Early Years

~ Release by Reginald Dixon (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1Medley: You Can’t Stop Me From Dreaming / Little Old Lady / Whispers in the Dark
theatre organ:
Reginald Dixon
medley including a recording of:
Little Old Lady
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
medley including a recording of:
Whispers in the Dark (from the film “Artists and Models”)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Friedrich Hollaender
part of:
The 10th Academy Award for Best Original Song (number: 2)
medley including a recording of:
You Can’t Stop Me From Dreaming
writer:
Dave Franklin (cartoon music composer) and Cliff Friend (US composer, lyricist & pianist)
3:03
2Medley: Horsey, Horsey / Afraid to Dream / Goodnight to You All
theatre organ:
Reginald Dixon
medley including a recording of:
Afraid to Dream
lyricist and composer:
Mack Gordon and Harry Revel (British-born American composer)
medley including a instrumental recording of:
Afraid to Dream
lyricist and composer:
Mack Gordon and Harry Revel (British-born American composer)
medley including a instrumental recording of:
Goodnight to You All
writer:
Nigel Francis Fletcher and Robert George Woodward
medley including a instrumental recording of:
Horsey Horsey
writer:
Ralph Butler, Desmond Cox, Elton Box and Paddy Roberts (singer/songwriter)
2:52
3Medley: The Music Goes ’round and Round / Lights Out / Take Me Back to My Boots & Saddle
theatre organ:
Reginald Dixon
medley including a recording of:
Lights Out
writer:
Billy Hill (US songwriter)
medley including a recording of:
Take Me Back to My Boots and Saddle
lyricist and composer:
Teddy Powell, Walter G. Samuels and Leonard Whitcup
publisher:
Schuster and Miller, Inc. (on 1935-10-02)
medley including a recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson)
lyricist:
Red Hodgson (in 1935)
composer:
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) and Mike Riley (US jazz trombonist & songwriter) (in 1935)
2:57
4Medley: When the Poppies Bloom Again / I Dream of San Marino / I’m in a Dancing Mood
theatre organ:
Reginald Dixon
medley including a recording of:
I Dream Of San Marino
writer:
Vincent Shields
medley including a recording of:
I'm in a Dancing Mood
composer:
Al Goodhart, Al Hoffman and Maurice Sigler
medley including a recording of:
When The Poppies Bloom Again
writer:
Morton Morrow (songwriter), Don Pelosi and Leo Towers (songwriter)
3:00
5Medley: In the Chapel in the Moonlight / Way You Look Tonight / When a Lady Meets a Gentleman Down South
theatre organ:
Reginald Dixon
medley including a instrumental recording of:
In the Chapel in the Moonlight
lyricist and composer:
Billy Hill (US songwriter) (in 1936)
medley including a recording of:
In the Chapel in the Moonlight
lyricist and composer:
Billy Hill (US songwriter) (in 1936)
medley including a recording of:
In the Chapel in the Moonlight
lyricist and composer:
Billy Hill (US songwriter) (in 1936)
medley including a recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
medley including a recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
medley including a instrumental recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
medley including a instrumental recording of:
When a Lady Meets a Gentleman Down South
writer:
Michael N. Cleary, Jacques Krakeur II and David Oppenheim (songwriter, composer)
medley including a recording of:
When a Lady Meets a Gentleman Down South
writer:
Michael N. Cleary, Jacques Krakeur II and David Oppenheim (songwriter, composer)
2:42
6Medley: When I’m With You / A Fine Romance / Sing Baby Sing
theatre organ:
Reginald Dixon
medley including a recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
medley including a recording of:
Sing, Baby, Sing
lyricist:
Jack Yellen
composer:
Lew Pollack
medley including a recording of:
When I'm With You
writer:
Mack Gordon and Harry Revel (British-born American composer)
3:01
7Medley: Did Your Mother Come From Ireland? / When Did You Leave Heaven? / Oh! My Goodness
theatre organ:
Reginald Dixon
medley including a recording of:
Did Your Mother Come From Ireland?
writer:
Michael Carr (songwriter) and Jimmy Kennedy (Irish songwriter)
medley including a instrumental recording of:
Did Your Mother Come From Ireland?
