Take Five

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1: Take Five
#TitleArtistRatingLength
1Take Five
cover recording of:
Take Five (original instrumental version)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
Hugo Strasser and His Hot Five44:38
2Let’s Do It
cover recording of:
Let’s Do It (Noël Coward version)
additional lyricist:
Noël Coward
lyricist and composer:
Cole Porter (composer)
version of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Toni Tennille43:46
3I’ve Got Five Dollars
cover recording of:
I’ve Got Five Dollars
lyricist:
Lorenz Hart (in 1931)
composer:
Richard Rodgers (composer) (in 1931)
Tony Bennett42:38
4How About You?
assistant engineer:
Judy Kirschner
engineer:
Peter Doell and Leslie Ann Jones (recording engineer)
producer:
John Oddo
mixer:
Leslie Ann Jones (recording engineer)
alto saxophone:
Brad Leali (from 1997-11 until 1998-06)
bass:
James Leary (bass) (from 1997-11 until 1998-06)
drums (drum set):
Butch Miles (from 1997-11 until 1998-06)
guitar:
Will Matthews (guitar) (from 1997-11 until 1998-06)
reeds:
Kenny Hing (from 1997-11 until 1998-06) and John Williams (saxophone & clarinet, Count Basie Orchestra) (from 1997-11 until 1998-06)
solo tenor saxophone:
Kenny Hing (from 1997-11 until 1998-06)
tenor saxophone:
Gary Foster (woodwind instrumentalist) (from 1997-11 until 1998-06)
trombone:
Clarence Banks (from 1997-11 until 1998-06), Bill Hughes (trombone) (from 1997-11 until 1998-06), David Keim (from 1997-11 until 1998-06) and Alvin Walker II (from 1997-11 until 1998-06)
trumpet:
Scotty Barnhart (from 1997-11 until 1998-06), Shawn Edmonds (from 1997-11 until 1998-06), Bob Ojeda (trumpeter) (from 1997-11 until 1998-06) and Mike Williams (US jazz trumpeter, of the Count Basie Orchestra) (from 1997-11 until 1998-06)
woodwind:
John Kelson (from 1997-11 until 1998-06) and Doug Miller (saxophone) (from 1997-11 until 1998-06)
guest vocals:
Barry Manilow (from 1997-11 until 1998-06)
vocals:
Rosemary Clooney (from 1997-11 until 1998-06)
conductor:
Grover Mitchell (trombone) (from 1997-11 until 1998-06)
recorded at:
Skywalker Sound in Nicasio, California, United States (from 1997-11 until 1998-06)
recording of:
How About You? (from 1997-11 until 1998-06)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2)
Rosemary Clooney and Barry Manilow43:07
5I’ve Never Been in Love Before
cover recording of:
I’ve Never Been in Love Before
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (Broadway musical)
Michael Feinstein42:56
6On the Street Where You Live
instrumental cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Peter Nero, Piano45:00
7Manhattan
cover recording of:
Manhattan
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Tony Bennett43:21
8Poppa Don’t Preach to Me
Lena Horne42:20
9It Might as Well Be Spring
Stéphane Grappelli, His Violin and Orchestra23:35
10It’s De‐Lovely
recording of:
It’s De‐Lovely
lyricist and composer:
Cole Porter (composer) (in 1936)
part of:
Anything Goes
part of:
Red, Hot and Blue (1936 Cole Porter musical)
Rosemary Clooney43:11
11Nice Work If You Can Get It
recording engineer and mixer:
Phil Edwards (recording engineer)
producer:
Carl E. Jefferson
bass:
Gene “Joe” Byrd (jazz lyrical bassist)
drums (drum set):
Wayne Phillips (jazz drummer)
guitar:
Charlie Byrd
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States
mixed at:
PER in San Francisco, California, United States
instrumental cover recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Charlie Byrd, His Guitar and Orchestra43:10
12Call Me IrresponsibleHelen Forrest with Harry James and His Orchestra43:09
13Pennies From Heaven
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
Mel Tormé44:29
14I Don’t Want to Walk Without You
Terry Harrington, His Clarinet and Orchestra43:05
15Mean to MeConnie Haines43:33
16New York, New York (from “On the Town”)
assistant engineer:
Christina Paakkari and Dann Thompson (sound engineer)
engineer:
Leslie Ann Jones (recording engineer)
producer:
John Burk, Maynard Ferguson and Allen Sviridoff
alto saxophone:
Gary Foster (woodwind instrumentalist) (from 1999-08-02 until 1999-08-04)
baritone saxophone:
Sal Lozano (saxophonist) (from 1999-08-02 until 1999-08-04)
bass trombone:
Bryant Byers (from 1999-08-02 until 1999-08-04)
brass:
Maynard Ferguson (from 1999-08-02 until 1999-08-04) and Bobby Shew (from 1999-08-02 until 1999-08-04)
guitar:
Dennis Budimir (from 1999-08-02 until 1999-08-04)
percussion:
Larry Bunker (from 1999-08-02 until 1999-08-04)
piano:
Earl MacDonald (jazz pianist, composer) (from 1999-08-02 until 1999-08-04)
tenor saxophone:
Jim Brenan (from 1999-08-02 until 1999-08-04) and Dan Higgins (saxophonist and woodwind recording artist) (from 1999-08-02 until 1999-08-04)
trombone:
Tom Garling (from 1999-08-02 until 1999-08-04), Alex Iles (from 1999-08-02 until 1999-08-04) and Reggie Watkins (from 1999-08-02 until 1999-08-04)
trumpet:
Adolfo Acosta (from 1999-08-02 until 1999-08-04), Wayne Bergeron (from 1999-08-02 until 1999-08-04) and Brian Ploeger (from 1999-08-02 until 1999-08-04)
tuba:
Jim Self (from 1999-08-02 until 1999-08-04)
phonographic copyright (℗) by:
Concord Records (imprint of Concord Records, Inc.)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1999-08-02 until 1999-08-04)
Michael Feinstein43:41
17Flamingo
Max Greger, His Saxophone and Orchestra42:40
18Satin Doll
recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
Maria Augusta2:11
19You Took Advantage of Me
cover recording of:
You Took Advantage of Me
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
Tony Bennett42:19
CD 2: I Got Rhythm
CD 3: In a Sentimental Mood

Credits

Release

ASIN:UK: B0054RH3DG [info]