Rewind: The 80s Album

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

Digital Media 1
Digital Media 2
#TitleArtistRatingLength
1Don’t You Want Me
assistant programming and assistant engineer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth))
programming:
Martin Rushent
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
The Human League43:59
2Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax
lyricist:
William Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Mark O’Toole (former bassist of Frankie Goes to Hollywood) and William Johnson
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.053:59
3Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth-pop duo)
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:42
4Smalltown BoyBronski Beat53:57
5The Look of Love
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4) and The Downloader’s Music Source Book (number: 73)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (The American arm of Virgin's publishing company)
part of:
Mantrap (ABC long-form film)
ABC4.13:31
6Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw4.354:31
7Temptation
recording of:
Temptation
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 174.53:26
8Love on Your Side
recording of:
Love on Your Side
writer:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
Thompson Twins3:34
9We Close Our Eyes
producer:
Gary Stevenson
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
Go West33:42
10Wherever I Lay My Hat (That’s My Home)Paul Young4:12
11Joan of Arc
engineer:
Howard Gray (UK producer, engineer, and electronic musician) and Brian Tench
producer:
Richard Manwaring (Producer) and Orchestral Manoeuvres in the Dark
recording of:
Joan of Arc
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music
Orchestral Manoeuvres in the Dark23:48
12It Doesn’t Have to Be This Way
producer:
Michael Baker (producer)
recording of:
It Doesn’t Have to Be This Way
lyricist and composer:
Robert Howard (pop songwriter)
The Blow Monkeys2.54:03
13Wishful Thinking
recording of:
Wishful Thinking
lyricist:
Eddie Lundon (China Crisis)
composer:
Gary Daly and Eddie Lundon (China Crisis)
China Crisis4:10
14Mirror in the Bathroom
producer:
Bob Sargeant
bass:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drums (drum set):
Everett Morton
guitar:
Andy Cox (of The Beat) and Dave Wakeling
saxophone:
Papa Saxa
vocals:
Ranking Roger and Dave Wakeling
part of:
Indie 88: Top 500 Indie Rock Songs (number: 282)
recording of:
Mirror in the Bathroom
writer:
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) and Dave Wakeling
publisher:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. and Zomba Enterprises, Inc.
The Beat4.753:10
15Thunder in the Mountains
Toyah Willcox4:32
Digital Media 3