NOW 100 Hits: Movies

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Digisleeve packaging

Annotation last modified on 2019-09-30 19:26 UTC.

Tracklist

▶ CD 1
▶ CD 2
▶ CD 3
▼ CD 4
#TitleArtistRatingLength
1St. Elmo’s Fire (Man in Motion) (St. Elmo’s Fire)
producer:
David Foster (Canadian music producer, arranger and composer)
brass [horns] arranger:
David Foster (Canadian music producer, arranger and composer) and Jerry Hey
part of:
TV Cream: Real 100 Best Singles Ever (number: 85)
recording of:
St. Elmo’s Fire
writer:
David Foster (Canadian music producer, arranger and composer) and John Parr
publisher:
Foster Frees Music Inc. and Gold Horizon Music Corp.
John Parr44:09
2Eye of the Tiger (Rocky III)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Ensign Music Corporation, Sony/ATV Melody, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Survivor4.83:48
3Live and Let Die (Live and Let Die)
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI United Partnership Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
part of:
The 46th Academy Award for Best Original Song (number: 2)
Paul McCartney & Wings4.13:10
4Lara’s Theme (Doctor Zhivago)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
arranger and orchestrator:
Nic Raine
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only)
recorded at:
Smecky Music Studios in Praha, Czechia
cover recording of:
Lara’s Theme
composer:
Maurice Jarre
publisher:
Big 3 Music Ltd. and EMI United Publishers
part of:
Doctor Zhivago
The City of Prague Philharmonic Orchestra conducted by Paul Bateman3:18
5Writing’s on the Wall (Spectre)
recording of:
Writing’s on the Wall (Sam Smith song)
writer:
Jimmy Napes and Sam Smith (English singer‐songwriter)
part of:
The 88th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 88)
Sam Smith2.53:45
6Still Falling for You (Bridget Jones’s Baby)
recording of:
Still Falling For You
Ellie Goulding33:42
7Just Like Fire (Alice Through the Looking Glass)
programming:
Oscar Holter and Shellback
engineer:
Sam Holland (sound engineer) and John Cranfield (engineer)
producer:
Oscar Holter, Max Martin and Shellback
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
guitar [guitars] and keyboard [keyboards]:
Oscar Holter and Shellback
background vocals:
Max Martin and Shellback
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Conway Studios in Hollywood, Los Angeles, California, United States, MXM Studios (Stockholm) in Stockholm, Stockholms län, Sweden and Wolf Cousins Studios in Stockholm, Stockholms län, Sweden
recording of:
Just Like Fire (in 2016)
writer:
Alecia Moore (American singer/songwriter), Oscar Holter, Johan Schuster and Max Martin
P!nk2.753:36
8Lovefool (Romeo & Juliet)
engineer and producer:
Tore Johansson
bass guitar:
Magnus Sveningsson
drums (drum set) and percussion:
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
background vocals:
Magnus Sveningsson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne, Sweden
produced at:
Tambourine Studios in Malmö, Skåne, Sweden
recording of:
Lovefool
lyricist:
Nina Persson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal–Songs of PolyGram International, Inc.
The Cardigans3.73:15
9Here With Me (Love Actually)
recording of:
Here With Me
writer:
Dido Armstrong (English singer‐songwriter), Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Paul Statham
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dido4:06
10Swan Song (Alita: Battle Angel)
programming and producer:
Mattman & Robin (Swedish songwriting and production duo)
engineer:
John Hanes (audio engineer, mixer)
additional producer:
Lorna Blackwood
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
bass, piano, strings and synthesizer:
Tom Holkenborg (Dutch DJ/score composer, aka Junkie XL) and Mattman & Robin (Swedish songwriting and production duo)
brass and horn:
Tom Holkenborg (Dutch DJ/score composer, aka Junkie XL)
drums (drum set), guitar and percussion:
Mattman & Robin (Swedish songwriting and production duo)
background vocals:
Kennedi Lykken and Mattman & Robin (Swedish songwriting and production duo)
vocals:
Dua Lipa
vocals arranger:
Lorna Blackwood
phonographic copyright (℗) by:
Dua Lipa Limited (in 2019)
music videos:
Swan Song by Dua Lipa
recording of:
Swan Song
writer:
Robin Fredriksson (of Mattman & Robin), Tom Holkenborg (Dutch DJ/score composer, aka Junkie XL), Kennedi Lykken, Mattias Larsson (of Mattman & Robin), Dua Lipa and Justin Tranter
Dua Lipa3.43:00
11The Greatest Show (The Greatest Showman)
engineer:
Derik Lee (engineer)
producer:
Ryan Lewis, Jake Sinclair and Greg Wells
mixer:
Greg Wells
arranger:
Rob Mathes
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recording of:
The Greatest Show
writer:
Ryan Lewis, Benj Pasek and Justin Paul
part of:
The Greatest Showman (2017 musical film)
Hugh Jackman, Keala Settle, Zac Efron, Zendaya & The Greatest Showman Ensemble25:02
12Pretty in Pink (Pretty in Pink)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (Co-founder Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30)
The Psychedelic Furs4:11
13I’m on My Way (Shrek)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
recording of:
I’m on My Way
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Proclaimers4.353:43
149 to 5 (9 to 5)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2)
Dolly Parton4.052:46
15You Make My Dreams ((500) Days of Summer)
producer:
Daryl Hall and John Oates
vocals:
Daryl Hall and John Oates
arranger:
Daryl Hall and John Oates
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
recording of:
You Make My Dreams
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Geomantic Music, Hot Cha Music Co., Primary Wave Brian and Unichappell Music, Inc.
sub-publisher:
フジパシフィックミュージック BMG事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Daryl Hall & John Oates4.053:07
16For What It’s Worth (Forrest Gump)
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.452:37
17I Walk the Line (I Walk the Line)
recording of:
I Walk the Line
lyricist and composer:
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (Publisher), Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) and House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash2:56
18Remember (Walkin’ in the Sand) (Goodfellas)
recording of:
Remember (Walkin' in the Sand)
lyricist and composer:
George “Shadow” Morton
The Shangri‐Las2:19
19Main Theme from Taxi Driver
Bernard Herrmann2:15
20Lawrence of Arabia Overture (Lawrence of Arabia)
engineer:
Dick Lewzey and Jonathan Miller (UK engineer)
producer:
Geoffrey Alexander
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1989-01-10 until 1989-01-11)
conductor:
Tony Bremner (from 1989-01-10 until 1989-01-11)
arranger and orchestrator:
Christopher Palmer (arranger) and Gerard Schurmann
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (from 1989-01-10 until 1989-01-11)
cover recording of:
Overture (Lawrence of Arabia)
orchestrator:
Gerard Schurmann
composer:
Maurice Jarre
publisher:
Shapiro, Bernstein & Co., Inc.
part of:
Lawrence of Arabia
part of:
Lawrence of Arabia: Suite
The Philharmonia Orchestra conducted by Tony Bremner34:26
▶ CD 5

Credits

Release group

part of:Now 100 Hits ("Now That's What I Call Music!" series spin-off, UK) (order: 7)