Grandi Voci: Marilyn Horne

~ Release by Marilyn Horne (see all versions of this release, 1 available)

Tracklist

▼ CD 1
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1Semele: “Iris Hence Away” (Juno)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Semele, HWV 58: Act II, no. 34. "Hence, Iris, hence away" (Juno)
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
librettist:
William Congreve
part of:
Semele, HWV 58: Act II
George Frideric Handel3:51
2Rodelinda: “Dove sei” (Bertarido)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
Vienna Cantata Orchestra
conductor:
Henry Lewis (conductor)
recording of:
Rodelinda, regina de' Longobardi, HWV 19: Atto I, no. 12. "Dove sei, amato bene?" (Bertarido)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Rodelinda, regina de' Longobardi, HWV 19: Atto I
George Frideric Handel6:57
3Rodelinda: “Vivi tiranno” (Bertarido)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
Vienna Cantata Orchestra
conductor:
Henry Lewis (conductor)
recording of:
Rodelinda, regina de' Longobardi, HWV 19: Atto III, no. 66. "Vivi, tiranno!" (Bertarido)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Rodelinda, regina de' Longobardi, HWV 19: Atto III
George Frideric Handel6:08
4La clemenza di Tito: “Parto, parto” (Sesto)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Henry Lewis (conductor)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart7:14
5Alceste : “Divinités du Styx” (Alceste)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Henry Lewis (conductor)
recording of:
Alceste, Wq. 44 : Acte I. Air « Divinités du Styx » (Alceste)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
translator:
François Louis Gaud Lebland du Roullet
part of:
Alceste, Wq. 44 : Acte I
Christoph Willibald Gluck4:46
6Bolero
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Bolero
composer:
Luigi Arditi
Luigi Arditi4:28
7Carmen : Habanera “L'amour est un oiseau rebelle” (Carmen)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
Wiener Opernorchester (see annotation before use)
conductor:
Henry Lewis (conductor)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:21
8Carmen : Seguidilla “Près des remparts de Séville” (Carmen, Don José)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
tenor vocals:
William Blankenship (operatic tenor)
orchestra:
Wiener Opernorchester (see annotation before use)
conductor:
Henry Lewis (conductor)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:23
9Samson et Dalila : “Mon cœur s'ouvre à ta voix” (Dalila)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
Wiener Opernorchester (see annotation before use)
conductor:
Henry Lewis (conductor)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns6:32
10Sapho : “Où suis-je ?... O ma lyre immortelle” (Sapho)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Henry Lewis (conductor)
recording of:
Sapho: Acte III. "O ma lyre immortelle" (Sapho)
composer:
Charles Gounod (French composer)
part of:
Sapho
Charles‐François Gounod6:59
11L'italiana in Algeri: “Pronti abbiamo e ferri e mani” … “Pensa alla patria” (Isabella)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
vocals:
Geneva Opera Chorus
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Henry Lewis (conductor)
recording of:
L'italiana in Algeri: Atto II, scena 11. No. 15. Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (Coro) / “Amici, in ogni evento” / “Pensa alla patria” (Isabella, Coro)
composer:
Gioachino Rossini (composer)
librettist:
Angelo Anelli
part of:
L’italiana in Algeri: Atto II
Gioachino Rossini10:33
12La donna del lago: “Mura felici” (Malcolm)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
New York City Opera Orchestra
conductor:
Richard Bonynge (conductor and pianist)
live recording of:
La donna del lago: Atto I, scena 2. No. 3. Recitativo e cavatina “Mura felici” … “Elena! oh tu, che chiamo!” (Malcolm)
composer:
Gioachino Rossini (composer)
librettist:
Andrea Leone Tottola
part of:
La donna del lago: Atto I
Gioachino Rossini10:00