writer:
Michael Carr (songwriter) and Jimmy Kennedy (Irish songwriter)
medley including a instrumental recording of:
Oh, My Goodness
writer:
Mack Gordon and Harry Revel (British-born American composer)
medley including a recording of:
Oh, My Goodness
writer:
Mack Gordon and Harry Revel (British-born American composer)
medley including a instrumental recording of:
When Did You Leave Heaven?
lyricist:
Walter Bullock
composer:
Richard A. Whiting
publisher:
EMI April Music Inc., EMI Robbins Catalog Inc. (ASCAP), SBK Robbins Catalog, Inc. and Whiting Music Corp.
part of:
The 9th Academy Award for Best Original Song (number: 2)
3:03
8Medley: It Looks Like Rain in Cherry Blossom Lane / Greatest Mistake of My Life / Wake Up and Live
theatre organ:
Reginald Dixon
medley including a instrumental recording of:
It Looks Like Rain in Cherry Blossom Lane
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
medley including a recording of:
It Looks Like Rain in Cherry Blossom Lane
lyricist:
Edgar Leslie
composer:
Joe Burke (American composer)
medley including a recording of:
The Greatest Mistake of My Life
lyricist and composer:
James Nelson (songwriter)
medley including a instrumental recording of:
The Greatest Mistake of My Life
lyricist and composer:
James Nelson (songwriter)
medley including a instrumental recording of:
Wake Up and Live
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
3:07
9Dixon Hits Medley No. 7 Pt. 1: Is It True What They Say About Dixie? / Sweetheart, Let’s Grow Old Together / The Touch of Your Lips3:08
10Bells Across the Meadow
theatre organ:
Reginald Dixon
recording of:
Bells Across the Meadows
composer:
Albert Ketèlbey (English composer) (in 1921)
3:06
11Medley: Music, Maestro, Please / Little Lady Make‐Believe
theatre organ:
Reginald Dixon
medley including a recording of:
Little Lady Make-Believe
writer:
Nat Simon and Charles Tobias (Tin Pan Alley songwriter)
medley including a instrumental recording of:
Music Maestro Please
lyricist:
Herb Magidson (in 1938)
composer:
Allie Wrubel (US composer and songwriter) (in 1938)
medley of:
Spela maestro
3:03
12Medley: Lost / Lovely Lady / The Glory of Love
theatre organ:
Reginald Dixon
medley including a recording of:
Lost
writer:
Johnny Mercer, Phil Ohman and Macy O. Teetor
medley including a recording of:
Lovely Lady
writer:
Ted Koehler and Jimmy McHugh (songwriter)
medley including a recording of:
The Glory of Love
lyricist and composer:
Billy Hill (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:02
13Medley: Sally / Love Is Everywhere / Looking on the Bright Side
theatre organ:
Reginald Dixon
medley including a instrumental recording of:
Looking on the Bright Side (credited to "Flynn")
writer:
Howard Flynn
medley including a recording of:
Looking on the Bright Side (credited to "Flynn")
writer:
Howard Flynn
medley including a recording of:
Love Is Everywhere
writer:
Harry Parr-Davies
medley including a instrumental recording of:
Sally (Sally In Our Alley)
writer:
Will E. Haines, Harry Leon and Leo Towers (songwriter)
3:02
14Medley: Smile When You Say Goodbye / When I Grow Too Old to Dream / Sing as We Go
theatre organ:
Reginald Dixon
medley including a recording of:
Sing as We Go
composer:
Harry Parr-Davies
medley including a instrumental recording of:
Sing as We Go
composer:
Harry Parr-Davies
medley including a instrumental recording of:
Smile When You Say Goodbye
lyricist and composer:
Harry Parr-Davies
medley including a recording of:
Smile When You Say Goodbye
lyricist and composer:
Harry Parr-Davies
medley including a instrumental recording of:
When I Grow Too Old to Dream
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1934)
composer:
Sigmund Romberg (in 1934)
publisher:
EMI United Partnership Ltd. and Robbins Music
translated version of:
Altijd zal het zomer zijn
2:55
15Medley: The Desert Song / Deep in My Heart, Dear / Dream Lover
theatre organ:
Reginald Dixon
medley including a instrumental recording of:
Dream Lover
lyricist and composer:
Bobby Darin
publisher:
Screen Gems–EMI Music Ltd.
