HCC Classic

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Annotation

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Annotation last modified on 2006-11-05 14:42 UTC.

Tracklist

▼ Medium 1
#	Title	Artist	Rating	Length
1	Water Music Suite No. 2 in D, HWV 349: Alla Hornpipe orchestra and performer: Linde Consort (Swiss ensemble led by Hans-Martin Linde) conductor: Hans-Martin Linde (flutist and conductor) and Martin Linde recording of: Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 2 in D major, HWV 349	Georg Friedrich Händel		4:04
2	Solomon, HWV 67: Act Three: The arrival of the Queen of Sheba producer: John Fraser (UK producer) harpsichord: Ian Watson (conductor and keyboardist) orchestra: Academy of St. Martin‐in‐the‐Fields (from 1983-06-27 until 1983-06-28) conductor: Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28) balance engineer: Stuart Eltham (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28) recording of: Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28) composer: George Frideric Handel (German‐British baroque composer) (in 1748) publisher: Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft part of: Solomon, HWV 67: Act III	Georg Friedrich Händel		2:48
3	Horn Concerto No. 4 in E-flat major, K. 495: III. Rondo producer: David Groves (classical music producer at EMI) horn: Radovan Vlatković (horn player) (from 1985-11-07 until 1985-11-09) orchestra: English Chamber Orchestra (from 1985-11-07 until 1985-11-09) conductor: Jeffrey Tate (conductor) (from 1985-11-07 until 1985-11-09) balance engineer: Mark Vigars (engineer) (from 1985-11-07 until 1985-11-09) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-07 until 1985-11-09) recording of: Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1985-11-07 until 1985-11-09) composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Concerto for Horn no. 4 in E-flat major, K. 495	Wolfgang Amadeus Mozart		3:46
4	El amor brujo, G. 68: Danza ritual del fuego orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Carlo Maria Giulini (conductor) recording of: El amor brujo: VIII. Danza ritual del fuego composer: Manuel de Falla (Spanish composer) part of: El amor brujo (for symphony orchestra)	Manuel de Falla		4:14
5	L'Arlésienne, Suite No. 2: VIII. Farandole orchestra: Orchestre national de France (RTF / ORTF / Radio France) conductor: 小澤征爾 (conductor and composer) recording of: L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) composer: Georges Bizet (composer) (in 1872) arranger: Ernest Guiraud part of: L’Arlésienne Suite no. 2 (for orchestra)	Georges Bizet		3:17
6	Jesu, Joy of Man's Desiring producer: John Fraser (UK producer) harpsichord: Ian Watson (conductor and keyboardist) oboe: Celia Nicklin (oboist) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) arranger and orchestrator: Sir Neville Marriner (conductor) balance engineer: Stuart Eltham (engineer) recording of: Jesu, Joy of Man’s Desiring orchestrator: Leopold Stokowski (conductor) lyricist: Robert Bridges (poet) composer: Johann Sebastian Bach (German Baroque period composer & musician) translated version of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		5:14
7	Peer Gynt Suite No. 1, Op. 46: I. Morning producer: Lawrance Collingwood choir vocals: Beecham Choral Society soprano vocals: Ilse Hollweg (soprano) orchestra: Royal Philharmonic Orchestra (from 1956-11-05 until 1957-04-01, in 1957) conductor: Sir Thomas Beecham (conductor) (from 1956-11-05 until 1957-04-01, in 1957) chorus master: Denis Vaughan balance engineer: Robert Beckett (classical recording engineer, EMI mainly) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1956-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-11-05 until 1957-04-01) recording of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1956-11-05 until 1957-04-01) composer: Edvard Grieg (composer) (in 1875) librettist: Henrik Ibsen (in 1867) part of: Peer Gynt, op. 23	Edvard Grieg		4:12
