Can't kick the blues

~ Release by B.B. King (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Everyday I Have the Blues
recorded in:
Los Angeles, California, United States (in 1955)
congas:
Charles Crosby (drums) (on 1954-03-02)
guitar:
B.B. King (on 1954-03-02)
vocals:
B.B. King (on 1954-03-02)
arranger:
Maxwell Davis (1940s tenor sax and arranger "The Father of West Coast R&B")
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-03-02)
cover recording of:
Everyday I Have the Blues (on 1954-03-02)
writer:
Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
revised by:
Peter Chatman
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
2:45
2The Woman I Love
recording of:
The Woman That I Love
writer:
Joe Bihari and B.B. King
3:13
3Early in the Morning
cover recording of:
Early in the Morning
lyricist and composer:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
publisher:
MCA Music Ltd.
2:32
4Back Luck Soul
recording of:
Bad Luck Soul
writer:
B.B. King
2:14
5Three O'Clock Blues
cover recording of:
Three O’Clock Blues (First recorded in 1946)
writer:
Lowell Fulson
publisher:
Careers‐BMG Music Publishing, Inc. and Powerforce Music
3:01
6Hold That Train
cover recording of:
Hold That Train
writer:
Doctor Clayton
publisher:
Wabash Music Co. (BMI-affiliated)
3:56
7Sugar Mama
recording of:
Sugar Mama
writer:
B.B. King, Sam Ling and Jules Taub
2:42
8Treat Me Right
recording of:
Treat Me Right
writer:
B.B. King
2:17
9That Ain't the Way to Do It
recording of:
That Ain’t the Way to Do It
writer:
B.B. King and Jules Taub
2:17
10Sweet Thing
recording of:
Sweet Thing
writer:
Joe Josea and B.B. King
2:49
11The Fool
recording of:
The Fool
writer:
B.B. King
2:32
12Please Love Me
producer:
Joe Bihari
alto saxophone:
George Coleman (US jazz saxophonist) (in 1952-12)
bass:
James Walker (Bassist credited as playing with B.B. King) (in 1952-12)
congas:
Charles Crosby (drums) (in 1952-12)
drums (drum set):
Ted Curry (in 1952-12)
guitar:
B.B. King (in 1952-12)
piano:
Connie McBooker (in 1952-12)
tenor saxophone:
Bill Harvey (saxophone) (in 1952-12)
trumpet:
Floyd Jones (Soul trumpet player and arranger) (in 1952-12)
vocals:
B.B. King (in 1952-12)
arranger:
Bill Harvey (saxophone)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1953) and P‐VINE RECORDS (record label — add releases here) (in 1953)
recorded at:
ACA Studios in Houston, Texas, United States (in 1952-12)
recording of:
Please Love Me (in 1952-12)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers‐BMG Music Publishing, Inc. and Powerforce Music
2:45
13You Upset Me Baby
alto saxophone:
Jewell Grant (US saxophonist) (from 1954-08-18 until 1954-08-19)
bass:
Ralph Hamilton (US jazz/R&B bassist) (from 1954-08-18 until 1954-08-19)
drums (drum set):
Jesse Sailes (from 1954-08-18 until 1954-08-19)
guitar:
B.B. King (from 1954-08-18 until 1954-08-19)
piano:
Willard McDaniel (from 1954-08-18 until 1954-08-19)
saxophone:
Floyd Turnham (from 1954-08-18 until 1954-08-19)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger "The Father of West Coast R&B") (from 1954-08-18 until 1954-08-19)
trumpet:
Harry D. Jones (from 1954-08-18 until 1954-08-19)
vocals:
B.B. King (from 1954-08-18 until 1954-08-19)
arranger:
Maxwell Davis (1940s tenor sax and arranger "The Father of West Coast R&B")
publisher:
Intersong Music
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Modern Studios in Culver City, California, United States (from 1954-08-18 until 1954-08-19)
recording of:
You Upset Me Baby (from 1954-08-18 until 1958-08-19)
writer:
Riley B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:59
14Please Accept My Love
cover recording of:
Please Accept My Love
lyricist and composer:
Clarence Garlow
publisher:
Kamar Music and Universal Music Careers
2:33
15You've Been an Angel
recording of:
You've Been an Angel
writer:
B.B. King and Jules Taub
2:37
16Let's Do the Boogie
recording of:
Let's Do the Boogie
writer:
B.B. King and Sam Ling
2:25
17What Can I Do
recording of:
What Can I Do
writer:
B.B. King and Jules Taub
2:47
18Tomorrow Is Another Day
recording of:
Tomorrow Is Another Day
writer:
B.B. King and Sam Ling
2:50
19Why Do Things Happen to Me
cover recording of:
Why Do Everything Happen to Me?
lyricist and composer:
Roy Hawkins
2:51
20Troubles, Troubles, Troubles
cover recording of:
Troubles, Troubles, Troubles
composer:
J.J. Cale
2:55
▶ CD 2
▶ CD 3