The Best of Spinners

~ Release by The Spinners (see all versions of this release, 2 available)

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
1I'll Be Around
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:10
2How Could I Let You Get Away
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
How Could I Let You Get Away (in 1973)
lyricist and composer:
Yvette Davis
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners33:45
3One of a Kind (Love Affair)
The Spinners3:19
4Mighty Love
The Spinners44:56
5Ghetto Child
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Ghetto Child (in 1973)
composer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:47
6Then Came You
guest vocals:
Dionne Warwick
performer:
The Spinners (US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
writer:
Sherman Marshall and Philip Pugh
publisher:
Mijac Double Diamond Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dionne Warwick & The Detroit Spinners4.53:57
7Sadie
The Spinners3:30
8Could It Be I'm Falling in Love
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:12
9They Just Can't Stop It the (Games People Play)
The Spinners3:28
10The Rubberband Man
The Spinners4.653:32

Credits