| # | Title | Artist | Rating | Length |
|---|
| 1 | Never Really Over- programming:
- Leah Haywood, Daniel James and Zedd
- assistant engineer:
- Brian Cruz
- engineer:
- Ryan Shanahan
- producer:
- Dreamlab and Zedd
- additional mixer:
- Ryan Shanahan
- mixer:
- Zedd
- background vocals:
- Gino Barletta, Leah Haywood and Hayley Warner
- lead vocals:
- Katy Perry
- vocals:
- Katy Perry
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 2019)
- recorded at:
- Studios 301 in Sydney, New South Wales, Australia, UnSub Studios in Los Angeles, California, United States and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- Zedd 1 Studio in Los Angeles, California, United States
- engineered at:
- Westlake Recording Studios in West Hollywood, California, United States
- part of:
- Spotify: Top Hits of 2019 (number: 7)
- recording of:
- Never Really Over
- writer:
- Anton Zaslavski , Gino Barletta, Dagny Norvoll Sandvik, Jason Gill, Leah Haywood, Daniel James , Michelle Buzz , Katy Perry and Hayley Warner
- publisher:
- Copyright Control , Marquise Cut Publishing, Sony/ATV Songs LLC, Spirit B Unique , Universal Music Corp. , WC Music Corp., Buzz Recordings (in 2019), Daniel James Publishing Designee (in 2019), Gino Barletta Music (in 2019), Leah Haywood Publishing Designee (in 2019), Spirit B-Unique JV (in 2019), Warner–Tamerlane Publishing Corp. (in 2019), Warner/Chappell Music Scandinavia AB (in 2019), WB Music Corp. (in 2019), When I’m Rich You’ll Be My Bitch (in 2019) and Zedd Music Empire (in 2019)
| Katy Perry | 3.75 | 3:44 |
| 2 | bad guy- recorded in:
- Sydney, New South Wales, Australia (other instruments [accessible pedestrian signal])
- additional producer:
- Billie Eilish
- producer:
- FINNEAS
- assistant mixer:
- Casey Cuayo
- mixer:
- Rob Kinelski
- field recordings:
- Billie Eilish
- phonographic copyright (℗) by:
- Darkroom (in 2019, in 2022) and Interscope Records (in 2019, in 2022)
- recorded at:
- FINNEAS’ bedroom studio in Highland Park, Los Angeles, California, United States
- music videos:
- bad guy by Billie Eilish
- part of:
- Billboard Year-End Hot 100 singles of 2019 (number: 4), Grammy Award: Record of the Year nominees (number: 2020 winner), TheNeedleDrop: Top 50 Singles of 2019 (number: 11), Stereogum: The 200 Best Songs of the 2010s (number: 27), Rolling Stone: The 100 Best Songs of the 2010s (number: 34), Billboard Year-End Hot 100 singles of 2020 (number: 46), TheNeedleDrop: Top 100 Songs of the 2010s (number: 77), Helsingin Sanomat: 100 maailman parasta laulua (number: 97) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 178)
- recording of:
- bad guy
- writer:
- Billie Eilish O’Connell and Finneas O’Connell
- publisher:
- Drup, Last Frontier and Universal Music Corp.
- part of:
- Prix de l’œuvre internationale de l’année (number: 2020) and Grammy Award: Song of the Year nominees (number: 2020 winner)
| Billie Eilish | 3.9 | 3:14 |
| 3 | Love on Myself | Felix Jaehn feat. Calum Scott | | 2:49 |
| 4 | Heaven | Avicii | 3.6 | 4:37 |
| 5 | Piece of Your Heart | MEDUZA feat. Goodboys | | 2:33 |
| 6 | Sirens | KAAN, Snoop Dogg & Eleni Foureira | | 3:20 |
| 7 | Rescue Me | OneRepublic | | 2:44 |
| 8 | If I Can’t Have You | Shawn Mendes | 3.4 | 3:11 |
| 9 | Sucker- additional programming, drum machine programming and executive producer:
- Ryan Tedder
- engineer:
- Ben Baptie and Rich Rich
- co-producer:
- Frank Dukes
- producer:
- Ryan Tedder
- assistant mixer:
- John Hanes
- mixer:
- Serban Ghenea
- acoustic guitar, whistle and background vocals:
- Ryan Tedder
- bass:
- Louis Bell and Ryan Tedder
- drums (drum set):
- Homer Steinweiss
- electric guitar:
- Frank Dukes
- guitar:
- Andrew DeRoberts
- phonographic copyright (℗) by:
- Jonas Brothers Recording, Limited Liability Company (in 2019)
- additionally recorded at:
- Patriot Studios in Los Angeles, California, United States
- recorded at:
- St. Regis Hotel in Toronto, Ontario, Canada
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2019 (number: 10) and Grammy Award: Best Pop Duo/Group Performance nominees (number: 2020)
- recording of:
- Sucker
- additional writer:
- Carl Rosen
- writer:
- Louis Bell , Frank Dukes , Joe Jonas , Kevin Jonas, Nick Jonas and Ryan Tedder
- publisher:
- Downtown Global Two, EMI April Music Inc., Joseph Jonas Publishing, NJJ Publishing o/b/o Nick Jonas, Paul Kevin Jonas II Publishing, PKJ Publishing, LLC, Songs of Universal, Inc., Sony/ATV and Write Me a Song Publishing
| Jonas Brothers | 4.45 | 3:02 |
| 10 | Don’t Call Me Up | Mabel | 4 | 2:58 |
| 11 | Open Up | Matt Simons | | 2:48 |
| 12 | 3 Nights | Dominic Fike | | 2:58 |
| 13 | I’m So Tired… | Lauv & Troye Sivan | | 2:42 |
| 14 | What I Like About You | Jonas Blue feat. Theresa Rex | 4 | 3:40 |
| 15 | Let Me Love You | Calvo | | 3:00 |
| 16 | Truth Never Lies | Lost Frequencies feat. Aloe Blacc | | 3:12 |
| 17 | All Day and Night (Jax Jones & Martin Solveig present Europa) | Jax Jones & Martin Solveig & Madison Beer | 3.65 | 2:50 |
| 18 | Moonlight | Gaullin | 3.7 | 2:53 |
| 19 | Later Bitches | The Prince Karma | 4 | 4:09 |
| 20 | She Got Me | Luca Hänni | | 3:01 |
| 21 | Taki Taki- producer:
- DJ Snake
- phonographic copyright (℗) by:
- DJ Snake Music (in 2018)
- part of:
- Billboard Year-End Hot 100 singles of 2019 (number: 57)
- recording of:
- Taki Taki
- writer:
- Belcalis Almanzar , Ava Brignol, Selena Gomez, Jan Carlos Ozuna Rosado, Jordan Thorpe, Juan G. Rivera Vasquez , Max Borghetti, Vicente Saavedra and William Grigahcine
- publisher:
- Grigahcine EDT, Musica de Gaby Publishing , Ozuna Worldwide, Running Out the Clock Tunes , SMG Tunes, Songs of Peer, Ltd. , Sony/ATV Allegro, Sony/ATV Ballad, Universal Music Corporation , Warner–Tamerlane Publishing Corp. , Washpoppin, Inc. and Wondafool
| DJ Snake feat. Selena Gomez, Ozuna & Cardi B | 2.45 | 3:33 |
| 22 | Swan Song (from the motion picture “Alita: Battle Angel”) | Dua Lipa | 3.4 | 3:02 |
| 23 | Soldi | Mahmood | | 3:15 |
| 24 | Hola señorita | Maître Gims & Maluma | 5 | 3:26 |
Play on ListenBrainz