (on 1992-03-07)
- piano:
- Shirley Horn (on 1992-03-07)
- vocals:
- Shirley Horn (on 1992-03-07)
- arranger:
- Shirley Horn
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1994)
- recorded at:
- Théâtre du Châtelet in Paris, Île-de-France, France (on 1992-03-07)
- mixed at:
- RPM Studios in New York, New York, United States
- live medley including a recording of:
- Here Comes de Honey Man (on 1992-03-07)
- lyricist:
- Ira Gershwin and DuBose Heyward
- composer:
- George Gershwin
- live medley including a recording of:
- I Loves You, Porgy (on 1992-03-07)
- lyricist:
- Ira Gershwin and DuBose Heyward
- composer:
- George Gershwin
- publisher:
- Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. , Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
- version of:
- Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
| | 9:44 |
| 10 | A Song for You / Goodbye- assistant recording engineer:
- Pier Alessandri , Richard Parsons and René Weis
- engineer:
- Alain Cluzeau
- producer:
- Shirley Horn and Joel E. Siegel
- assistant mixer:
- Suzanne Dyer
- mixer:
- David Baker
- bass:
- Charles Ables (on 1992-03-07)
- drums (drum set):
- Steve Williams (on 1992-03-07)
- piano:
- Shirley Horn (on 1992-03-07)
- vocals:
- Shirley Horn (on 1992-03-07)
- arranger:
- Shirley Horn
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1994)
- recorded at:
- Théâtre du Châtelet in Paris, Île-de-France, France (on 1992-03-07)
- mixed at:
- RPM Studios in New York, New York, United States
- live medley including a recording of:
- A Song for You (on 1992-03-07)
- lyricist and composer:
- Leon Russell
- publisher:
- Irving Music , Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. and Universal Music Publishing Ltd.
- sub-publisher:
- ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
- live medley including a recording of:
- Goodbye (on 1992-03-07)
- lyricist and composer:
- Gordon Jenkins
- publisher:
- Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music , Peermusic (UK) Limited, Southern Music Publishing Co., Inc. , Universal Music Corp. and WB Music Corp.
| | 12:54 |
| 11 | That Old Devil Called Love | | 7:33 |
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