8	String Quartet in E, Op. 13 No. 5: III. Minuet engineer: Stuart Eltham (engineer) producer: John Fraser (UK producer) orchestra: Academy of St Martin in the Fields (in 1986) conductor: Sir Neville Marriner (conductor) (in 1986) recording of: Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986) orchestrator: Charles Woodhouse (violinist, arranger, composer) composer: Luigi Boccherini (composer) (in 1771) orchestration of: Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) recording of: Quintet for 2 Violins, Viola, and 2 Cellos no. 18 in E major, op. 13 no. 6, G. 282: III. Minuetto e Trio composer: Luigi Boccherini (composer) (in 1772) part of: Quintet for 2 Violins, Viola, and 2 Cellos no. 18 in E major, op. 13 no. 6, G. 282	Luigi Boccherini		3:54
9	Royal Fireworks Music, HWV 351: IV. La Réjouissance orchestra: Menuhin Festival Orchestra (in 1968) conductor: Yehudi Menuhin (violinist) (in 1968) recording of: Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1968) composer: George Frideric Handel (German‐British baroque composer) (in 1749) part of: Music for the Royal Fireworks, HWV 351	Georg Friedrich Händel		2:22
10	Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie producer: John Fraser (UK producer) cello [cello continuo]: Denis Vigay (cellist) (from 1984-11-03 until 1984-11-08) flute: William Bennett (flautist) (from 1984-11-03 until 1984-11-08) harpsichord [harpsichord continuo]: Alastair Ross (organist and harpsichordist) (from 1984-11-03 until 1984-11-08) orchestra: Academy of St Martin in the Fields (from 1984-11-03 until 1984-11-08) conductor: Sir Neville Marriner (conductor) (from 1984-11-03 until 1984-11-08) phonographic copyright (℗) by: Warner Classics UK (not for release label use! for copyrights use only) (in 1985) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-11-03 until 1984-11-08) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (from 1984-11-03 until 1984-11-08) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067	Johann Sebastian Bach		1:27
11	Romance No. 2 in F major, Op. 50 producer: Christopher Bishop (conductor/producer) violin: Josef Suk (violinist/conductor, 1929-2011) (in 1970-03) orchestra: Academy of St Martin in the Fields (in 1970-03) conductor: Sir Neville Marriner (conductor) (in 1970-03) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1970-03) recording of: Romance for Violin and Orchestra no. 2 in F major, op. 50 (in 1970-03) composer: Ludwig van Beethoven (German composer) (in 1798) part of: Works of Ludwig van Beethoven by opus number (number: op. 50)	Ludwig van Beethoven		8:27
12	Pomp & Circumstance March, Op. 39 No. 1 in D producer: James W. Burnett (producer) and Victor Olof orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1962-08-29) conductor: Sir John Barbirolli (conductor and cellist) (on 1962-08-29) balance engineer: Harold Davidson (classical sound engineer, active from late 1950's) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1963, in 1988) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-08-29) recording of: Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (on 1962-08-29) premiered in: Liverpool, Merseyside, England, United Kingdom (on 1901-10-19) publisher: Sir Edward Elgar (dec’d) (composer) composer: Edward Elgar (composer) (in 1901) publisher: Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) part of: Pomp and Circumstance Military Marches, op. 39	Sir Edward Elgar		6:38
13	The Four Seasons: Allegro harpsichord: Paul Crocker (harpsichord) (in 1979-12) violin: Yehudi Menuhin (violinist) (in 1979-12) orchestra: Camerata Lysy Gstaad (in 1979-12) conductor: Alberto Lysy (violinist and conductor) (in 1979-12) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-12) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1979-12) composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”	Antonio Vivaldi		3:41
14	Adagio in G Minor for Strings and Organ orchestra: Royal Liverpool Philharmonic Orchestra conductor: Sir Charles Groves (conductor)	Tomaso Giovanni Albinoni		7:24
15	Carmina Burana: O Fortuna choir vocals: Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) chorus master: Norbert Pallatsch recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		2:40