medley including a recording of:
Dream Lover
lyricist:
Clifford Grey
composer:
Victor Schertzinger
part of:
The Love Parade (1929 American musical comedy film)
medley including a recording of:
The Desert Song
composer:
Sigmund Romberg
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach and Frank Mandel
medley including a partial instrumental recording of:
The Desert Song
composer:
Sigmund Romberg
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach and Frank Mandel
medley including a instrumental recording of:
The Student Prince, Act I: Deep in My Heart, Dear (Karl Franz, Kathie)
lyricist:
Dorothy Donnelly
composer:
Sigmund Romberg
publisher:
Chappell Music Ltd. and Redwood Music Ltd. (Carlin)
part of:
The Student Prince: Act I
3:06
16Medley: Laughing Irish Eyes / It’s a Sin to Tell a Lie / On the Beach at Bali Bali
theatre organ:
Reginald Dixon
medley including a recording of:
It’s a Sin to Tell a Lie
lyricist and composer:
Billy Mayhew (in 1936)
medley including a recording of:
Laughing Irish Eyes
lyricist:
Sidney Mitchell
composer:
Sam H. Stept
medley including a recording of:
On the Beach at Bali Bali
writer:
Jack Meskill, Al Sherman (Tin Pan Alley songwriter) and Abner Silver
3:00
17Medley: At the Cafe Continental / Empty Saddles / A Pretty Girl Is Like a Melody
theatre organ:
Reginald Dixon
medley including a recording of:
A Pretty Girl is Like a Melody (from "Ziegfeld Follies of 1919")
writer:
Irving Berlin
medley including a recording of:
At The Cafe Continental
writer:
Wilhelm Grosz (aka Hugh Williams) and Jimmy Kennedy (Irish songwriter)
medley including a recording of:
Empty Saddles
lyricist and composer:
Billy Hill (US songwriter)
3:05
18Medley: You’re Here, You’re There, You’re Everywhere / Ten Pretty Girls / Love Is Good for Anything That Ails You
theatre organ:
Reginald Dixon
medley including a recording of:
Love Is Good for Anything That Ails You
writer:
Cliff Friend (US composer, lyricist & pianist) and Matty Malneck
medley including a recording of:
Ten Pretty Girls
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Wilhelm Grosz (aka Hugh Williams)
medley including a recording of:
You're Here, You're There, You're Everywhere
writer:
Irving Kahal and John Jacob Loeb
3:05
19Martial Moments, No. 1: Entry of the Gladiators / Punjaub / Sons of the Brave / Colonel Bogey
theatre organ:
Reginald Dixon
medley including a recording of:
Colonel Bogey
composer:
Malcolm Arnold (composer) and Kenneth J. Alford (in 1914)
medley including a recording of:
Punjaub
composer:
Roger Payne (UK Trumpeter)
medley including a recording of:
Sons of the Brave
composer:
Thomas Bidgood (English composer) (in 1898)
medley including a recording of:
Vjezd gladiátorů, op. 68
composer:
Julius Fučík (Czech composer) (in 1897)
2:59
20Martial Moments, No. 2: Old Comrades / Under the Double Eagle / Sylvia / Namur / With Sword and Lance / Semper Fidelis / The Washington Post / Light o Foot
theatre organ:
Reginald Dixon
medley including a recording of:
Alte Kameraden
composer:
Carl Teike (in 1889)
publisher:
Edition Eurocord
medley including a recording of:
Light of Foot
composer:
Carl Latann
medley including a recording of:
Mit Schwert und Lanze
composer:
Hermann Starke (in 1900)
medley including a recording of:
Namur March
composer:
Capt. William V. Richards (in 1913)
medley including a recording of:
Semper Fidelis
composer:
John Philip Sousa (conductor and composer) (in 1888)
medley including a recording of:
Sylvia
composer:
Léo Delibes (composer)
medley including a recording of:
The Washington Post
composer:
John Philip Sousa (conductor and composer) (in 1889)
arrangement of:
Washington Post
medley including a recording of:
Unter dem Doppeladler, op. 159
composer:
J. F. Wagner (in 1893)
2:58