Tracklist

CD 1
#TitleArtistRatingLength
1Ecco la primavera
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Ecco la primavera
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini1:16
2Lamento di Tristano
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Lamento di Tristano
composer:
XIVth century anonymous (special purpose artist)
[anonymous]2:50
3Giunta vaga biltà
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Giunta vaga biltà
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini3:24
4Questa fanicull' amor
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Questa fanciulla, amor
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini4:33
5Trotto
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Trotto (From a document in the British Library in London, Add MS 29987)
composer:
[anonymous] (special purpose artist)
[anonymous]1:47
6De! Dinmi tu
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Deh, dimmi tu
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini2:49
7Con dolce brama
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Con dolce brama
composer:
Maestro Piero (Italian medieval composer, fl. 1340-1350)
Magister Piero1:53
8Due saltarelli
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Saltarello No. 1 (From a document in the British Library in London (Ms.29987))
composer:
[anonymous] (special purpose artist)
recording of:
Saltarello No.2 (From a document in the British Library in London (Ms.29987))
composer:
[anonymous] (special purpose artist)
[anonymous]3:04
9Rosetta
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Rosetta
composer:
Antonio Zacara da Teramo
Antonio Zacara da Teramo2:33
10Quan ye voy le duç
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Quan ye voy le duç tens venir (Codice Panciatichi 26 della Biblioteca Nazionale Centrale di Firenze)
composer:
XIIIth cent. anonymous (special purpose artist)
[anonymous]2:22
11Cara mie donna
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Cara mie donna, S. 188
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini3:57
12La bionda treçça
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
La bionda treçça, S. 18
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini1:31
13La manfredina
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
La Manfredina / La Rotta (From a document in the British Library in London (Ms.29987))
composer:
[anonymous] (special purpose artist)
[anonymous]1:40
14Donna'l tuo partimento
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Donna'l tuo partimento
composer:
Francesco Landini (Italian composer, singer, organist & poet, ca. 1325-1397)
Francesco Landini1:40
15Chon brachi assai
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Con brachi assai
composer:
Giovanni da Firenze (also "da Cascia")
Giovanni da Firenze3:25
16Istampita ghaetta
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Istampita Ghaetta
composer:
[anonymous] (special purpose artist)
[anonymous]3:58
17Dà, dà, a chi avaregia
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Dà, dà a chi avaregia
composer:
Lorenzo da Firenze (14th century composer)
Lorenzo da Firenze3:46
18Fenice fu' e vissi
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Fenice fu e vissi
composer:
Jacopo da Bologna (Italian ars nova composer, fl. c. 1340-1386)
Jacopo da Bologna2:46
19Biance flour
producer:
Michael Bremner (producer/engineer)
crumhorn, recorder and shawm:
David Munrow (UK early music historian & musician)
harp, organ and percussion:
Christopher Hogwood (conductor, harpsichordist)
lute:
Robert Spencer (English lutenist, guitarist & musicologist)
trombone:
Alan Lumsden
vielle:
Mary Remnant
viola:
Oliver Brookes
countertenor vocals:
James Bowman (UK countertenor)
tenor vocals:
Martyn Hill (tenor) and Nigel Rogers (tenor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1970)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Biance flour
composer:
[anonymous] (special purpose artist)
[anonymous]1:57

Credits

Release group

part of:Norman Lebrecht's 100 Best Recordings of Classical Music (number: 52) (order: 52)